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Evan Elkins - Locked Out: Regional Restrictions in Digital Entertainment Culture

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A rare insight into how industry practices like regional restrictions have shaped global media culture in the digital eraThis content is not available in your country. At some point, most media consumers around the world have run into a message like this. Whether trying to watch a DVD purchased during a vacation abroad, play an imported Japanese video game, or listen to a Spotify library while traveling, we are constantly reminded of geographys imprint on digital culture. We are locked out.Despite utopian hopes of a borderless digital society, DVDs, video games, and streaming platforms include digital rights management mechanisms that block media access within certain territories. These technologies of regional lockout are meant first and foremost to keep the entertainment industries global markets distinct. But they also frustrate consumers and place territories on a hierarchy of global media access. Drawing on extensive research of media-industry strategies, consumer and retailer practices, and media regulation, Locked Out explores regional lockouts consequences for media around the globe. Power and capital are at play when it comes to who can consume what content and who can be a cultural influence. Looking across digital technologies, industries, and national contexts, Locked Out argues that the practice of regional lockout has shaped and reinforced global hierarchies of geography and culture.

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Locked Out Critical Cultural Communication General Editors Jonathan Gray - photo 1

Locked Out

Critical Cultural Communication

General Editors: Jonathan Gray, Aswin Punathambekar, Adrienne Shaw

Founding Editors: Sarah Banet-Weiser and Kent A. Ono

Dangerous Curves: Latina Bodies in the Media

Isabel Molina-Guzmn

The Net Effect: Romanticism, Capitalism, and the Internet

Thomas Streeter

Our Biometric Future: Facial Recognition Technology and the Culture of Surveillance

