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Amy Kenny - Humorality in Early Modern Art, Material Culture, and Performance

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Amy Kenny Humorality in Early Modern Art, Material Culture, and Performance
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Humorality in Early Modern Art, Material Culture, and Performance seeks to address the representation of the humors from non-traditional, abstract, and materialist perspectives, considering the humorality of everyday objects, activities, and performance within the early modern period. To uncover how humoralism shapes textual, material, and aesthetic encounters for contemporary subjects in a broader sense than previous studies have pursued, the project brings together three principal areas of investigation: how the humoral body was evoked and embodied within the space of the early modern stage; how the materiality of an object can be understood as constructed within humoral discourse; and how individuals activities and pursuits can connote specific practices informed by humoralism. Across the book, contributors explore how diverse media and cultural practices are informed by humoralism. As a whole, the collection investigates alternative humoralities in order to illuminate both early modern works of art as well as the cultural moments of their production.

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Book cover of Humorality in Early Modern Art Material Culture and Performance - photo 1
Book cover of Humorality in Early Modern Art, Material Culture, and Performance
Palgrave Studies in Literature, Science and Medicine
Series Editors
Sharon Ruston
Department of English and Creative Writing, Lancaster University, Lancaster, UK
Alice Jenkins
School of Critical Studies, University of Glasgow, Glasgow, UK
Jessica Howell
Department of English, Texas A&M University, College Station, TX, USA

Palgrave Studies in Literature, Science and Medicine is an exciting series that focuses on one of the most vibrant and interdisciplinary areas in literary studies: the intersection of literature, science and medicine. Comprised of academic monographs, essay collections, and Palgrave Pivot books, the series will emphasize a historical approach to its subjects, in conjunction with a range of other theoretical approaches. The series will cover all aspects of this rich and varied field and is open to new and emerging topics as well as established ones.

Editorial board

Andrew M. Beresford, Professor in the School of Modern Languages and Cultures, Durham University, UK

Steven Connor, Professor of English, University of Cambridge, UK

Lisa Diedrich, Associate Professor in Womens and Gender Studies, Stony Brook University, USA

Kate Hayles, Professor of English, Duke University, USA

Jessica Howell, Associate Professor of English, Texas A&M University, USA

Peter Middleton, Professor of English, University of Southampton, UK

Kirsten Shepherd-Barr, Professor of English and Theatre Studies, University of Oxford, UK

Sally Shuttleworth, Professorial Fellow in English, St Annes College, University of Oxford, UK

Susan Squier, Professor of Womens Studies and English, Pennsylvania State University, USA

Martin Willis, Professor of English, University of Westminster, UK

Karen A. Winstead, Professor of English, The Ohio State University, USA

More information about this series at http://www.palgrave.com/gp/series/14613

Editors
Amy Kenny and Kaara L. Peterson
Humorality in Early Modern Art, Material Culture, and Performance
1st ed. 2021
Logo of the publisher Editors Amy Kenny University of California - photo 2
Logo of the publisher
Editors
Amy Kenny
University of California, Riverside, Riverside, CA, USA
Kaara L. Peterson
Miami University of Ohio, Oxford, OH, USA
ISSN 2634-6435 e-ISSN 2634-6443
Palgrave Studies in Literature, Science and Medicine
ISBN 978-3-030-77617-6 e-ISBN 978-3-030-77618-3
https://doi.org/10.1007/978-3-030-77618-3
The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerland AG 2021
This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed.
The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use.
The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, expressed or implied, with respect to the material contained herein or for any errors or omissions that may have been made. The publisher remains neutral with regard to jurisdictional claims in published maps and institutional affiliations.

Cover illustration: The Artchives / Alamy Stock Photo

This Palgrave Macmillan imprint is published by the registered company Springer Nature Switzerland AG

The registered company address is: Gewerbestrasse 11, 6330 Cham, Switzerland

Acknowledgments

The editors would like to thank everyone at Palgrave who worked on this book for their support and enthusiasm throughout the process. Some of the essays featured in this collection emerged from a Shakespeare Association of America seminar entitled Performing the Humoral Body at the Los Angeles conference in 2018. We would like to thank the organizing committee for their support of the seminar.

Contents
Amy Kenny and Kaara L. Peterson
Part IPerformance and Embodiment
Robert Stagg
Darryl Chalk
David Clemis
Michael Schoenfeldt
Amy Kenny
Part IIArt and Material Culture
Kaara L. Peterson
Kimberly Rhodes
Amy L. Tigner
Ariane Balizet
Gail Kern Paster
List of Figures
Notes on Contributors
Ariane Balizet

is the author of two monographsShakespeare and Girls Studies (Routledge, 2020) and Blood and Home in Early Modern Drama: Domestic Identity on the Renaissance Stage (Routledge, 2014)and many articles on blood, bodies, and domesticity in the literature of the English Renaissance. Her work has been published in Comparative Literature Studies, Early Modern Literary Studies, Womens Studies, and Borrowers and Lenders, and elsewhere.

Darryl Chalk

is Senior Lecturer in Theatre at the University of Southern Queensland, Australia, and Treasurer on the Executive Committee of the Australian and New Zealand Shakespeare Association. He researches medicine, disease, magic, and emotion in Shakespearean drama and early modern theatre. His most recent book is Contagion and the Shakespearean Stage (Palgrave, 2019), a volume of essays co-edited with Mary Floyd-Wilson. A monograph, with the working title Pathological Shakespeare: Contagion, Embodiment, and the Early Modern Scientific Imaginary, is currently in progress.

David Clemis

is Associate Professor of History at Mount Royal University, Calgary, Canada. His research focuses on understandings of alcohol intoxication and conceptions of craving, habit, and addiction in the seventeenth and eighteenth centuries. He is the author of Medical Expertise and the Understandings of Intoxication In Britain, 1660 to 1830, in Intoxication and Society: Problematic Pleasures (Palgrave, 2013), The History and Culture of Alcohol and Drinking: 18th Century and The History of Addiction and Alcoholism in Alcohol: Social, Cultural, and Historical Perspectives (SAGE, 2015).

Amy Kenny

teaches at University of California, Riverside and has a PhD in early modern literature and culture. She has worked as Research Coordinator at Shakespeares Globe in London, where she was the chief dramaturge for 15 productions and conducted over 80 interviews with actors and directors on architecture, audiences, and performance, as part of an archival resource for future scholarship. She is co-editor of The Hare, a peer-reviewed, on-line academic journal of untimely reviews, on the editorial board of

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