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Coleman - Hacker, hoaxer, whistleblower, spy: the many faces of anonymous

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Coleman Hacker, hoaxer, whistleblower, spy: the many faces of anonymous
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Du site de ld.: Gabriella Colemans Hacker, Hoaxer, Whistleblower, Spy: The Many Faces of Anonymous (Verso, 2014) is a powerful ethnography of the making and remaking of networked computational infrastructures and their animating publics and politics. Taking a multi-method anthropological approach to understanding the unruly online collective known as Anonymous, Coleman creatively continues Diana Forsythes legacy of getting underneath the cultural logics motivating projects of computational representation and culture. In her unique ethnographic exploration, she tracks affiliated participants across virtual and physical spaces, providing a rich and highly intricate understanding of the labyrinthine worlds that her hacker-activist subjects occupy. Writing on a much-criticized and often misunderstood technosocial movement lacking a fixed or overarching structure, Colemans original book deftly navigates the complexities, ambiguities, and controversies of digital forms of activism. At once intellectually rigorous, impressively thorough, and captivatingly readable, Hacker, Hoaxer, Whistleblower, Spy speaks to a wide audience with sophistication and nuance, offering highly generative analysis and eliciting multiple readings that bring us closer to (if never overcoming) the contradictions and uncertainties of her subject matter. Where Anonymous have often been demonized or dismissed in popular media, Coleman refuses the gross fetish of stereotypes so often mobilized in its characterization, instead astutely reading Anonymous as a new and important kind of political collective exposing and acting against the security state and its attacks on fundamental freedoms. Throughout the book, Coleman shifts reflexively between numerous roles: an anthropologist studying sometimes-illegal activity; a participant-observer in an online world; a go-between and translator of sorts between the collective and the public. In the process, she offers a timely and immensely relevant contribution to critical contemporary scholarship and public debates on technology, digital worlds, social movements, and incipient forms of politics. Expertly probing the social, ethical, and political spheres of democracy and voice in our contemporary world, Colemans generous approach opens space to consider the new possibilities for politics, direct action, solidarity, and organizing that are too easily erased or distorted. Enchantment, in her account-that of Anonymous, and her own-presents as an ethical and political possibility, a means of sustaining or cultivating hope, a form that works to propel disruption and change. For opening new channels of thought into our technological present and characterizing new forms of politics in-the-making, this brave scholar and her vivid book deserve our highest prize. Read more...
Abstract: Du site de ld.: Gabriella Colemans Hacker, Hoaxer, Whistleblower, Spy: The Many Faces of Anonymous (Verso, 2014) is a powerful ethnography of the making and remaking of networked computational infrastructures and their animating publics and politics. Taking a multi-method anthropological approach to understanding the unruly online collective known as Anonymous, Coleman creatively continues Diana Forsythes legacy of getting underneath the cultural logics motivating projects of computational representation and culture. In her unique ethnographic exploration, she tracks affiliated participants across virtual and physical spaces, providing a rich and highly intricate understanding of the labyrinthine worlds that her hacker-activist subjects occupy. Writing on a much-criticized and often misunderstood technosocial movement lacking a fixed or overarching structure, Colemans original book deftly navigates the complexities, ambiguities, and controversies of digital forms of activism. At once intellectually rigorous, impressively thorough, and captivatingly readable, Hacker, Hoaxer, Whistleblower, Spy speaks to a wide audience with sophistication and nuance, offering highly generative analysis and eliciting multiple readings that bring us closer to (if never overcoming) the contradictions and uncertainties of her subject matter. Where Anonymous have often been demonized or dismissed in popular media, Coleman refuses the gross fetish of stereotypes so often mobilized in its characterization, instead astutely reading Anonymous as a new and important kind of political collective exposing and acting against the security state and its attacks on fundamental freedoms. Throughout the book, Coleman shifts reflexively between numerous roles: an anthropologist studying sometimes-illegal activity; a participant-observer in an online world; a go-between and translator of sorts between the collective and the public. In the process, she offers a timely and immensely relevant contribution to critical contemporary scholarship and public debates on technology, digital worlds, social movements, and incipient forms of politics. Expertly probing the social, ethical, and political spheres of democracy and voice in our contemporary world, Colemans generous approach opens space to consider the new possibilities for politics, direct action, solidarity, and organizing that are too easily erased or distorted. Enchantment, in her account-that of Anonymous, and her own-presents as an ethical and political possibility, a means of sustaining or cultivating hope, a form that works to propel disruption and change. For opening new channels of thought into our technological present and characterizing new forms of politics in-the-making, this brave scholar and her vivid book deserve our highest prize

