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David E. Whisnant - Rascally signs in sacred places: the politics of culture in Nicaragua

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title Rascally Signs in Sacred Places The Politics of Culture in - photo 1

title:Rascally Signs in Sacred Places : The Politics of Culture in Nicaragua
author:Whisnant, David E.
publisher:University of North Carolina Press
isbn10 | asin:0807822094
print isbn13:9780807822098
ebook isbn13:9780807866269
language:English
subjectNicaragua--Civilization, Politics and culture--Nicaragua--History, Nicaragua--Cultural policy.
publication date:1995
lcc:F1523.8.W45 1995eb
ddc:306.2/097285
subject:Nicaragua--Civilization, Politics and culture--Nicaragua--History, Nicaragua--Cultural policy.
Page i
Rascally Signs in Sacred Places
Page iii Rascally Signs in Sacred Places The Politics of Culture in - photo 2
Page iii
Rascally Signs in Sacred Places
The Politics of Culture in Nicaragua
David E. Whisnant
THE UNIVERSITY OF NORTH CAROLINA PRESS Chapel Hill & London
Page iv
1995
The University of North Carolina Press
All rights reserved
Manufactured in the United States of America
The paper in this book meets the guidelines for permanence and durability of the Committee on Production Guidelines for Book Longevity of the Council on Library Resources.
Library of Congress Cataloging-in-Publication Data
Whisnant, David E., 1938
Rascally signs in sacred places: the politics of culture in Nicaragua / David E. Whisnant.
p. cm.
Includes bibliographical references and index.
ISBN 0-8078-2209-4 (alk. paper).
ISBN 0-8078-4523-x (pbk.: alk. paper)
1. Nicaragua-Civilization. 2. Politics and culture
Nicaragua-History. 3. Nicaragua-Cultural policy. I. Title.
F1523.8.W45 1995
306.2'097285-dc20 94-41811
CIP
99 98 97 96 95 5 4 3 2 1
This book was published with the assistance of the H. Eugene and Lillian Youngs Lehman Fund of the University of North Carolina Press. A complete list of books published with the assistance of the Lehman Fund appears at the end of the book.
Page v
TO ARCHIE
As he said of his own father, a veteran of the Russian Revolution of 1905, Archie Green is one for whom the skills of head and hand are one. Since his student days at Berkeley in the 1930s, Archie has commanded his energies, kept the faith, kept himself clear, and kept going.
As a skilled shipwright on the San Francisco waterfront, Archie worked to democratize the maritime union and began his lifelong quest to comprehend the complex culture of working people. For twenty years as a carpenter and keen ethnographic and political observer by day and a scholar by night, and as an activist in the union and engaged public citizen, he listened to workers' speech, studied their work habits, collected their pranks, jokes, and rituals, and listened to their songs. In the process, he became a pioneer collector of occupational songs and country music. After taking a degree in library science when he was already in his mid-forties, Archie spent some years as a labor librarian before going on to his Ph.D. in folklore and a new career as a professor of English and labor studies. Especially since the mid-1960s, Archie has been a constant and crucial source of guidance and encouragement to several generations of students. Countless books and articles on labor lore, old-time music, country music, vernacular culture, and cultural work in the public sector acknowledge his help explicitly and show many a mark of his counsel. And now in a retirement that has been more productive than most people's active working lives, he continues his lifelong political-cultural work.
Meeting Archie twenty-five years ago was one of the most fortunate events of my life. In his inimitable way, he praised my own fledgling work far beyond its merits, and introduced me to more people than I could keep straight, commending me to their attention by assuring them I knew all sorts of things about culture and the politics of culture that I emphatically did not know. During all the years since, I have been buoyed up constantly by his generosity of spirit, his political insight, his confidence in the intelligence and dignity of working people and the worth of their expressive culture, his commitment to forging equitable public policy and building humane public institutions, and his determination never to give up trying to understand, never to lose faith in the project.
For more than fifty years, Archie has kept at it-for ballad singers in the mountains and corrido singers on the border, for hillbilly pickers and gospel singers, for lintheads and coal miners, for honky-tonkers and midnight cowboys, for John Henry and Mother Jones, Joe Hill and Jimmie Rodgers, Ella Mae Wiggins and Sarah Ogan Gunning, Merle Travis and Merle Haggard, indeed for all of us. To him this one stone in the wall that continues to be built by many hands is respectfully and gratefully dedicated.
Page vii
War and plantation bitters men, and all such people, who invade all
sacred places with their rascally signs, and mar every landscape one
might gaze upon in worship.
Mark Twain, passing through the Nicaraguan transit route,
December 1866
Creo que la misin de la Amrica Latina ... es educar a los Estados Unidos.
Es ensearle cales son los lmites de su poltica.
Carlos Fuentes, upon receiving the Orden de la Independencia
Cultural Rubn Daro, January 1988
Page ix
CONTENTS
Acknowledgments
xi
Introduction
1
Part One. The Past as Prologue: From Conquest to Dictatorship
1. Beautiful and Pleasant Land:
Culture and Cultural Change before Independence
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