Claudia Glatz - Plain Pottery Traditions of the Eastern Mediterranean and Near East

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PLAIN POTTERY TRADITIONS OF THE EASTERN MEDITERRANEAN AND NEAR EAST

PUBLICATIONS OF THE INSTITUTE OF ARCHAEOLOGY, UNIVERSITY COLLEGE LONDON

Series Editor: Ruth Whitehouse

Director of the Institute: Sue Hamilton

Founding Series Editor: Peter J. Ucko

The Institute of Archaeology of University College London is one of the oldest, largest and most prestigious archaeology research facilities in the world. Its extensive publications programme includes the best theory, research, pedagogy and reference materials in archaeology and cognate disciplines, through publishing exemplary work of scholars worldwide. Through its publications, the Institute brings together key areas of theoretical and substantive knowledge, improves archaeological practice and brings archaeological findings to the general public, researchers and practitioners. It also publishes staff research projects, site and survey reports and conference proceedings. The publications programme, formerly developed in-house or in conjunction with UCL Press, is now produced in partnership with Left Coast Press, Inc. The Institute can be accessed online at http://www.ucl.ac.uk/archaeology.

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PLAIN POTTERY TRADITIONS OF THE EASTERN MEDITERRANEAN AND NEAR EAST

Production, Use, and Social Significance

Edited by

Claudia Glatz

First published 2015 by Left Coast Press, Inc.

Published 2016 by Routledge

2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN

711 Third Avenue, New York, NY 10017, USA

Routledge is an imprint of the Taylor & Francis Group, an informa business

Copyright 2015 Taylor & Francis

All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers.

Notice:

Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe.

Library of Congress Cataloguing-in-Publication Data:

Plain pottery traditions of the eastern Mediterranean and Near East : production, use, and social significance/Claudia Glatz (editor).

pages cm.(UCL Institute of Archaeology Publications; volume 67)

Includes bibliographical references and index.

ISBN 978-1-62958-090-6 (hardback)ISBN 978-1-62958-092-0 (institutional eBook)ISBN 978-1-62958-093-7 (consumer eBook)

1. Pottery, AncientMiddle East. 2. PotterySocial aspectsMiddle East. 3. Middle EastAntiquities. 4. Middle EastSocial conditions. I. Glatz, Claudia, editor. II. Sterling, Sarah L. Economic implications of patterns of ceramic vessel similarity in ancient Egypt.

NK3803.P59 2015

666'.393dc23

2014044149

ISBN 978-1-62958-090-6 hardback

Contents

Claudia Glatz

Sarah L. Sterling

Valentine Roux

Carl Knappett and Jill Hilditch

Lindy Crewe

Sharon Zuckerman

Mara T. Horowitz

Claudia Glatz

Janoscha Kreppner

Figures

Tables

The collection of papers in this volume were first presented at a workshop entitled Pots, Palaces and Politics An International Workshop on the Evolution and Sociopolitical Significance of Plain Ware Traditions in the 2nd Millennium BC Near East and East Mediterranean, which was held at the AHRC Centre for the Evolution of Cultural Diversity at the Institute of Archaeology, University College London on 5 June 2009. This workshop was made possible by the generous financial support of the AHRC Centre for the Evolution of Cultural Diversity, the Complex and Literate Societies and Cultural Dynamics Research Group at the Institute of Archaeology, and the Council for British Research in the Levant. I would like to thank Manu Davies for her help with the practical organisation of the workshop and James Steele, Andy Bevan and David Wengrow, who lent their time and support before and during the course of the workshop. I am grateful to the two reviewers for their helpful comments, in particular, Clive Owen, who revealed his identity and kindly lent a helping statistical hand. I am also grateful to Michael Given for his comments.

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