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Deborah Martin - Latin American Women Filmmakers: Production, Politics, Poetics

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Latin American women filmmakers have achieved unprecedented international prominence in recent years. Notably political in their approach, figures such as Lucrecia Martel, Claudia Llosa and Bertha Navarro have created innovative and often challenging films, enjoying global acclaim from critics and festival audiences alike. They undeniably mark a moment for Latin American cinema.Bringing together distinguished scholars in the field - and prefaced by B. Ruby Rich - this is a much-needed account and analysis of the rise of female-led film in Latin America. Chapters detail the collaboration that characterises Latin American womens filmmaking - in many ways distinct from the largely Third Cinema auteurism from the region - as well as the transnational production contexts, unique aesthetics and socio-political landscape of the key industry figures. Through close attention to the particular features of national film cultures, from womens documentary filmmaking in Chile to comedic critique in Brazil, and from US Latina screen culture to the burgeoning popularity of Peruvian film, this timely study demonstrates the remarkable possibilities for film in the region.This book will allow scholars and students of Latin American cinema and culture, as well as industry professionals, a deeper understanding of the emergence and impact of the filmmakers and their work, which has particular relevance for contemporary debates on feminism.

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Deborah Martin is Senior Lecturer in Latin American Cultural Studies at - photo 1
Deborah Martin is Senior Lecturer in Latin American Cultural Studies at University College London. She has published widely on Latin American film, including Painting, Literature and Film in Colombian Feminine Culture, 19402005: Of Border Guards, Nomads and Women (2012) and The Cinema of Lucrecia Martel (2016).
Deborah Shaw is Reader in Film Studies at the University of Portsmouth, UK, where her key research interests are in transnational film theory and Latin American cinema. She is the founding co-editor of the Transnational Cinemas journal and her books include Contemporary Latin American Cinema: Ten Key Films (2003) and The Three Amigos: The Transnational Filmmaking of Guillermo del Toro, Alejandro Gonzlez Irritu, and Alfonso Cuarn (2013).
This exciting collection balances contextual analysis with close attention to individual films and the careers of more and less visible women working in different industry roles. A major contribution to not only film studies but also to current and future thinking about womens cultural production in Latin America.
Claire Williams, University of Oxford
Focusing on the cinemas of Argentina, Brazil, Chile, Mexico, Peru, Venezuela, and the Hispanic US, the essays collected here are brilliant advocates for filmmaking by Latin American women. A timely reminder that the personal is still political.
Andrea Noble, Durham University
Series Editors Lcia Nagib Professor of Film at the University of Reading - photo 2
Series Editors:
Lcia Nagib, Professor of Film at the University of Reading
Julian Ross, Research Fellow at the University of Westminster
Advisory Board: Laura Mulvey (UK), Robert Stam (USA), Ismail Xavier (Brazil), Dudley Andrew (USA)
The Tauris World CinemaSeries aims to reveal and celebrate the richness and complexity of film art across the globe, exploring a wide variety of cinemas set within their own cultures and as they interconnect in a global context. The books in the series will represent innovative scholarship, in tune with the multicultural character of contemporary audiences. Drawing upon an international authorship, they will challenge outdated conceptions of world cinema, and provide new ways of understanding a field at the centre of film studies in an era of transnational networks.
