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Harris - Black Feminist Politics from Kennedy to Trump

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Harris Black Feminist Politics from Kennedy to Trump
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    Black Feminist Politics from Kennedy to Trump
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Duchess Harris Black Feminist Politics from Kennedy to Trump Duchess - photo 1
Duchess Harris
Black Feminist Politics from Kennedy to Trump
Duchess Harris Macalester College Saint Paul MN USA ISBN 978-3-319-95455-4 - photo 2
Duchess Harris
Macalester College, Saint Paul, MN, USA
ISBN 978-3-319-95455-4 e-ISBN 978-3-319-95456-1
https://doi.org/10.1007/978-3-319-95456-1
Library of Congress Control Number: 2018948202
The Editor(s) (if applicable) and The Author(s) 2019
This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed.
The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use.
The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made. The publisher remains neutral with regard to jurisdictional claims in published maps and institutional affiliations.

Cover credit: GlobalStock/Getty Images

Cover design by Tjaa Krivec

This Palgrave Macmillan imprint is published by the registered company Springer Nature Switzerland AG

The registered company address is: Gewerbestrasse 11, 6330 Cham, Switzerland

This book is lovingly dedicated to Jon V. Thomas, M.D., M.B.A.

We met on October 10, 1993. It was a crisp autumn Sunday. We went for brunch and to the Minneapolis Institute of Art. On the day that we met, I told you that Id write a book about Black women. You talked about your belief in the harmony of athletic, intellectual, and artistic pursuits. Most women would have been impressed, but I was a myopic 24-year-old Ph.D. student who had never dated anyone who didnt love poetry. You sensed my hesitation, and later that day, you gave me a collection of Toni Morrisons essays and a Maya Angelou poem.

I reflect back on the twenty-five years of our relationship and marvel at how I almost ignored the guy who didnt love poetry. At the time, I considered myself a premier student. What I didnt know was that a poetry lesson could be learned from a scientist. It wasnt until I saw you running in marathons, in your garden, at the piano, in the operating room, and playing with our children that I actually knew what poetry was. Its quite simple: You are poetry in motion.

Jon, Austin, Avi, Zach, and Duch. Together we areJAAZD.

Foreword

Isabella Baumfree was born a slave in Ulster County, New York, in 1797. After having been sold several times and her last owner was quite cruel, Isabella escaped in 1826. Friends later bought her freedom. In 1843, Isabelle Baumfree changed her name to Sojourner Truth, in recognition of her religious and abolitionist activities. Sojourner Truth was among a small group of free, Black, feminist-abolitionists in the North in the early nineteenth century (McClain and Tauber 2017: 174). This group also included Maria Stewart (18031879), born a free Black but at some point became an indentured servant until she was sixteen and later became an abolitionist and lecturer, and Frances E. Watkins Harper (18251911), a free Black abolitionist, suffragist, author, and poet (McClain and Tauber 2017: 174). Truth began to connect the issue of the abolition of slavery with womens rights during the nineteenth century. Truth was probably the first to highlight the complexities of the Black womens race and gender identities.

In 1851, the Womens Rights Convention was held in Akron, Ohio, and Sojourner Truth addressed the audience. She emphasized the important difference between white women and Black women in terms of their relationships to white men in her legendary Aint I a Woman speech. Part of her speech specifically addresses the differences in how white women and treated relative to Black women

That man over there says that women need to be helped into carriages, and lifted over ditches, and to have the best place everywhere. Nobody ever helps me into carriages, or over mud-puddles, or gives me any best place! And aint I a woman? Look at me! Look at my arm! I have ploughed and planted, and gathered into barns, and no man could head me! And aint I a woman? I could work as much and eat as much as a man - when I could get it - and bear the lash as well! And aint I a woman? I have borne thirteen children, and seen most all sold off to slavery, and when I cried out with my mothers grief, none but Jesus heard me! And aint I a woman?

In 1989, 138 years after Truths speech, Kimberl Crenshaw, a Law Professor at Columbia University Law School, put a name to the complexity of Black womens lives that Sojourner Truth identified in the nineteenth century. She coined the term intersectionality in a paper, Demarginalizing the Intersection of Race and Sex: A Black Feminist Critique of Antidiscrimination Doctrine, Feminist Theory and Antiracist Politics, published in the University of Chicago Legal Forum (Vol. 1989: Iss. 1, Article 8) as a way to help explain the oppression of African-American women.

Professor Harris reminds us that the ideas articulated by Truth were an early form of Black Feminism, and that the issues she identified in the lives of Black women still need to be addressed. Just as white Elizabeth Cady Stanton and Lucretia Mott did not understand or care about the plight of Black women, Harris identifies that white feminist for the most part still do not recognize or, in some instances, care about the issues of importance to Black women or how the lives of white women and Black women diverge in experiences. For those not familiar with many of the Black feminist writers, Harris introduces readers to the work of Michelle Wallace, whose book Black Macho and the Myth of the Superwoman , that I enjoyed reading in 1979 when it was published; the poet Ntozake Shange, whose play When Colored Girls Consider Suicide When the Rainbow is Enuf , which was turned into a Broadway play; Alice Walker author of The Color Purple , also made into a movie and a Broadway play; Anita Hills accusations of sexual harassment against Clarence Thomas that pushed the issue into the public debate; the Combahee River Collective; and, among many others, the women who founded the Black Lives Matters Movement. She situates these writers within the US presidents that were in office at the time and discusses the political environment in which these women wrote and were politically active.

Harris historical and current view of the power of Black women and the distinctiveness of Black Feminism demonstrates that contrary to popular myth, Black women to not shy from feminism, but they embrace their own particular form of feminismBlack Feminism. This is a significant update on a very important book, one that has stood the test of time.

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