Burkart - Music and cyberliberties
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Music and Cyberliberties identifies the groups--alternative and radical media activists, culture jammers, hackers, netlabels, and critical legal scholars--who are pushing back against the copyright grab by major labels for the rights and privileges that were once enjoyed by artists and fans. Burkart reflects on the emergence of peer-to-peer networking as a cause celebre that helped spark the movement, and also lays out the next stages of development for the Celestial Jukebox that would quash it. By placing the musical activist groups into the larger context of technology and new social movement theory, Music and Cyberliberties offers an exciting new way of understanding the technological and social changes we confront daily.
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Music and Cyberliberties
Celestial Jukebox by Rob Sussman
PATRICK BURKART
Published by Wesleyan University Press,
Middletown, CT 06459
www.wesleyan.edu/wespress
2010 by Patrick Burkart
All rights reserved
Printed in the United States of America
5 4 3 2 1
Library of Congress Cataloging-in-Publication Data
Burkart, Patrick, 1969
Music and cyberliberties / Patrick Burkart.
p. cm. (Music/culture)
Includes bibliographical references and index.
ISBN 978-0-8195-6917-2 (cloth : alk. paper)
ISBN 978-0-8195-6918-9 (pbk. : alk. paper)
1. Music and the Internet. 2. Sound recording
industry. 3. InternetSocial aspects. I. Title.
ML3790.B847 2009
306.4842-dc22 2009036025
Wesleyan University Press is a member of the Green
Press Initiative. The paper used in this book meets their
minimum requirement for recycled paper.
I am grateful to Vinny Mosco, who provided inspiration for this project. Encouragement and considerable assistance came from my friends and colleagues, including Tom McCourt, Eric Rothenbuhler, John Downing, Harris M. Berger, Kembrew McLeod, Jim Aune, Linda Putnam, and Charley Conrad. Joel Schalit, Brock Craft, and Joseph Lopez provided feedback at all stages of this project, and Mike Godwin, Gwen Hinze, Wendy Seltzer, and Fred von Lohmann made themselves accessible for my many questions. Thanks to Kip Keller for preparing my manuscript, and to the Melbern G. Glasscock Center for Humanities Research, the Ford Foundation Program on Media, Arts, and Culture, and the Texas A&M University European Union Center for providing support for this research.
AAC | advanced audio coding |
AAIM | American Association of Independent Music |
ACLU | American Civil Liberties Union |
ACME | Action Coalition for Media Education |
ALA | American Library Association |
A&R | artist and repertoire |
ARPANET | Advanced Research Projects Agency Network |
ASCAP | American Society of Composers, Authors, and Publishers |
AT&T | American Telephone and Telegraph |
A2K | Access to Knowledge |
BBS | bulletin board system |
BLO | Barbie Liberation Organization |
BMI | Broadcast Music Inc. |
BMG | Bertelsmann Music Group |
CDD | Center for Digital Democracy |
CFP | Computers, Freedom, and Privacy |
CIMA | Center for International Media Action |
CODEC | coder-decoder language |
COO | chief operating officer |
CPSR | Computer Professionals for Social Responsibility |
CRIS | Communication Rights in the Information Society |
CRM | customer relationship management |
CSS | content-scrambling system |
CVS | concurrent versions system |
DDoS | distributed denial of service |
DIY | do-it-yourself |
DMCA | Digital Millenium Copyright Act |
DMCRA | Digital Media Consumer Rights Act |
DRA | Digital Rights Agency |
DRM | digital-rights management |
DR-CAFTA | Dominican RepublicCentral American Free Trade Agreement |
EFF | Electronic Frontier Foundation |
EMI | Electrical and Musical Industries (EMI record company) |
EPIC | Electronic Privacy Information Clearinghouse |
EULA | end user license agreement |
EULAAA | End User License Agreement Activist Amendment |
FCC | Federal Communications Commission |
FFII | Foundation for a Free Information Infrastructure |
FOMC | Future of Music Coalition |
FOSS | free and open source software |
FSF | Free Software Society |
FTA | free trade agreement |
GLBT | gay, lesbian, bisexual, and transgender |
GUI | graphical user interface |
ICT | information and communication technology |
IFPI | International Federation of the Phonographic Industry |
IODA | International Online Distribution Alliance |
IP | intellectual property |
IPR | intellectual property rights |
ISP | Internet service provider |
MAIN | Mountain Area Information Network |
MOO | MUD object-oriented |
MPAA | Motion Picture Association of America |
MUD | multi-user dungeon |
NCMR | National Conference for Media Reform |
NGO | nongovernmental organization |
NSM | new social movement |
P2P | peer to peer |
RAIN | Radio and Internet Newsletter |
RIAA | Recording Industry Association of America |
RM | resource mobilization |
SDMI | Secure Digital Music Initiative |
SMS | wireless short message service |
TCA | theory of communicative action |
TOR | The Onion Router |
UCITA | Uniform Computer Information Transactions Act |
USCO | the Company of Us (media-art collective) |
US-PIRG | U.S. Public interest Research Group |
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