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HACKER HOAXER WHISTLEBLOWER SPY HACKER HOAXER WHISTLEBLOWER SPY THE MANY - photo 1

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HACKER, HOAXER, WHISTLEBLOWER, SPY

HACKER, HOAXER,
WHISTLEBLOWER, SPY
THE MANY FACES OF ANONYMOUS
Gabriella Coleman

Hacker hoaxer whistleblower spy the many faces of anonymous - image 3

First published by Verso 2014

Gabriella Coleman 2014

The partial or total reproduction of this publication, in electronic form or otherwise, is consented to for noncommercial purposes, provided that the original copyright notice and this notice are included and the publisher and the source are clearly acknowledged. Any reproduction or use of all or a portion of this publication in exchange for financial consideration of any kind is prohibited without permission in writing from the publisher.

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The moral rights of the author have been asserted

1 3 5 7 9 10 8 6 4 2

Verso

UK: 6 Meard Street, London W1F 0EG

US: 20 Jay Street, Suite 1010, Brooklyn, NY 11201

www.versobooks.com

Verso is the imprint of New Left Books

ISBN-13: 978-1-78168-583-9

eISBN-13: 978-1-78168-584-6 (US)

eISBN-13: 978-1-78168-689-8 (UK)

British Library Cataloguing in Publication Data

A catalogue record for this book is available from the British library

Library of Congress Cataloging-in-Publication Data

A catalog record for this book is available from the library of congress

Typeset in Sabon by MJ & N Gavan, Truro, Cornwall

Printed in the US by Maple Press

Printed and bound in the UK by CPI Group Ltd, Croydon, CR0 4YY

I dedicate this book to the legions behind Anonymous
those who have donned the mask in the past,
those who still dare to take a stand today, and
those who will surely rise again in the future.

Contents
Introduction: And Now, You
Have Got Our Attention

O n July 29, 2007, an entity calling itself Anonymousunknown, at the time, to all except the most erudite Internet denizensuploaded a video to YouTube. A metallic, digital tone thrums as a headless suited man appears over a blank background. A male voice begins to speak through the interference: Dear Fox News, it intones. The news organization had recently devoted a segment entirely to a group they described as the Internet Hate Machinea title the collective would subsequently adopt as a badge of honor.

But for a collective that revels in trickery and guile, to simply laugh and dismiss such an expos would be to miss a great opportunity. And so, the disturbingly ponderous, down-pitched voice of Anonymous continues: The name and nature of Anonymous has been ravaged, as if it were a whore in a back alley, and then placed on display for the public eye to behold. Allow me to say quite simply: you completely missed the point of who and what we are We are everyone and we are no one We are the face of chaos and the harbingers of judgment. We laugh at the face of tragedy. We mock those in pain. We ruin the lives of others simply because we can A man takes out his aggression on a cat, we laugh. Hundreds die in a plane crash, we laugh. We are the embodiment of humanity with no remorse, no caring, no love, and no sense of morality.

The video ends, YOU HAVE NOW GOT OUR ATTENTION.

