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Alexandra S. Moore - Writing Beyond the State : Post-Sovereign Approaches to Human Rights in Literary Studies

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Alexandra S. Moore Writing Beyond the State : Post-Sovereign Approaches to Human Rights in Literary Studies
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Palgrave Studies in Literature Culture and Human Rights Series Editor - photo 1
Palgrave Studies in Literature, Culture and Human Rights
Series Editor
Alexandra S. Moore
Binghamton University, New York, NY, USA

This series demonstrates how cultural critique can inform understandings of human rights as normative instruments that may at once express forms of human flourishing and be complicit with violence and inequality. The series investigates the role of genre and the aesthetic in shaping cultures of both rights and harm. Essential to this work is an understanding of human rights as at once normative and dynamic, encompassing egregious violations as well as forms of immiseration that have not always registered in human rights terms.

More information about this series at http://www.palgrave.com/gp/series/16248

Editors
Alexandra S. Moore and Samantha Pinto
Writing Beyond the State
Post-Sovereign Approaches to Human Rights in Literary Studies
Editors Alexandra S Moore Binghamton University New York NY USA - photo 2
Editors
Alexandra S. Moore
Binghamton University, New York, NY, USA
Samantha Pinto
University of Texas at Austin, Austin, TX, USA
ISSN 2524-8820 e-ISSN 2524-8839
Palgrave Studies in Literature, Culture and Human Rights
ISBN 978-3-030-34455-9 e-ISBN 978-3-030-34456-6
https://doi.org/10.1007/978-3-030-34456-6
The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerland AG 2020
This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed.
The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use.
The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, expressed or implied, with respect to the material contained herein or for any errors or omissions that may have been made. The publisher remains neutral with regard to jurisdictional claims in published maps and institutional affiliations.

Cover image: Jason deCaires Taylor, Young Charles sculpture at entrance to the Coralarium in Maldives

This Palgrave Macmillan imprint is published by the registered company Springer Nature Switzerland AG

The registered company address is: Gewerbestrasse 11, 6330 Cham, Switzerland

Dedicated to Chlo, Samantha, Finn, and Tegan

Acknowledgments

We are grateful for permission to reprint the images in this collection as follows.

Our cover photograph from Jason deCaires Taylors The Sculpture Coralarium, Sirru Fen Fushi, Maldives, appears with the generous permission of the artist. We thank Georgetown University for supporting the use of this image.

In Chapter, Theophilus Marboahs image from Echoes and Agreements is comprised of Plan of the Slave Ship Brookes, from Thomas Clarksons The history of the rise, progress, and accomplishment of the abolition of the African slave trade by the British Parliament (1808), used courtesy of the British Library Board, and Massimo Sestinis photograph of the migrant boat crossing, reprinted by permission (Massimo Sestini). We thank Mr. Marboah for recreating the diptych from his Echoes and Agreements series for this volume.

Amnesty International USA (AIUSA) has generously granted permission for the use of and quotations from its archives, material which appears in Chapter.

Chapterincludes a still from the VR film,Clouds Over Sidra, reprinted with permission of the director, Chris Milk. Were grateful to Richard Mosse and the Jack Shainman Gallery for permission to reprint Mosses image:Moria in Snow, Lesbos, Greece, 2017, Digital C on metallic paper, 35.5" 120", fromThe Castleby Richard Mosse, published by Mack Books in 2018.

Chapterfeatures three photographs from the Humans of New York blog by Brandon Stanton and are reprinted with his permission.

The map of voluntary departure survivors routes from Israel, discussed in Chapter, appears curtesy of authors Lior Birger, Shahar Shoham, and Liat Bolzman of the 2018 Report, Better a Prison in Israel Than Dying Along the Way: Testimonies of Refugees Who Voluntarily Departed Israel to Rwanda and Uganda and Gained Protection in Europe, translated by Elizabeth Tsurkov and published by the Hotline for Refugees and Migrants.

We thank the author and artist Tings Chak for permission to reprint two of her images in Chapter.

Finally, we thank Ben Doyle and Camille Davies for their support for this project from its inception.

Contents
Alexandra S. Moore and Samantha Pinto
Part I Re-figuring Human Rights and Humanitarianism from 1960 to the Present
Samantha Pinto
Emily S. Davis
Greg A. Mullins
Kerry Bystrom and Ramona Mosse
Mukti Lakhi Mangharam
Peter Hitchcock
Part II Securitization, Toxicity, and the Future of Rights
Diren Valayden
Stephanie Athey
Angela Naimou
Terri Tomsky
Marike Janzen
Hanna Musiol
List of Figures
Fig. 1.1 Theophilus Marboah, selection from Echoes and Agreements, 2018. Plan of the Slave Ship Brookes, from Thomas Clarksons The history of the rise, progress, and accomplishment of the abolition of the African slave trade by the British Parliament (1808), appears courtesy of the British Library Board. Massimo Sestini, photograph of the migrant boat crossing, is reprinted by permission (Massimo Sestini)
Fig. 5.1Clouds Over Sidra, kids at play (film still) (By permission of Chris Milk)
Fig. 5.2 Detail fromMoria in Snow, Lesbos, Greece, 2017. Digital C on metallic paper, 35.5120. FromThe Castleby Richard Mosse, published by Mack Books, 2018 (Image courtesy of the artist and Jack Shainman Gallery)
Fig. 6.1 From the HONY Blog. Reprinted with permission of Brandon Stanton (https://www.facebook.com/humansofnewyork/photos/a.102107073196735.4429.102099916530784/1177764265631005/?type=3&theater)
Fig. 6.2 From the HONY Blog. Reprinted with permission of Brandon Stanton
Fig. 6.3 Reprinted by permission of Brandon Stanton (https://www.facebook.com/humansofnewyork/photos/a.102107073196735.4429.102099916530784/1047264865347613/?type=3&theater)
Fig. 10.1 Map of voluntary departure survivors routes (Birger et al. 2018, 15). Reprinted by permission
Fig. 11.1 Technologies of discipline and control in Tings Chak,Undocumented(2014). Reprinted by permission
Fig. 11.2 Technologies of surveillance in Tings Chak,
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