lewis levenberg - Research Methods for the Digital Humanities

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Contents

Landmarks

Editors

lewis levenberg , Tai Neilson and David Rheams

Research Methods for the Digital Humanities

Editors

lewis levenberg

Levenberg Services, Inc., Bloomingburg, NY, USA

Tai Neilson

Macquarie University, Sydney, NSW, Australia

David Rheams

The University of Texas at Dallas, Richardson, TX, USA

ISBN 978-3-319-96712-7 e-ISBN 978-3-319-96713-4

https://doi.org/10.1007/978-3-319-96713-4

Library of Congress Control Number: 2018950497

The Editor(s) (if applicable) and The Author(s) 2018

This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed.

The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use.

The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made. The publisher remains neutral with regard to jurisdictional claims in published maps and institutional affiliations.

Cover credit: Photoco

This Palgrave Macmillan imprint is published by the registered company Springer Nature Switzerland AG

The registered company address is: Gewerbestrasse 11, 6330 Cham, Switzerland

Contents

Tai Neilson , lewis levenberg and David Rheams

lewis levenberg

Robert W. Gehl

David Arditi

David Rheams

Mark Alfano

Natalia Grincheva

Erin Brock Carlson and Trinity Overmyer

Tai Neilson

E. B. Hunter

Zebulun M. Wood , Albert William , Ayoung Yoon and Andrea Copeland

J. J. Sylvia IV

Nick Thieberger

Federica Bressan

Tarrin Wills

Henriette Roued-Cunliffe

Roopika Risam

Glossary

Index

List of Figures

Fig. 5.1 Regular expression for consecutive capitalized words

Fig. 5.2 MySQL query example

Fig. 5.3 Frequency of actors

Fig. 5.4 Actor relationship matrix

Fig. 5.5 Magnified view of the actor relationship matrix

Fig. 6.1 All concepts timeline

Fig. 6.2 All concepts treemap

Fig. 6.3 All relevant passages from A

Fig. 6.4 Venn diagram of Nietzsches use of drive, instinct, virtue, and chastity. Numbers represent the number of passages in which a combination of concepts is discussed

Fig. 7.1 Facebook insights: Hermitage Museum Foundation UK

Fig. 7.2 Van Gogh Museum blog, Facebook and Twitter: domestic and international audiences

Fig. 7.3 Van Gogh Museum blog, Facebook, Twitter: top countries audiences

Fig. 7.4 Levels of online audience engagement

Fig. 7.5 World Beach Project map, Victoria & Albert Museum

Fig. 7.6 YouTube play platform, Guggenheim Museum

Fig. 8.1 Intended outcomes for stakeholders involved in the photovoice engagement study

Fig. 8.2 Colorful mural in downtown area. Pilot study photo, Michaela Cooper, 2015

Fig. 8.3 Students gather around a service dog-in-training. Pilot study photo, Erin Brock Carlson, 2015

Fig. 10.1 15-week timeline

Fig. 10.2 Something Wickeds 2D aesthetic

Fig. 11.1 Scan to VR data pipeline

Fig. 11.2 A photo of the original church

Fig. 11.3 The digital modeling process. a Laser scan model provided by Online Resources, Inc., b Recreated 3D model of Bethel AMC from 3D laser scan, and c A fully lit and textured Virtual Bethel shown in Epics Unreal game development engine

Fig. 12.1 Example of kinked lines

Fig. 12.2 Generative design

Fig. 12.3 Aperveillance on display in Hunt Librarys code+art gallery at North Carolina State University

Fig. 12.4 p5.js core files

Fig. 12.5 Example of index.html file

Fig. 12.6 The previous days crime incidentscity of Raleigh

Fig. 12.7 Aperveillance final

Fig. 14.1 The scheme summarizes the main steps of the preservation process for audio documents

Fig. 14.2 Manually counting words in a text on a digital device does not make you a digital philologist

Fig. 15.1 Systems of conversion and skills required for different end-users

Fig. 15.2 Dictionary of Old Norse Prose: desktop application for constructing entries

Fig. 15.3 Stages of a web database application and languages used

Fig. 15.4 Adaptive web design interface

Fig. 15.5 Example of printed version of the Skaldic Projects editions

Fig. 15.6 Form for rearranging text into prose syntax

Fig. 15.7 Form for entering kenning analysis

Fig. 15.8 Form for entering manuscript variants

Fig. 15.9 Form for entering notes to the text

Fig. 15.10 Form for linking words to dictionary headwords (lemmatizing)

Fig. 16.1 The dataset in Google maps with locations

Fig. 16.2 The dataset in Google sheets

Fig. 16.3 The final output of the combined datasets

Fig. 17.1 TEI header markup of Claude McKays The Tropics in New York

Fig. 17.2 HTML edition of Claude McKays The Tropics in New York with highlighted variants

Fig. 17.3 HTML edition of Claude McKays The Tropics in New York with editorial notes

List of Tables

Table 5.1 Software

Table 5.2 Articles table

Table 5.3 Key phrase table structure

Table 5.4 Key phrase table structure with codes

Table 5.5 Results of the query

Table 16.1 API Parameters

Notes on Contributors

Mark Alfanos

work in moral psychology encompasses subfields in both philosophy (ethics, epistemology, philosophy of science, philosophy of mind) and social science (social psychology, personality psychology). He is ecumenical about methods, having used modal logic, questionnaires, tests of implicit cognition, incentivizing techniques borrowed from behavioral economics, neuroimaging, textual interpretation (especially of Nietzsche), and Digital Humanities techniques (text-mining, archive analysis, visualization). He has experience working with R, Tableau, and Gephi.

David Arditi

is an Associate Professor of Sociology and Director of the Center for Theory at the University of Texas at Arlington. His research addresses the impact of digital technology on society and culture with a specific focus on music. Arditi is author of

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