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Alex Adams - Political Torture in Popular Culture: The Role of Representations in the Post-9/11 Torture Debate

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Alex Adams Political Torture in Popular Culture: The Role of Representations in the Post-9/11 Torture Debate
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Political Torture in Popular Culture argues that the literary, filmic, and popular cultural representation of political torture has been one of the defining dimensions of the torture debate that has taken place in the course of the post-9/11 global war on terrorism. The book argues that cultural representations provide a vital arena in which political meaning is generated, negotiated, and contested.Adams explores whether liberal democracies can ever legitimately perpetrate torture, contrasting assertions that torture can function as a legitimate counterterrorism measure with human rights-based arguments that torture is never morally permissible. He examines the philosophical foundations of pro- and anti-torture positions, looking at their manifestations in a range of literary, filmic and popular cultural texts, and assesses the material effects of these representations. Literary novels, televisual texts, films, and critical theoretical discourse are all covered, focusing on the ways that aesthetic and textual strategies are mobilised to create specific political effects.This book is the first sustained analysis of the torture debate and the role that cultural narratives and representations play within it. It will be of great use to scholars interested in the emerging canon of post-9/11 cultural texts about torture, as well as scholars and students working in politics, history, geography, human rights, international relations, and terrorism studies, literary studies, cultural studies, and film studies.

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Political Torture in Popular Culture
Political Torture in Popular Culture argues that the literary, filmic, and popular cultural representation of political torture has been one of the defining dimensions of the torture debate that has taken place in the course of the post-9/11 global war on terrorism. The book argues that cultural representations provide a vital arena in which political meaning is generated, negotiated, and contested.
Adams explores whether liberal democracies can ever legitimately perpetrate torture, contrasting assertions that torture can function as a legitimate counterterrorism measure with human rights-based arguments that torture is never morally permissible. He examines the philosophical foundations of pro- and anti-torture positions, looking at their manifestations in a range of literary, filmic and popular cultural texts, and assesses the material effects of these representations. Literary novels, televisual texts, films, and critical theoretical discourse are all covered, focusing on the ways that aesthetic and textual strategies are mobilised to create specific political effects.
This book is the first sustained analysis of the torture debate and the role that cultural narratives and representations play within it. It will be of great use to scholars interested in the emerging canon of post-9/11 cultural texts about torture, as well as scholars and students working in politics, history, geography, human rights, international relations, and terrorism studies, literary studies, cultural studies, and film studies.
Alex Adams completed his PhD in the School of English Literature, Language and Linguistics at Newcastle University, UK. He has contributed a number of journal articles and book chapters to recent publications.
Popular Culture and World Politics
Edited by Matt Davies, Newcastle University
Kyle Grayson, Newcastle University
Simon Philpott, Newcastle University
Christina Rowley, University of Bristol
Jutta Weldes, University of Bristol
The Popular Culture and World Politics (PCWP) book series is the forum for leading interdisciplinary research that explores the profound and diverse interconnections between popular culture and world politics. It aims to bring further innovation, rigor, and recognition to this emerging sub-field of international relations.
To these ends, the PCWP series is interested in various themes, from the juxtaposition of cultural artefacts that are increasingly global in scope and regional, local and domestic forms of production, distribution, and consumption; to the confrontations between cultural life and global political, social, and economic forces; to the new or emergent forms of politics that result from the rescaling or internationalization of popular culture.
Similarly, the series provides a venue for work that explores the effects of new technologies and new media on established practices of representation and the making of political meaning. It encourages engagement with popular culture as a means for contesting powerful narratives of particular events and political settlements as well as explorations of the ways that popular culture informs mainstream political discourse. The series promotes investigation into how popular culture contributes to changing perceptions of time, space, scale, identity, and participation while establishing the outer limits of what is popularly understood as political or cultural.
In addition to film, television, literature, and art, the series actively encourages research into diverse artefacts including sound, music, food cultures, gaming, design, architecture, programming, leisure, sport, fandom, and celebrity. The series is fiercely pluralist in its approaches to the study of popular culture and world politics and is interested in the past, present, and future cultural dimensions of hegemony, resistance, and power.
Understanding Popular Culture and World Politics in the Digital Age
Laura J. Shepherd and Caitlin Hamilton
Political Torture in Popular Culture
The role of representations in the post-9/11 torture debate
Alex Adams
First published 2016
by Routledge
2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN
and by Routledge
711 Third Avenue, New York, NY 10017
Routledge is an imprint of the Taylor & Francis Group, an informa business
2016 Alex Adams
The right of Alex Adams to be identified as author of this work has been asserted by him in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988.
All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers.
Trademark notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe.
British Library Cataloguing in Publication Data
A catalogue record for this book is available from the British Library
Library of Congress Cataloging in Publication Data
A catalog record for this book has been requested
ISBN: 978-1-138-18531-9 (hbk)
ISBN: 978-1-315-64456-1 (ebk)
Typeset in Times New Roman
by Wearset Ltd, Boldon, Tyne and Wear
For Robert Adams (19522012) and Elisa Nauman (19852009)
Contents
I extend sincere gratitude to Neelam Srivastava, Anne Whitehead, Stacy Gillis, James Procter, Stephen Morton, and Simon Philpott, for the support, institutional and personal, that they lent to this project. I also thank Newcastle University School of English Literature, Language and Linguistics for the investment of time and resources that facilitated the majority of the production of this book. In addition I would like to recognise the individuals and institutions who have given me opportunities to present aspects of this research at conferences and workshops both in the UK and abroad. The forums they gave me to present, discuss, and develop this research were essential. I thank Arin Keeble, Kim Reynolds, Matthew Grenby, Katherine Cooper, Tom Langley, Gary Jenkins, Mani Sharpe, and Sheila Heppel at Newcastle University; Avril Buchanan and Carmel Murphy at University College Cork; Gabriel Koureas at Birkbeck; Sue Malvern at the University of Reading; and Cornelia Waechter from the Universities of Paderborn and Bielefeld. I would also like to thank Max Gillespie and Tony Wright at the Newcastle upon Tyne arm of Freedom from Torture. Finally I thank my family, and I thank Hannah Burman and RM for the support it is not possible to verbalise.
It is mid-March 2016 and the world watches on as Donald Trump prepares to take what may be decisive steps towards securing the Republican nomination for the 2016 American presidential election. Among a host of controversial claims, admissions, and commitments, Trump has clearly indicated that if elected he would return torture to the US policy arsenal. Should Trump succeed in his unlikely quest for the US presidency and make good on his threat then once again the practice of torture will be a significantly important topic of debate in international politics. In 2005 Naomi Klein criticised the misguided belief among senior American political commentators that the use of torture arose as a consequence of the attacks of September 2001. Klein argued that an ocean of evidence made it abundantly clear that torture had been a key component of US foreign policy for over half a century and that the cultural amnesia surrounding this uncomfortable fact is profoundly unhelpful in trying to once and for all remove this particular element from US foreign policy. Worse, she argues, it disappears the disappeared all over again.
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