Cultural Pedagogies and Human Conduct
Pedagogy is often glossed as the art and science of teaching but this focus typically ties it to the instructional practices of formalised schooling. Like the emerging work on public pedagogies, the notion of cultural pedagogies signals the importance of the pedagogic in realms other than institutionalised education, but goes beyond the notion of public pedagogies in two ways: it includes spaces which are not so public, and it includes an emphasis on material and non-human actors.
This collection foregrounds this broader understanding of pedagogy by framing enquiry through a series of questions and across a range of settings. How, for example, are the processes of teaching and learning realised within and across the pedagogic processes specific to various social sites? What ensembles of people, things and practices are brought together in specific institutional and everyday settings to accomplish these processes?
This collection brings together researchers whose work across the interdisciplinary nexus of cultural studies, sociology, media studies, education and museology offers significant insights into these cultural pedagogies the practices and relations through which cumulative changes in how we act, feel and think occur. Cultural Pedagogies and Human Conduct opens up debate across disciplines, theoretical perspectives and empirical foci to explore both what is pedagogical about culture and what is cultural about pedagogy.
Megan Watkins is Associate Professor in the Institute for Culture and Society and the School of Education, University of Western Sydney.
Greg Noble is Professor in the Institute for Culture and Society, University of Western Sydney.
Catherine Driscoll is Professor in the Department of Gender and Cultural Studies, University of Sydney.
Culture, economy and the social
A new series from CRESC the ESRC Centre for Research on Socio-cultural Change.
Editors
Professor Tony Bennett, Social and Cultural Theory, University of Western Sydney; Professor Penny Harvey, Anthropology, Manchester University; Professor Kevin Hetherington, Geography, Open University
Editorial Advisory Board
Andrew Barry, University of Oxford; Michel Callon, Ecole des Mines de Paris; Dipesh Chakrabarty, The University of Chicago; Mike Crang, University of Durham; Tim Dant, Lancaster University; Jean-Louis Fabiani, Ecoles de Hautes Etudes en Sciences Sociales; Antoine Hennion, Paris Institute of Technology; Eric Hirsch, Brunel University; John Law, The Open University; Randy Martin, New York University; Timothy Mitchell, New York University; Rolland Munro, Keele University; Andrew Pickering, University of Exeter; Mary Poovey, New York University; Hugh Willmott, University of Cardiff; Sharon Zukin, Brooklyn College City University New York/Graduate School, City University of New York
The Culture, Economy and the Social series is committed to innovative contemporary, comparative and historical work on the relations between social, cultural and economic change. It publishes empirically-based research that is theoretically informed, that critically examines the ways in which social, cultural and economic change is framed and made visible, and that is attentive to perspectives that tend to be ignored or side-lined by grand theorising or epochal accounts of social change. The series addresses the diverse manifestations of contemporary capitalism, and considers the various ways in which the social, the cultural and the economic are apprehended as tangible sites of value and practice. It is explicitly comparative, publishing books that work across disciplinary perspectives, cross-culturally, or across different historical periods.
The series is actively engaged in the analysis of the different theoretical traditions that have contributed to the development of the cultural turn with a view to clarifying where these approaches converge and where they diverge on a particular issue. It is equally concerned to explore the new critical agendas emerging from current critiques of the cultural turn: those associated with the descriptive turn for example. Our commitment to interdisciplinarity thus aims at enriching theoretical and methodological discussion, building awareness of the common ground that has emerged in the past decade, and thinking through what is at stake in those approaches that resist integration to a common analytical model.
Series titles include:
The Media and Social Theory (2008)
Edited by David Hesmondhalgh and Jason Toynbee
Culture, Class, Distinction (2009)
Tony Bennett, Mike Savage, Elizabeth Bortolaia Silva, Alan Warde, Modesto Gayo-Cal and David Wright
Material Powers (2010)
Edited by Tony Bennett and Patrick Joyce
The Social after Gabriel Tarde (2010)
Debates and assessments
Edited by Matei Candea
Cultural Analysis and Bourdieus Legacy (2010)
Edited by Elizabeth Silva and Alan Ward
Milk, Modernity and the Making of the Human (2010)
Richie Nimmo
Creative Labour (2010)
Media work in three cultural industries
Edited by David Hesmondhalgh and Sarah Baker
Migrating Music (2011)
Edited by Jason Toynbee and Byron Dueck
Sport and the Transformation of Modern Europe (2011)
States, media and markets 19502010
Edited by Alan Tomlinson, Christopher Young and Richard Holt
Inventive Methods (2012)
The happening of the social
Edited by Celia Lury and Nina Wakeford
Understanding Sport (2012)
A socio-cultural analysis
John Horne, Alan Tomlinson, Garry Whannel and Kath Woodward
Shanghai Expo (2012)
An international forum on the future of cities
Edited by Tim Winter
Diasporas and Diplomacy (2012)
Cosmopolitan contact zones at the BBC World Service (19322012)
Edited by Marie Gillespie and Alban Webb
Making Culture, Changing Society (2013)
Tony Bennett
Interdisciplinarity (2013)
Reconfigurations of the social and natural sciences
Edited by Andrew Barry and Georgina Born
Objects and Materials (2013)
A Routledge companion
Edited by Penny Harvey, Eleanor Conlin Casella, Gillian Evans, Hannah Knox, Christine McLean, Elizabeth B. Silva, Nicholas Thoburn and Kath Woodward
Accumulation (2013)
The material politics of plastic
Edited by Gay Hawkins, Jennifer Gabrys and Mike Michael
Theorizing Cultural Work (2013)
Labour, continuity and change in the cultural and creative industries
Edited by Mark Banks, Rosalind Gill and Stephanie Taylor
Comedy and Distinction (2014)
The cultural currency of a good sense of humour
Sam Friedman
Devising Consumption
Cultural economies of insurance, credit and spending
Liz Mcfall
Industry and Work in Contemporary Capitalism
Global models, local lives?
Edited by Victoria Goddard and Susana Narotzky
Lived Economies of Consumer Credit
Consumer credit, debt collection and the capture of affect
Joe Deville
Cultural Pedagogies and Human Conduct
Edited by Megan Watkins, Greg Noble and Catherine Driscoll
Unbecoming Things
Mutable objects and the politics of waste
Nicky Gregson and Mike Crang