Andrew Martin - Receptions of War: Vietnam in American Culture (Oklahoma Project for Discourse and Theory)
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Receptions of War: Vietnam in American Culture (Oklahoma Project for Discourse and Theory)
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Receptions of War : Vietnam in American Culture Oklahoma Project for Discourse and Theory ; V. 10
author
:
Martin, Andrew.
publisher
:
University of Oklahoma Press
isbn10 | asin
:
0806125403
print isbn13
:
9780806125404
ebook isbn13
:
9780585148717
language
:
English
subject
Vietnamese Conflict, 1961-1975--United States, Vietnamese Conflict, 1961-1975--Influence, Vietnamese Conflict, 1961-1975--Motion pictures and the conflict, Vietnamese Conflict, 1961-1975--Literature and the conflict, United States--Civilization--1945-
publication date
:
1993
lcc
:
DS558.M4 1993eb
ddc
:
959.704/3373
subject
:
Vietnamese Conflict, 1961-1975--United States, Vietnamese Conflict, 1961-1975--Influence, Vietnamese Conflict, 1961-1975--Motion pictures and the conflict, Vietnamese Conflict, 1961-1975--Literature and the conflict, United States--Civilization--1945-
Page i
Receptions of War
OKLAHOMA PROJECT FOR DISCOURSE AND THEORY
Page ii
OKLAHOMA PROJECT FOR DISCOURSE AND THEORY
SERIES EDITORS
Robert Con Davis, University of Oklahoma Ronald Schleifer, University of Oklahoma
ADVISORY BOARD
Maya Angelou, Wake Forest University Jonathan Culler, Cornell University Jacques Derrida, University of California, Irvine Shoshana Felman, Yale University Henry Louis Gates, Jr., Harvard University Sandra M. Gilbert, Princeton University Richard Macksey, Johns Hopkins University J. Hillis Miller, University of California, Irvine Marjorie Perloff, Stanford University Edward W. Said, Columbia University Thomas A. Sebeok, Indiana University at Bloomington Gayatri Chakravorty Spivak, University of Pittsburgh Cornel West, Princeton University
Page iii
Receptions of War
Vietnam in American Culture
By Andrew Martin
UNIVERSITY OF OKLAHOMA PRESS : NORMAN AND LONDON
Page iv
Library of Congress Cataloging-in-Publication Data
Martin, Andrew, 1946 Receptions of war: Vietnam in American culture / by Andrew Martin. 1st ed. p. cm. (Oklahoma project for discourse and theory; v. 10) Includes bibliographical references (p. ) and index. ISBN 0-8061-2491-1 (alk. paper) 1. Vietnamese Conflict, 19611975United States. 2. Vietnam ese Conflict, 19611975Influence. 3. Vietnamese Conflict, 1961 1975Motion pictures and the conflict. 4. Vietnamese Conflict, 19611975Literature and the conflict. 5. United StatesCiviliza tion1945- I. Title. II. Series. DS558.M4 1993 959.704'3373dc2092-33825 CIP
Receptions of War: Vietnam in American Culture is Volume 10 of the Oklahoma Project for Discourse and Theory.
The paper in this book meets the guidelines for permanence and durability of the Committee on Production Guidelines for Book Longevity of the Council on Library Resources, Inc.
Copyright 1993 by the University of Oklahoma Press, Norman, Publishing Division of the University. All rights reserved. Manufactured in the U.S.A.
1 2 3 4 5 6 7 8 9 10
Page v
This book is dedicated to my parents, Beryl and Walter Martin.
Page vii
Contents
Series Editors' Foreword
ix
Acknowledgments
xiii
Introduction
xvii
1. The Vietnam Continuum
3
2. Conformity, Consensus, and Cultural Studies
25
3. Writing the War
55
4. Vietnam in Hollywood
95
5. Melodramatic Excess: The Body in/of the Text
133
Notes
160
Works Cited
171
Index
186
Page ix
Series Editors' Foreword
THE Oklahoma Project for Discourse & Theory is a series of interdisciplinary texts whose purpose is to explore the cultural institutions that constitute the human sciences, to see them in relation to one another, and, perhaps above all, to see them as products of particular discursive practices. To this end, we hope that the Oklahoma Project will promote dialogue within and across traditional disciplinespsychology, philology, linguistics, history, art history, aesthetics, logic, political economy, religion, philosophy, anthropology, communications, and the likein texts that theoretically are located across disciplines. In recent years, in a host of new and traditional areas, there has been great interest in such discursive and theoretical frameworks. Yet we conceive of the Oklahoma Project as going beyond local inquiries, providing a larger forum for interdiscursive theoretical discussions and dialogue.
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