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Donald Yacovone - Teaching White Supremacy: Americas Democratic Ordeal and the Forging of Our National Identity

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Donald Yacovone Teaching White Supremacy: Americas Democratic Ordeal and the Forging of Our National Identity
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Teaching White Supremacy: Americas Democratic Ordeal and the Forging of Our National Identity: summary, description and annotation

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A powerful exploration of the past and present arc of Americas white supremacyfrom the countrys inception and Revolutionary years to its 19th century flashpoint of civil war; to the Civil Rights movement of the 1960s and todays Black Lives Matter.
The most profoundly original cultural history in recent memory. Henry Louis Gates, Jr., Harvard University
Stunning, timely . . . an achievement in writing public history . . . Teaching White Supremacy should be read widely in our roiling debate over how to teach about race and slavery in classrooms. David W. Blight, Sterling Professor of American History, Yale University; author of the Pulitzer-prize-winning Frederick Douglass: Prophet of Freedom
Donald Yacovone shows us the clear and damning evidence of white supremacys deep-seated roots in our nations educational system through a fascinating, in-depth examination of Americas wide assortment of texts, from primary readers to college textbooks, from popular histories to the most influential academic scholarship. Sifting through a wealth of materials from the colonial era to today, Yacovone reveals the systematic ways in which this ideology has infiltrated all aspects of American culture and how it has been at the heart of our collective national identity.
Yacovone lays out the arc of Americas white supremacy from the countrys inception and Revolutionary War years to its nineteenth-century flashpoint of civil war to the civil rights movement of the 1960s and todays Black Lives Matter. In a stunning reappraisal, the author argues that it is the North, not the South, that bears the greater responsibility for creating the dominant strain of race theory, which has been inculcated throughout the culture and in school textbooks that restricted and repressed African Americans and other minorities, even as Northerners blamed the South for its legacy of slavery, segregation, and racial injustice.
A major assessment of how we got to where we are today, of how white supremacy has suffused every area of American learning, from literature and science to religion, medicine, and law, and why this kind of thinking has so insidiously endured for more than three centuries.

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Also by Donald Yacovone Samuel Joseph May and the Dilemmas of the Liberal - photo 1
Also by Donald Yacovone

Samuel Joseph May and the Dilemmas of the Liberal Persuasion, 17971871

A Voice of Thunder: The Civil War Letters of George E. Stephens

A Shared Experience: Men, Women, and the History of Gender (coeditor)

Hope & Glory: Essays on the Legacy of the 54th Massachusetts Regiment (coeditor)

Freedoms Journey: African American Voices of the Civil War (editor)

Wendell Phillips, Social Justice, and the Power of the Past (coeditor)

With Henry Louis Gates, Jr.

Lincoln on Race and Slavery

The African Americans: Many Rivers to Cross

Westward the Course of Destiny Westward ho Chromolithograph 1873 by George - photo 2

Westward the Course of Destiny, Westward ho! Chromolithograph, 1873, by George A. Crofutt. (See copyright page for full caption.)

Copyright 2022 by Donald Yacovone All rights reserved Published in the United - photo 3

Copyright 2022 by Donald Yacovone

All rights reserved. Published in the United States by Pantheon Books, a division of Penguin Random House LLC, New York, and distributed in Canada by Penguin Random House Canada Limited, Toronto.

Pantheon Books and colophon are registered trademarks of Penguin Random House LLC.

Grateful acknowledgment is made to the following for permission to reprint previously published material:

Hal Leonard LLC: Lyric excerpt from Youve Got to Be Carefully Taught from South Pacific, lyrics by Oscar Hammerstein II and music by Richard Rodgers. Copyright 1949 by Williamson Music Company c/o Concord Music Publishing, copyright renewed. All rights reserved. Reprinted by permission of Hal Leonard LLC.

A cataloguing-in-publication record has been established for this book by the Library of Congress. LCCN 2021058205 | ISBN (hardcover) 9780593316634 | ISBN (ebook) 9780593316641

www.pantheonbooks.com

Frontispiece caption: Illustrator and publisher George Crofutt worked with Prussian-born painter John Gast to create an enduring symbol of the nations manifest destiny. The beautiful and charming female figure of Columbia, as Crofutt wrote, bore the Star of Empire on her forehead and in her arm carried the emblem of educationThe School Bookas it proclaimed on its cover. The white figure, with transcendent powers, swept away all nonwhite peoples to carry progress and American supremacy across the continent. George A. Crofutt, Westward the Course of Destiny, Westward ho!, chromolithograph, 1873.

