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Tom Cockcroft - Police Culture: Themes and Concepts

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Police culture has for over half a century attracted interest from academics, students, policy-makers, police institutions and the general public. However, the literature of this area has proven to be diverse, sprawling and prone to contradiction which has led to an enthralling yet intricate body of knowledge that, whilst continuing to provoke interest and debate, has largely escaped any wider commentary.

This book provides a comprehensive overview of the area of police culture primarily by situating it in the context of the literature of organisational culture. From this starting point, the idea of police culture is developed as an occupationally-situated response to the uniqueness of the police role and one in which our understanding is, at times, hindered by the challenges of definitional, operational and analytical concerns. The book then charts the development of our understanding of the concept, through traditional explanations to the contemporary, highlighting in turn the tensions that exist between the elements of continuity in the police world and those of change.

Police culture: themes and concepts draws on research from the 1950s to the 21st century from the UK, USA and elsewhere to show how the historical trajectory of police work from its early origins through to the late modern present have imbued it with a complexity that is undermined by deterministic explanations that seek to simplify the social world of the police officer. This book will be of interest to academics and students studying the sociology of policing as well as criminology.

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Police Culture Police culture has for over half a century attracted interest - photo 1
Police Culture
Police culture has for over half a century attracted interest from academics, students, policy-makers, police institutions and the general public. However, the literature of this area has proven to be diverse, sprawling and prone to contradiction, leading to an enthralling yet intricate body of knowledge that, whilst continuing to provoke interest and debate, has largely escaped any wider commentary.
This book provides a comprehensive overview of the area of police culture primarily by situating it in the context of the literature of organizational culture. From this starting point, the idea of police culture is developed as an occupationally situated response to the uniqueness of the police role and one in which our understanding is, at times, hindered by the challenges of definitional, operational and analytical concerns. The book then charts the development of our understanding of the concept, through traditional explanations to the contemporary, highlighting in turn the tensions that exist between the elements of continuity in the police world and those of change.
Police Culture: Themes and Concepts draws on research from the 1950s to the twenty-first century from the UK, USA and elsewhere to show how the historical trajectory of police work from its early origins through to the late modern present has imbued it with a complexity that is undermined by deterministic explanations that seek to simplify the social world of the police officer. This book will be of interest to academics, practitioners and students studying the sociology of policing.
Tom Cockcroft is Senior Lecturer in the Department of Law and Criminal Justice Studies, Canterbury Christ Church University, UK. His areas of publishing and research interest are criminal justice, policing and occupational culture.
Police Culture
Themes and concepts
Tom Cockcroft
First published 2013 by Routledge 2 Park Square Milton Park Abingdon Oxon - photo 2
First published 2013
by Routledge
2 Park Square, Milton Park, Abingdon, Oxon, OX14 4RN
Simultaneously published in the USA and Canada
by Routledge
711 Third Avenue, New York, NY 10017
Routledge is an imprint of the Taylor & Francis Group, an informa business
2013 Tom Cockcroft
The right of Tom Cockcroft to be identified as author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988.
All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers.
Trademark notice : Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe.
British Library Cataloguing in Publication Data
A catalogue record for this book is available from the British Library
Library of Congress Cataloging in Publication Data
Cockcroft, Tom.
Police culture: themes and concepts / Tom Cockcroft.1st ed.
p. cm.
Includes bibliographical references.
1. PoliceSocial aspects. I. Title.
HV7921.P555 2012
306.28dc23
2012010327
ISBN 13: 9780415502573 hbk ISBN 13: 9780415502597 pbk ISBN 13: 9780203101155 ebk
Typeset in Times New Roman by Swales & Willis Ltd, Exeter, Devon
For Ulanda and Tegan with love.
Contents
The writing of this book has been made an altogether easier process through a wide range of support. I am very grateful to have been granted study leave by Canterbury Christ Church University for three months in the academic year 2010/2011, and colleagues from the Department of Law and Criminal Justice Studies have been a valued source of ideas, advice and friendship. Iain Beatties encyclopedic knowledge of obscure pieces of police research has proved an invaluable resource for several years now, and I thank him for his willingness to share it so generously. On the publishing side, Nicola Hartley at Routledge patiently coaxed me towards my deadline and was incredibly helpful throughout. The ongoing encouragement of my parents Keith Cockcroft and Jane Hopkins and brother Graham has, likewise, been greatly appreciated. Whilst many friends and loved ones have helped to sustain my enthusiasm over the year or so when I actually wrote the book, some deserve a less perfunctory mention. Ged Denton has proved a relentless source of friendship and laughter since our misspent youth. The greatest acknowledgements, however, must go to my wife Ulanda and my daughter Tegan. I received the books contract the same week that we learned of Ulandas pregnancy, and the writing process has been punctuated by all those things in life that really matter. For my absences, both physical and mental, I thank you for your patience and support.
This book is about police culture, a subject which, as broadly criminological concepts go, remains something of an anomaly. As depiction of criminology as a cross-disciplinary endeavour where the lack of a common language has led to a vibrant academic community from a variety of intellectual foundations. This, in turn, has meant that the subject area of police culture has benefited from the insights of a wide array of perspectives and intellectual orientations focused upon a relatively narrow range of issues.
Somewhat ironically, and despite the broad and flexible parameters of the subject area, recent years have seen commentary move towards a more critical appraisal of the state of this academic subject area. In particular, there is a hint that the area is, in some respects, trading on past glories rather than developing new intellectual ground. Whilst this is not wholly justified, especially in the light of more recent work, the ceaseless politicization of policing and the emergence of new police scandals against the backdrop of a changing society lend weight to calls for a reinvigoration of what is becoming an ever more complex set of concepts. Whilst this book in no way should be seen as advocating what , p. xiii) suggest as a discursive unification of the subject area, what it does aim to do is to highlight its origins, its development and the practical, conceptual and analytic challenges that have become associated with it over recent decades.
As has already been suggested, the literature and research of police culture, owing to the expansiveness of the term, represent an incredibly extensive body of work. One substantial challenge is to provide an appropriately broad assessment of the cultural elements of themes common to this subject area such as discretion, gender, ethnicity and corruption and which amount to substantive subject areas in their own right. To overcome this, the book makes no attempt or claim to present an exhaustive coverage of all the individual contributions made in this field. Instead, I have adopted an approach that I hope will serve not just to identify many of the key pieces of work and their importance but also to assess their influence and their relevance. Indeed, reflecting on the chapters of this book as I come to the end of the writing process, I am struck by the fact that, to me at least, the book is about the balance of change and continuity. Crucially, such changes refer not just to the police institution, their policies, processes and the means by which officers navigate these, but also to the people who constitute the societies that the police serve and the relationships that, at different times, draw the two sides together or apart. At a more removed level, this balance is also explored with reference to the more general social changes associated with late modernity, which signify a whole range of conceptual challenges for traditional visions of police culture.
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