Kelly A. Gates

Critical Rhetorics of Race

Edited by Michael G. Lacy and Kent A. Ono

Circuits of Visibility: Gender and Transnational Media Cultures

Edited by Radha S. Hegde

Commodity Activism: Cultural Resistance in Neoliberal Times

Edited by Roopali Mukherjee and Sarah Banet-Weiser

Arabs and Muslims in the Media: Race and Representation after 9/11

Evelyn Alsultany

Visualizing Atrocity: Arendt, Evil, and the Optics of Thoughtlessness

Valerie Hartouni

The Makeover: Reality Television and Reflexive Audiences

Katherine Sender

Authentic: The Politics of Ambivalence in a Brand Culture

Sarah Banet-Weiser

Technomobility in China: Young Migrant Women and Mobile Phones

Cara Wallis

Love and Money: Queers, Class, and Cultural Production

Lisa Henderson

Cached: Decoding the Internet in Global Popular Culture

Stephanie Ricker Schulte

Black Television Travels: African American Media around the Globe

Timothy Havens

Citizenship Excess: Latino/as, Media, and the Nation

Hector Amaya

Feeling Mediated: A History of Media Technology and Emotion in America

Brenton J. Malin

The Post-Racial Mystique: Media and Race in the Twenty-First Century

Catherine R. Squires

Making Media Work: Cultures of Management in the Entertainment Industries

Edited by Derek Johnson, Derek Kompare, and Avi Santo

Sounds of Belonging: U.S. Spanish-language Radio and Public Advocacy

Dolores Ins Casillas

Orienting Hollywood: A Century of Film Culture between Los Angeles and Bombay

Nitin Govil

Asian American Media Activism: Fighting for Cultural Citizenship

Lori Kido Lopez

Struggling for Ordinary: Media and Transgender Belonging in Everyday Life

Andre Cavalcante

Wife, Inc.: The Business of Marriage in the Twenty-First Century

Suzanne Leonard

Homegrown: Identity and Difference in the American War on Terror

Piotr Szpunar

Dot-Com Design: The Rise of a Useable, Social, Commercial Web

Megan Sapnar Ankerson

Postracial Resistance: Black Women, Media, and the Uses of Strategic Ambiguity

Ralina L. Joseph

Netflix Nations: The Geography of Digital Distribution

Ramon Lobato

The Identity Trade: Selling Privacy and Reputation Online

Nora A. Draper

Media & Celebrity: An Introduction to Fame

Susan J. Douglas and Andrea McDonnell

Fake Geek Girls: Fandom, Gender, and the Convergence Culture Industry

Suzanne Scott

Locked Out: Regional Restrictions in Digital Entertainment Culture

Evan Elkins

Locked Out
Regional Restrictions in Digital Entertainment Culture

Evan Elkins

Picture 2

New York University Press

New York

NEW YORK UNIVERSITY PRESS

New York

www.nyupress.org

2019 by New York University

All rights reserved

References to Internet websites (URLs) were accurate at the time of writing. Neither the author nor New York University Press is responsible for URLs that may have expired or changed since the manuscript was prepared.

Library of Congress Cataloging-in-Publication Data

Names: Elkins, Evan, author.

Title: Locked out : regional restrictions in digital entertainment culture / Evan Elkins.

Description: New York : New York University Press, [2019] | Series: Critical cultural communication | Includes bibliographical references and index.

Identifiers: LCCN 2018044166| ISBN 9781479830572 (cl : alk. paper) | ISBN 9781479873876 (pb : alk. paper)

Subjects: LCSH : Multimedia systems | Interactive multimedia. | Digital media. | Entertainment computing. | Trade regulation.

Classification: LCC QA76.575 .E534 2019 | DDC 006.7dc23

LC record available at https://lccn.loc.gov/2018044166

New York University Press books are printed on acid-free paper, and their binding materials are chosen for strength and durability. We strive to use environmentally responsible suppliers and materials to the greatest extent possible in publishing our books.

Manufactured in the United States of America

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For my parents

Contents
Regional Lockout as Technology, Distribution, and Culture

Imagine this happening to you when shopping. So reads the opening title of a hidden-camera video produced by the European Consumer Organization (BEUC) and set in an English bakery. As unsuspecting customers enter the establishment and place their orders, the cashier asks to see identification. The confused patrons hand over ID cards and passports to the cashier, who tells one woman that pain aux raisins and bread are unavailable to German and Bulgarian customers and charges Belgian and French customers different prices for the same product. He explains, Weve been doing this for a while. Its an industry standard practice. Titles onscreen ask, You wouldnt accept this in the physical world, so why should you accept it when shopping or watching content online? Then we see a hashtag: #endgeoblocking.

A second video, released by the European Commission, begins with narration by Commission president Jean-Claude Juncker, who laments digital fragmentation in the continent: You can drive from Tallinn to Turin without once showing your passport, but you cant stream your favorite TV shows from home once you get there. During this, we see other members of the Commission experience the frustrations of a regionally restricted internet. Commission vice president Andrus Ansip tries to watch a Dutch documentary on YouTube, but he encounters the platforms This video is not available in your country screen. Another commissioner attempts to buy a book online (Investment for Dummies) and looks comically aghast when he realizes that the shipping charges will nearly double the total purchase price. Acting ability of the Commission members notwithstanding, the video puts forward a rather convincing representation of the hassles that come with a geographically segmented digital landscape. In response, Juncker says in the video that Europe should represent a digital single market rather than a series of fragmented spaces.

This choice of words is not an accident. Both videos were created and distributed online to promote a European Commission initiative called the Digital Single Market (DSM). Introduced in 2015 with the goal of knocking down digital trade borders among EU countries, the DSM in part proposed an EU-wide ban against the topic of this book: regional lockout. Regional lockout refers to technological mechanisms in digital media hardware and software that control entertainment medias geographic distribution: region codes in DVDs and video game consoles and geoblocking in on-demand services, for instance. Regional lockout functions through a logic of prohibition, blocking people in certain regions from accessing media platforms as a way of ensuring that digital distribution remains consistent with region-based licensing agreements and release schedules. As media consumers, we encounter it whenever we see that familiar This content is not available in your country message. With the DSM in place, no longer would a streaming video platform remain available only to certain European viewers.

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