They certainly got minesoon after the videos publication, I became entangled in a multi-year research project on the collective that I have only now just twisted my way out of (this book monumentalizes that struggle). The video was meant to satirize Fox Newss hyperbolic characterization of Anonymous as the ultimate purveyors of Internet pranking and trolling, hackers on steroids, as Fox had called them. And yet, the creepy sentiments and chilling style captured the trolls terrifying side perfectly; instead of overturning Fox Newss ridiculously one-dimensional portrayal, the video seemingly confirmed it to the utmostthough only, of course, to those not in on the joke.

This double meaning captures the dark humor of Anonymous (the lulz, they call it) in a nutshell. The lulza deviant style of humor and a quasi-mystical state of beinghas, as we will see, evolved with Anonymous from the beginning. And there was a time when spreading lulzy mayhem was all Anonymous seemed interested in. But not long after this parodic and bombastic video, Anons could be found at the heart of hundreds of political opsbecoming integral, even, to some of the most compelling political struggles of our age. In solidarity with Tunisian protesters, Anonymous hacked the Tunisian governments websites in January 2011; months later, Spains indignados beamed the collectives signature Guy Fawkes mask onto a building in the Puerta del Sol; and Anons disseminated some of the first calls to occupy Wall Street.

By then the collective had established itself as a social, political force with a series of ops that remain some of its most memorable. In 2008, adherents to a new vision for Anonymous took Scientology to task after the litigious organization attempted to censor a famous video of Tom Cruise. Germinated for the sake of the lulz, Anons both realized their power to impact global struggles and the pleasure such engagements could provide. Anonymous became even more widely known two years later in December 2010, the result of Operation Avenge Assange. Initiated by AnonOps, one of the collectives more militant and prolific nodes, Anons engaged in digital direct action by launching a distributed denial of service (DDoS) campaign. This tactic, which disrupts access to webpages by flooding them with tidal waves of requests, was directed against financial institutions that had refused to process donations to WikiLeaks, including PayPal and MasterCard. With each operation Anonymous was further emboldened.

And yet, even after Anonymous drifted away from ungovernable trolling pandemonium to engage in the global political sphere, whenever people scrutinized its activist interventionswhether in a street protest or a high-profile computer intrusiona question always seemed to loom: are Anonymous and its adherents principled dissidents? Or are they simply kids screwing around on the Internet as lulz-drunk trolls?

This confusion is eminently understandable. Beyond a foundational commitment to the maintenance of anonymity and a broad dedication to the free flow of information, Anonymous has no consistent philosophy or political program. While increasingly recognized for its digital dissent and direct action, Anonymous has never displayed a predictable trajectory. Given that Anonymouss ancestry lies in the sometimes humorous, frequently offensive, and at times deeply invasive world of Internet trollingthe core logic of which seems, at least at first glance, to be inhospitable to the cultivation of activist sensibilities and politicized endeavorsit is remarkable that the name Anonymous became a banner seized by political activists in the first place.

From Trolling to the Misfits of Activism

Today the broad deployment of both Anonymouss Guy Fawkes mask and the ideas it came to stand for among demonstrators occupying Tahrir Square and Polish politicians sitting in parliamentary chambers seem absurd when we consider the collectives origins. Before 2008, the moniker Anonymous was used almost exclusively for what one Anon describes as Internet motherfuckery. Anonymous, birthed in the pits of 4chans random bulletin board /b/ (often regarded as the asshole of the Internet), was a name synonymous with trolling: an activity that seeks to ruin the reputations of individuals and organizations and reveal embarrassing and personal information. Trolls try to upset people by spreading grisly or disturbing content, igniting arguments, or engendering general bedlam. The chaos of feuding and flaming can be catalyzed by inhabiting identities, beliefs, and values solely for their mischievous potential; by invading online forums with spam; or by ordering hundreds of pizzas, taxis, and even SWAT teams to a targets residence. Whatever the technique, trolls like to say they do what they do for the lulza spirited but often malevolent brand of humor etymologically derived from lol.

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