Published and forthcoming in the World Cinema series:
Animation in the Middle East: Practice and Aesthetics from Baghdad to Casablanca
Edited by Stefanie Van de Peer
Basque Cinema: A Cultural and Political History
By Rob Stone and Mara Pilar Rodriguez
Brazil on Screen: Cinema Novo, New Cinema, Utopia
By Lcia Nagib
The Cinema of Jia Zhangke: Realism and Memory in Chinese Film
By Ceclia Mello
The Cinema of Sri Lanka: South Asian Film in Texts and Contexts
By Ian Conrich and Vilasnee Tampoe-Hautin
Contemporary New Zealand Cinema: From New Wave to Blockbuster
Edited by Ian Conrich and Stuart Murray
Contemporary Portuguese Cinema: Globalising the Nation
Edited by Mariana Liz
Cosmopolitan Cinema: Cross-cultural Encounters in East Asian Film
By Felicia Chan
Documentary Cinema: Contemporary Non-fiction Film and Video Worldwide
By Keith Beattie
East Asian Cinemas: Exploring Transnational Connections on Film
Edited by Leon Hunt and Leung Wing-Fai
East Asian Film Noir: Transnational Encounters and Intercultural Dialogue
Edited by Chi-Yun Shin and Mark Gallagher
Film Genres and African Cinema: Postcolonial Encounters
By Rachael Langford
Impure Cinema: Intermedial and Intercultural Approaches to Film
Edited by Lcia Nagib and Anne Jerslev
Latin American Women Filmmakers: Production, Politics, Poetics
Edited by Deborah Martin and Deborah Shaw
Lebanese Cinema: Imagining the Civil War and Beyond
By Lina Khatib
New Argentine Cinema
By Jens Andermann
New Directions in German Cinema
Edited by Paul Cooke and Chris Homewood
New Turkish Cinema: Belonging, Identity and Memory
By Asuman Suner
On Cinema
By Glauber Rocha
Edited by Ismail Xavier
Palestinian Filmmaking in Israel: Narratives of Place and Identity
By Yael Freidman
Paulo Emlio Salles Gomes: On Brazil and Global Cinema
Edited by Maite Conde and Stephanie Dennison
Performing Authorship: Self-inscription and Corporeality in the Cinema
By Cecilia Sayad
Queer Masculinities in Latin American Cinema: Male Bodies and Narrative Representations
By Gustavo Subero
Realism in Greek Cinema: From the Post-war Period to the Present
By Vrasidas Karalis
Realism of the Senses in World Cinema: The Experience of Physical Reality
By Tiago de Luca
The Spanish Fantastic: Contemporary Filmmaking in Horror, Fantasy and Sci-fi
By Shelagh-Rowan Legg
Stars in World Cinema: Screen Icons and Star Systems Across Cultures
Edited by Andrea Bandhauer and Michelle Royer
Thai Cinema: The Complete Guide Edited by Mary J. Ainslie and Katarzyna Ancuta
Theorizing World Cinema
Edited by Lcia Nagib, Chris Perriam and Rajinder Dudrah
Viewing Film
By Donald Richie
Queries, ideas and submissions to:
Series Editor: Professor Lcia Nagib l.nagib@reading.ac.uk
Series Editor: Dr. Julian Ross rossj@westminster.ac.uk
Cinema Editor at I.B.Tauris, Maddy Hamey-Thomas mhamey-thomas@ibtauris.com
Latin American Women Filmmakers
Production, Politics, Poetics
Deborah Martin and Deborah Shaw
Published in 2017 by IBTauris Co Ltd London New York wwwibtauriscom - photo 3
Published in 2017 by
I.B.Tauris & Co. Ltd
London New York
www.ibtauris.com
Copyright editorial selection and Introduction 2017 Deborah Martin and Deborah Shaw
Copyright Preface 2017 B. Ruby Rich
Copyright individual chapters 2017 Sarah Barrow, Claudia Bossay, Constanza Buruca, Marvin DLugo, Catherine Leen, Leslie L. Marsh, Deborah Martin, Lcia Nagib, Mara-Paz Peirano, Deborah Shaw, Niamh Thornton
The right of Deborah Martin and Deborah Shaw to be identified as the editors of this work has been asserted by the editors in accordance with the Copyright, Designs and Patents Act 1988.
All rights reserved. Except for brief quotations in a review, this book, or any part thereof, may not be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior written permission of the publisher.
Every attempt has been made to gain permission for the use of the images in this book. Any omissions will be rectified in future editions.
References to websites were correct at the time of writing.
Tauris World Cinema Series
ISBN: 978 1 78453 711 1
eISBN: 978 1 78672 172 3
ePDF: 978 1 78673 172 2
A full CIP record for this book is available from the British Library
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