Cover image: Detail from Westward the Course of Destiny, Westward ho!, 1873, chromolithograph after a painting by John Gast, 1872. Everett Collection/Bridgeman Images

Cover design by Kelly Blair

ep_prh_6.0_140999378_c0_r0

For our teachers,

but especially for

Thomas J. Farnham,

Edward W. Sloan III,

and

Leonard W. Levy

Youve got to be taught to hate and fear,

Youve got to be taught from year to year,

Its got to be drummed in your dear little ear

Youve got to be carefully taught.

Youve got to be taught to be afraid

Of people whose eyes are oddly made,

And people whose skin is a diffrent shade,

Youve got to be carefully taught.

Youve got to be taught before its too late,

Before you are six or seven or eight,

To hate all the people your relatives hate,

Youve got to be carefully taught!

Youve Got to Be Carefully Taught, from the 1949 musical South Pacific by Richard Rodgers and Oscar Hammerstein II

Contents
Introduction

When the teacher fails to meet the intellectual wants of a child, it is the case of asking for bread and receiving a stone; but when he fails to meet its moral wants, it is giving a serpent.

Horace Mann, Thoughts, 1872

I learned firsthand the reality of Horace Manns warning when I enrolled in a teacher-training program in the 1970s. My college sent me to a high school in central Connecticut for my first classroom experience on the other side of the teachers desk. Student teaching was to be the capstone experience of my undergraduate educationas it turned out, far more than I ever imagined. I will never forget the first time I entered the schoolteachers lounge, a disheartening space with an awkward array of tired, empty seats placed against the four walls. The worn linoleum floor remained empty except for a few teachers and an old wooden armchair strategically placed in the center of the room. In it sat an orating grandee, likely a department head, whose painfully white skin and frizzy bald skull were accentuated by his thick black-rimmed glasses. As I passed into the small chamber, I could not avoid him, nor could I ignore his gesturing arms or his sermon about the white mans burden. Then and there, I decided that high school teaching would not be in my future.

But scholarship would, and I have spent most of my career studying abolitionism and nineteenth-century African American history. Several years ago I began a study of the antislavery movements legacy. I focused on the century after 1865 to understand how the collective or popular memory of the original freedom struggle helped create the modern civil rights movement. As part of this project, I wanted to measure how abolitionism had been presented in our nations K12 school textbooks. I navely imagined a quick look at a few volumes and then a speedy return to my primary research. Instead, I found myself overwhelmed by the collection of nearly three thousand U.S. history textbooks, dating from about 1800 to the 1980s, at the Monroe C. Gutman Library at Harvard Universitys Graduate School of Education. I stared at the shelves in shock. But it also proved inspiring. I immediately plunged in and resurfaced with a solid sense of what schoolbooks were like before 1865so I could fully grasp the later history of the history I wished to understand. But in a clear inversion of Robert Frosts The Gift Outright, I was the collections before the collection was mine. Within a short time, I found myself immersed in a study of how slavery, race, abolitionism, and the Civil War and Reconstruction have been taught in our nations K12 schoolbooks from about 1832 to the present. Hence, this book.

One morning as I examined a library cart bursting with about fifty elementary, grammar, and high school history textbooks, a bright red spine reached out to me through time and space. Why is this familiar? I wondered. As I opened the books still-crisp white pages, my gasp must have jolted those wonderful librarians working near me. It all came rushing back. Somehow I had never forgotten the books image of Eli Whitney, included not for his notorious cotton gin but instead for inventing the concept of interchangeable partsthus laying the groundwork for industrialization. Exploring the New World, by O. Stuart Hamer, Dwight W. Follett, Benjamin F. Ahlschwede, and Herbert H. Grosspublished and reprinted between 1953 and 1965had been assigned in my fifth-grade social studies class in Saratoga, California.

Just like a legion of the early textbooks I had been reading, Exploring the New World never mentioned the antislavery movement. Slaves, on the other hand, proved necessary to pick cottonWho else would do the work? the authors asked. This textbook, and nearly all the texts I reviewed, was not published by a Southern segregationist press, and certainly not by the Klan or other far-right publishersalthough such presses emerged with a vengeance in the 1920s and still operate, especially online. No, the thousands of textbooks that have stained the minds of generations of students, from the elementary grades to college, were produced almost entirely by Northern publishing houses, situated mostly in New York, Boston, and Chicago, and by Northern-trained scholars and education specialists. Indeed, several of the most famous and influential American historians of the first half of the twentieth century, nearly all trained at Northern colleges and universities, produced some of the most racist texts I had the displeasure to read.

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