Post - Ethnomusicology

2006 by Taylor & Francis Group, LLC
Routledge is an imprint of Taylor & Francis Group

Transferred to Digital Printing 2008

International Standard Book Number-10: 0-415-97203-5 (Hardcover) 0-415-97204-3 (Softcover)
International Standard Book Number-13: 978-0-415-97203-1 (Hardcover) 978-0-415-97204-8 (Softcover)
Library of Congress Card Number 2005013598

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JENNIFER C. POST

JONATHAN H. SHANNON

JONATHAN STERNE

PETER DUNBAR-HALL

TIMOTHY J. COOLEY

DEBORAH WONG

CHERYL L. KEYES

VERONICA DOUBLEDAY

JOCELYNE GUILBAULT

MARINA ROSEMAN

RAINER POLAK

REN T. A. LYSLOFF

TONG SOON LEE

LESLIE C. GAY, JR.

SUE TUOHY

J. MARTIN DAUGHTRY

GAGE AVERILL

TINA K. RAMNARINE

PATRIA ROMN-VELZQUEZ

THOMAS SOLOMON

NEAL ULLESTAD

RICHARD JONES-BAMMAN

MARK MATTERN

CHRIS GIBSON AND PETER DUNBAR-HALL

ANGELA IMPEY

I would first like to thank the contributors to this collection whose research has enriched ethnomusicology and its many related disciplines. I would also like to thank Richard Carlin, Music Editor at Routledge Press, for his encouragement and support, and Shannon McLachlan at Routledge Press, for her editorial assistance. Middlebury College has generously supported my work on this and other projects for many years. I have especially appreciated the support and assistance of administrative and library staff as I completed this project. Many of my students at Middlebury have used their critical and analytical skillsand their creative energiesto provide valuable feedback on the concepts and issues found in the articles collected here. Finally, I want to express my appreciation for my many colleagues in ethnomusicology, anthropology, and folkloreat colleges and universities, at elementary and secondary schools, in libraries, archives, at museums, in arts organization, and in performing groupswhose work has always inspired me.

The author and publishers gratefully acknowledge the following permissions to reproduce copyright material:

Averill, Gage. 1994. Mezanmi, Kouman Nou Ye? My Friends, How Are You?: Musical Constructions of the Haitian Transnation. Diaspora 3(3): 25372. Reproduced with permission of the University of Toronto Press.

Cooley, Timothy J. 1999. Folk Festival as Modern Ritual in the Polish Tatra Mountains. The World of Music 41(3): 3155. Reproduced with permission of Verlag fr Wissenschaft und Bildung.

Daughtry, J. Martin. 2003. Russia's New Anthem and the Negotiation of National Identity. Ethnomusicology 47(1): 4267. Reproduced with permission of The Society for Ethnomusicology.

Doubleday, Veronica. 1999. The Frame Drum in the Middle East: Women, Musical Instruments and Power. Ethnomusicology 43(1): 10134. Reproduced with permission of The Society for Ethnomusicology.

Dunbar-Hall, Peter. 2001. Culture, Tourism and Cultural Tourism: Boundaries and Frontiers in Performances of Balinese Music and Dance. Journal of Intercultural Studies 22(2): 17387. Reproduced with permission of Taylor and Francis journals: www.tandf.co.uk/journals.

Gay, Leslie C., Jr. 1998. Acting Up, Talking Tech: New York Rock Musicians and Their Metaphors of Technology. Ethnomusicology 42(1): 8198. Reproduced with permission of The Society for Ethnomusicology.

Gibson, Chris, and Peter Dunbar-Hall. 2000. Nitmiluk: Place and Empowerment in Australian Aboriginal Popular Music. Ethnomusicology 44(1): 3964. Reproduced with permission of The Society for Ethnomusicology.

Guilbault, Jocelyne. 1993. On Redefining the Local through World Music. The World of Music 35(2): 3347. Reproduced with permission of Florian Noetzel Verlag Heinrichshofen-Books

Impey, Angela. 2002. Culture, Conservation and Community Reconstruction: Explorations in Advocacy Ethnomusicology and Participatory Action Research in Northern KwaZulu Natal. Yearbook for Traditional Music 34: 924. Reproduced with permission of the International Council for Traditional Music.

Jones-Bamman, Richard. 2001. From I'm a Lapp to I am Saami: Popular Music and Changing Images of Indigenous Ethnicity in Scandinavia. Journal of Intercultural Studies 22(2): 189210. Reproduced with permission of Taylor and Francis journals: www.tandf.co.uk/journals.

Keyes, Cheryl L. 2000. Empowering Self, Making Choices, Creating Spaces: Black Female Identity via Rap Music Performance. Journal of American Folklore 113(449): 25569. Reproduced with permission of The American Folklore Society.

Lee, Tong Soon. 1999. Technology and the Production of Islamic Space: The Call to Prayer in Singapore. Ethnomusicology 43(1): 86100. Reproduced with permission of The Society for Ethnomusicology.

Lysloff, Ren T. A. 1997. Mozart in Mirrorshades: Ethnomusicology, Technology, and the Politics of Representation. Ethnomusicology 41(2): 20619. Reproduced with permission of The Society for Ethnomusicology.

Mattern, Mark. 1998. Cajun Music, Cultural Revival: Theorizing Political Action in Popular Music. Popular Music and Society 22 (1): 3148. Reproduced with permission of Taylor and Francis journals: www.tandf.co.uk/journals.

Polak, Rainer. 2000. A Musical Instrument Travels Around the World: Jenbe Playing in Bamako, West Africa, and Beyond. The World of Music 42(3): 746. Reproduced with permission of Verlag fr Wissenschaft und Bildung.

Ramnarine, Tina K. 1996. Indian Music in the Diaspora: Case Studies of Chutney in Trinidad and in London. British Journal of Ethnomusicology 5: 13353. Reproduced with permission of the British Journal of Ethnomusicology (now Ethnomusicology Forum).

Roman-Velazquez, Patria. 1999. The Embodiment of Salsa: Musicians, Instruments and the Performance of a Latin Style and Identity.