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P. Thirumal - Modern Mizoram: History, Culture, Poetics

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P. Thirumal Modern Mizoram: History, Culture, Poetics

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Mizoram is situated at a unique cusp in North East India, in terms of both physical and social contexts. It shares its borders with Myanmar and Bangladesh, while cultural influences range from the indigenous to the Western. This book offers an alternative understanding of the modern history of Mizoram through an analysis of its cultural practices through language, music, poetry and festivals. It explores the roots of modern cultural works not just in Christianity, but also in precolonial Mizo traditional practices. The authors closely examine text, performance and sculptural images, including the first handwritten newspaper Mizo Chanchin Laisuih (1898) and the Puma Zai festival (190711) from the early colonial period along with a contemporary sculptural image. They argue that cultural works open up to new forms of interpretations and responses over time. The book indicates that the Mizo creative sensibility enmeshed in theological, capitalistic-material and political/ideological regimes informs its modern enclosures, be it region, religion or nation.This book will be of great interest to scholars and researchers of cultural studies, literature, media, history, politics, sociology and social anthropology, area studies, North East India studies and South Asian studies.ReviewModern Mizoram tries to meet the following challenge: how does one write the history of a culture when the writing of history contradicts the oral spirit of the culture?In attempting this formidable task, the authors examine a range of archival materials, i.e., newspapers and other records, without succumbing to a linear historical narrative of how Mizoram became modern according to Indias hegemonic expectations. The book addresses the problem of how Mizo culture transforms itself under the pressure of the Indian state which oscillates between a developmental ideology and a war machine.This organic account of the history of Mizo culture is a useful addition of perspectives, methods and strategies of research. It will be of interest to scholars in Mizo political history, aesthetics, development, art and culture. R. Srivatsan, development theorist, Critical Development Studies, Health and Healthcare Systems, and Public Domain and Outreach Initiatives, Anveshi Research Centre for Womens Studies, Hyderabad, India, and author of Seva, Saviour and State: Caste Politics, Tribal Welfare and Capitalist Development (2015)About the AuthorP. Thirumal is Professor at the Department of Communication, S. N. School of Arts & Communication, University of Hyderabad, Telangana, India. His areas of interest and specialization include theory and history of media, histories of technologies and communities, borderland media history and the North East region of India. He has published in The Indian Economic and Social History Review, Seminar and the Economic & Political Weekly and has written for newspapers and periodicals.****Laldinpuii teaches English at Government Aizawl West College, Mizoram, India. She was awarded a PhD at the Department of English, University of Hyderabad in 2017. Her thesis dealt with the formation of identities through Mizo and Khasi folktales. She has presented papers in national and international seminars and conferences and has contributed articles to journals.****C. Lalrozami is Programme Coordinator at the Directorate of State Council for Educational Research and Training, Aizawl, Mizoram, India. She has presented papers in several conferences and seminars and contributed articles in books and local magazines. She has prepared a number of documentary films and educational television programmes which have been broadcast in national channels such as Doordarshan Kendra and the regional channels.

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This book is a study of the life of colonial and contemporary Mizo culture. There are so many people who contributed perceptibly and imperceptibly to the making of this work. Several versions of the manuscript were read and critically commented upon by colleagues and friends. Sasheej, Srivats, Shilpa, Dickens and Narmada require special mention. We think their comments have enlivened the chapters and helped it to acquire intellectual weight and moral aesthetic direction. We have been extremely lucky to have met several important Mizo academics, intellectuals and critics who were generous with their time and shared the deep insights of their land and culture. We would like to make special mention of Lalthangfala Sailo, Lalthangliana, R. L. Thanmawia, Rev. Lawmsanga, Rev. Vanlalchhuanawma, C. Lalkhawliana, Margaret Zama, Laltuangliana Khiangte and Lalrinawmi. Our friend Lalringliana was most hospitable whenever we visited Aizawl. James Khamliansawm, the young artist whose work is the basis for the writing of the last chapter, was extremely gracious to share his artistic and political concerns. To those friends and near ones like Raghuram Raju, Manju, Christy, Shruthi Bala, Amma, Anu, Ratna Mala and innumerable others, who have constantly urged and encouraged us to bring forth this volume, we owe our work in the deepest sense possible. We were lucky to have friends like Sharmila, Jenson, Ranjit and Harini who accompanied us on our various field trips to Mizoram and helped us with our work. We received editorial support from Chitralekha, Prabha Zachariah, Shiv Trishul, Himabindu and Jampa; it was wonderful working with them. Special thanks to Mikey for her conscientious absorption in our work and providing such endearing warmth.

We presented drafts of these chapters at various places including University of Tubingen, IIT Mumbai, University of Hyderabad and at Anveshi. We acknowledge the assistance given to us by institutions such as the Synod Archive, Aizawl, Mizoram State Archive, Aizawl Theological College, Mizoram University and United Theological College, Bengaluru. We are thankful to Routledge for publishing this volume. We thank Dilip Menon and Sunil Kumar from IESHR for granting us permission to republish another version of our piece which originally appeared in that journal.

The book has taken a sufficiently long time for its arrival. In a way, we think that we witnessed the making of its own time, a time of Modern Mizoram: History, Culture, Poetics.

First published 2019

by Routledge

2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN

and by Routledge

711 Third Avenue, New York, NY 10017

Routledge is an imprint of the Taylor & Francis Group, an informa business

2019 P. Thirumal, Laldinpuii and C. Lalrozami

The right of P. Thirumal, Laldinpuii and C. Lalrozami to be identified as authors of this work has been asserted by them in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988.

All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers.

Trademark notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe.

British Library Cataloguing-in-Publication Data

A catalogue record for this book is available from the British Library

Library of Congress Cataloging-in-Publication Data

A catalog record for this book has been requested

ISBN: 978-1-138-55963-9 (hbk)

ISBN: 978-0-429-44799-0 (ebk)

Typeset in Sabon

by Apex CoVantage, LLC

Contents Guide Baruah S 1999 India against Itself University of - photo 1
Contents
Guide

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Kar, B. (2008). Incredible Stories in the Time of Credible Histories: Colonial Assam and Translations of Vernacular Geographies. In R. Aquil & P. Chat-terjee (Eds.), History in the Vernacular . New Delhi: Permanent Black.

Kar, B. (2009). When Was Post-Colonial? A History of Policing Impossible Lines. In S. Baruah (Ed.), Beyond Counter Insurgency: Breaking the Impasse in the Northeast India (pp. 4977). New Delhi: Oxford University Press.

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