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Diego Bonelli - Audiovisual Tourism Promotion: A Critical Overview

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Diego Bonelli Audiovisual Tourism Promotion: A Critical Overview
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Audiovisual Tourism Promotion: A Critical Overview: summary, description and annotation

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This book deploys the concept of audiovisual tourism promotion to account for the promotional functions performed by a vast array of diverse media texts including tourism films, feature films, digital videos conceived for online circulation, video games and TV commercials. From this point of view, this volume fills a major gap in the literature by providing the first comprehensive critical overview of audiovisual tourism promotion as a distinct media field. In this book, the study of audiovisual tourism promotion is characterised by an interdisciplinary approach which combines film studies, media studies, human geography, sociology, tourism studies, history, postcolonial and gender studies. This book will appeal to a wide range of students and scholars from different disciplines.

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Contents
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Book cover of Audiovisual Tourism Promotion Editors Diego Bonelli and - photo 1
Book cover of Audiovisual Tourism Promotion
Editors
Diego Bonelli and Alfio Leotta
Audiovisual Tourism Promotion
A Critical Overview
Logo of the publisher Editors Diego Bonelli Victoria University of - photo 2
Logo of the publisher
Editors
Diego Bonelli
Victoria University of Wellington, Wellington, New Zealand
Alfio Leotta
Victoria University of Wellington, Wellington, New Zealand
ISBN 978-981-16-6409-0 e-ISBN 978-981-16-6410-6
https://doi.org/10.1007/978-981-16-6410-6
The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Singapore Pte Ltd. 2021
This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed.
The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use.
The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, expressed or implied, with respect to the material contained herein or for any errors or omissions that may have been made. The publisher remains neutral with regard to jurisdictional claims in published maps and institutional affiliations.

Cover illustration: Matteo Colombo, GettyImages

This Palgrave Macmillan imprint is published by the registered company Springer Nature Singapore Pte Ltd.

The registered company address is: 152 Beach Road, #21-01/04 Gateway East, Singapore 189721, Singapore

Acknowledgements

This book would have not been possible without the invaluable support provided by Joshua Pitt and MD Saif at Palgrave Macmillan.

We would like to thank those colleagues and friends who volunteered their time and knowledge to this project. We are particularly grateful to Paige Macintosh and Nirmal Kumar Gnanaprakasam (for assisting with the editing and proofreading process) and the anonymous reviewers for their insightful suggestions.

We are indebted to Thierry Jutel, Miriam Ross, and Missy Molloy for providing sage advice and encouragement at various stages of the project.

We would also like to thank Victoria University of Wellington for the research grant that allowed us to complete the volume.

Our gratitude also goes to our families and friends for their unconditional support throughout this project.

Contents
Diego Bonelli and Alfio Leotta
Part IMedia Forms
Diego Bonelli
Rowan Light
Lus Bonixe and Gorete Dinis
Alessandra De Marco
Alfio Leotta
Part IIRecent Developments in Screen-Induced Tourism
Giulia Lavarone
Jiahui (Yolanda) Dong , Louis-Etienne Dubois , Marion Joppe and Lianne Foti
Cathrin Bengesser and Anne Marit Waade
Part IIITourist Gaze, Identity, and Race
Rosina Hickman
Piotr Dzik and Anna Adamus-Matuszyska
Panizza Allmark
List of Figures
List of Tables
Notes on Contributors
Anna Adamus-Matuszyska

is a sociology and public relations specialist, and a professor at the University of Economics in Katowice, Poland. Her research interests focus on public relations as the scientific discipline and visual identification of places. She lectures in sociology, conflict management, and public relations. She is the author and co-author of around 140 articles and 8 books.

Panizza Allmark

is the Associate Dean of Arts, and an associate professor in the School of Arts and Humanities at Edith Cowan University, Perth, Australia. She leads the Media and Cultural Studies programme. Allmark is also the chief editor of the international journal Continuum: Journal of Media and Cultural Studies.

Cathrin Bengesser

is Assistant Professor of Digital Media Industries at Aarhus University, Denmark. She researched screen tourism, transnational audiences, and European Creative Industries policies during her Post-Doc in the Horizon 2020 project DETECt (20182021). She received her PhD from Birkbeck, University of London.

Diego Bonelli

holds a PhD in Film from Victoria University of Wellington, New Zealand, and an MA in History from the University of Parma, Italy. His academic work deploys archival research and his primary research interests focus on tourism film, documentary film, the relationship between media and tourism, and Italian cinema. Bonellis work has been published in Studies in Australasian Cinema, The Journal of New Zealand Studies, The Journal of New Zealand and Pacific Studies, Journal of Tourism History, NEKEThe New Zealand Journal of Translation Studies, and the Journal of Italian Cinema and Media Studies.

Lus Bonixe

holds a PhD in Communication Sciences, with a specialisation in journalism from Faculty of Social and Human Sciences (FCSH)Universidade Nova de Lisboa, Portugal. He is the author and co-author of four books. He has written several chapters and articles in national and international academic journals on radio, journalism, local journalism, online journalism, and media and tourism. He is Professor of Journalism at the Polytechnic Institute of Portalegre, Portugal, and a researcher at Instituto de Comunicao da Nova (ICNOVA).

Alessandra De Marco

is SEO Webwriting and Localisation Specialist at Arkys Digital Marketing. Former Lecturer in Language and Linguistics, she carries out independent scholarly research in digital marketing, tourism, and advertising. Among her latest publications is Destination Brand New Zealand. A Social Semiotic Multimodal Analysis (2017).

Gorete Dinis

holds a PhD in Tourism; an MSc in Innovation, Planning, and Development Policies; and a BSc in Tourism Management and Planning from the University of Aveiro, Portugal. She is coordinator and professor of the BSc in Tourism at the School of Education and Social Sciences of the Polytechnic Institute of Portalegre, Portugal, and member of the Research Unit Governance, Competitiveness and Public Policies and of the CITUR Algarve.

Jiahui (Yolanda) Dong

holds an MSc in Tourism and Hospitality Management from Gordon S. Lang School of Business and Economics, Canada. During her graduate and undergraduate study, Dong participated in several research projects in the organisational behaviour domain. She is interested in tourism studies with particular emphasis on media-induced tourism.

Louis-Etienne Dubois

is Associate Professor of Creative Industries Management at Ryerson Universitys School of Creative Industries, Canada. He is the director of the Future of Live Entertainment lab, a research partnership with Cirque du Soleil Entertainment Group. Dubois holds a PhD from HEC Montral and from MINES ParisTech.

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