Loomba - Colonialism/Postcolonialism

COLONIALISM/POSTCOLONIALISM

Colonialism/Postcolonialism is a comprehensive yet accessible guide to the historical, theoretical and political dimensions of colonial and postcolonial studies.

This new edition includes a new introduction and conclusion as well as extensive updates throughout. Topics covered include globalization, new grassroots movements (including Occupy Wall Street), the environmental crisis, and the relationship between Marxism and postcolonial studies. Loomba also discusses how ongoing struggles such as those of indigenous peoples, and the enclosure of the commons in different parts of the world shed light on the long histories of colonialism. This edition also has extensive discussions of temporality, and the relationship between premodern, colonial and contemporary forms of racism.

This books includes:

key features of the ideologies and history of colonialism

the relationship of colonial discourse to literature

anticolonial thought and movements

challenges to colonialism, including anticolonial discourses

recent developments in postcolonial theories and histories

issues of sexuality and colonialism, and the intersection of feminist and postcolonial thought

the relationship of activist struggles and scholarship.

Colonialism/Postcolonialism is the essential introduction to a vibrant and politically charged area of literary and cultural study. It is the ideal guide for students new to colonial discourse theory, postcolonial studies or postcolonial theory as well as a reference for advanced students and teachers.

Ania Loomba is Catherine Bryson Professor of English at the University of Pennsylvania, USA.

THE NEW CRITICAL IDIOM

SERIES EDITOR: JOHN DRAKAKIS, UNIVERSITY OF STIRLING

The New Critical Idiom is an invaluable series of introductory guides to todays critical terminology. Each book:

provides a handy, explanatory guide to the use (and abuse) of the term;

offers an original and distinctive overview by a leading literary and cultural critic;

relates the term to the larger field of cultural representation.

With a strong emphasis on clarity, lively debate and the widest possible breadth of examples, The New Critical Idiom is an indispensable approach to key topics in literary studies.

Also available in this series:

Adaptation and Appropriation by Julie Sanders

Allegory by Jeremy Tambling

The Author by Andrew Bennett

Autobiography second edition by Linda Anderson

Class by Gary Day

Colonialism/Postcolonialism third edition by Ania Loomba

Comedy second edition by Andrew Stott

Crime Fiction by John Scaggs

Culture/Metaculture by Francis Mulhern

Dialogue by Peter Womack

Difference by Mark Currie

Discourse second edition by Sara Mills

Drama/Theatre/Performance by Simon Shepherd and Mick Wallis

Dramatic Monologue by Glennis Byron

Ecocriticism second edition by Greg Garrard

Elegy by David Kennedy

Epic by Paul Innes

Fairy Tale by Andrew Teverson

Genders second edition by David Glover and Cora Kaplan

Genre second edition by John Frow

Gothic second edition by Fred Botting

Grotesque by Justin D Edwards and Rune Graulund

The Historical Novel by Jerome de Groot

Historicism second edition by Paul Hamilton

Humanism second edition by Tony Davies

Ideology second edition by David Hawkes

Interdisciplinarity second edition by Joe Moran

Intertextuality second edition by Graham Allen

Irony by Claire Colebrook

Literature by Peter Widdowson

Lyric by Scott Brewster

Magic(al) Realism by Maggie Ann Bowers

Memory by Anne Whitehead

Metaphor by David Punter

Metre, Rhythm and Verse Form by Philip Hobsbaum

Mimesis by Matthew Potolsky

Modernism second edition by Peter Childs

Myth second edition by Laurence Coupe

Narrative second edition by Paul Cobley

Parody by Simon Dentith

Pastoral by Terry Gifford

Performativity by James Loxley

The Postmodern by Simon Malpas

Realism by Pam Morris

Rhetoric by Jennifer Richards

Romance by Barbara Fuchs

Romanticism second edition by Aidan Day

Science Fiction second edition by Adam Roberts

Sexuality second edition by Joseph Bristow

Spatiality by Robert T. Tally Jr

Stylistics by Richard Bradford

Subjectivity by Donald E. Hall

The Sublime by Philip Shaw

Temporalities by Russell West-Pavlov

Translation by Susan Bassnett

Travel Writing by Carl Thompson

The Unconscious by Antony Easthope

COLONIALISM/POSTCOLONIALISM

Third edition

Ania Loomba

This edition published 2015

by Routledge

2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN

and by Routledge

711 Third Avenue, New York, NY 10017

Routledge is an imprint of the Taylor & Francis Group, an informa business

1998, 2005, 2015 Ania Loomba

The right of Ania Loomba to be identified as author of this work has been asserted by her in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988.

First published 1998

by Routledge

Second edition published 2005

by Routledge

All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers.

Trademark notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe.

British Library Cataloguing-in-Publication Data

A catalogue record for this book is available from the British Library

Library of Congress Cataloging in Publication Data

Loomba, Ania.

Colonialism/Postcolonialism / Ania Loomba. -- Third edition.

pages cm. -- (New critical idiom)

Includes bibliographical references and index.

1. Postcolonialism. I. Title.

JV51.L66 2015

325.3--dc23

2014038973

ISBN: 978-1-138-80717-4 (hbk)

ISBN: 978-1-138-80718-1 (pbk)

ISBN: 978-1-315-75124-5 (ebk)

For Suvir and for Tariq

CONTENTS

The New Critical Idiom is a series of introductory books which seeks to extend the lexicon of literary terms, in order to address the radical changes which have taken place in the study of literature during the last decades of the twentieth century. The aim is to provide clear, well-illustrated accounts of the full range of terminology currently in use, and to evolve histories of its changing usage.

The current state of the discipline of literary studies is one where there is considerable debate concerning basic questions of terminology. This involves, among other things, the boundaries which distinguish the literary from the non-literary; the position of literature within the larger sphere of culture; the relationship between literatures of different cultures; and questions concerning the relation of literary to other cultural forms within the context of interdisciplinary studies.