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Kylie Message - The Disobedient Museum: Writing at the Edge

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The Disobedient Museum: Writing at the Edge: summary, description and annotation

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The Disobedient Museum: Writing at the Edge aims to motivate disciplinary thinking to reimagine writing about museums as an activity where resistant forms of thinking, seeing, feeling, and acting can be produced, and to theorize this process as a form of protest against disciplinary stagnation.
Drawing on a range of cultural, theoretical, and political approaches, Kylie Message examines potential links between methods of critique today and moments of historical and disciplinary crisis, and asks what contribution museums might make to these, either as direct actors or through activities that sit more comfortably within their institutional remit. Identifying the process of writing about museums as a form of activism, that brings together and elaborates on cultural and political agendas for change, the book explores how a process of engaged critique might benefit museum studies, what this critique might look like, and how museum studies might make a contribution to discourses of social and political change.
The Disobedient Museum is the first volume in Routledges innovative Museums in Focus series and will be of great interest to scholars and students in the fields of Museum, Heritage, Public History, and Cultural Studies. It should also be essential reading for museum practitioners, particularly those engaged with questions about the role of museums in regard to social activism and contentious contemporary challenges.

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The Disobedient Museum The Disobedient Museum Writing at the Edge aims to - photo 1
The Disobedient Museum
The Disobedient Museum: Writing at the Edge aims to motivate disciplinary thinking to reimagine writing about museums as an activity where resistant forms of thinking, seeing, feeling, and acting can be produced and theorized as a form of protest against disciplinary stagnation.
Drawing on a range of cultural, theoretical, and political approaches, Kylie Message examines links between methods of critique today and moments of historical and disciplinary crisis, and asks what contribution museums might make to these, either as direct actors or through activities that sit more comfortably within their institutional remit. Identifying the process of writing about museums as a form of activism that brings together and elaborates on cultural and political agendas for change, the book explores how a process of engaged critique might benefit museum studies, what this critique might look like, and how museum studies might make a contribution to discourses of social and political change.
The Disobedient Museum is the first volume in Routledges innovative Museums in Focus series and will be of great interest to scholars and students in the fields of museum studies, heritage studies, public history, and cultural studies. It should also be essential reading for museum practitioners, particularly those engaged with questions about the role of museums in regard to social activism and contentious contemporary challenges.
Kylie Message is Associate Professor and Senior Fellow in the Humanities Research Centre at the Australian National University. She is the Series Editor of Museums in Focus.
Routledge Museums in Focus
Series Editor: Kylie Message
Committed to the articulation of big, even risky, ideas in small format publications, Museums in Focus challenges authors and readers to experiment with, innovate, and press museums and the intellectual frameworks through which we view these. It encourages debate about the cultural value and political nature of museums and heritage in contemporary society, and welcomes attempts to radically rethink the way we engage with museums in intellectual life to better articulate the relationship between culture, politics, and academic scholarship about museums and related cultural products and phenomena. The series offers a platform for approaches that radically rethink the relationships between cultural and intellectual dissent and crisis and debates about museums, politics and the broader public sphere.
Recently published titles:
The Disobedient Museum
Writing at the Edge
Kylie Message
www.routledge.com/Museums-in-Focus/book-series/MIF
First published 2018 by Routledge 2 Park Square Milton Park Abingdon - photo 2
.
First published 2018
by Routledge
2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN
and by Routledge
711 Third Avenue, New York, NY 10017
Routledge is an imprint of the Taylor & Francis Group, an informa business
2018 Kylie Message
The right of Kylie Message to be identified as author of this work has been asserted by her in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988.
All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers.
Trademark notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe.
Every effort has been made to contact copyright-holders. Please advise the publisher of any errors or omissions, and these will be corrected in subsequent editions.
British Library Cataloguing-in-Publication Data
A catalogue record for this book is available from the British Library
Library of Congress Cataloging-in-Publication Data
A catalog record for this title has been requested
ISBN: 978-1-138-24011-7 (hbk)
ISBN: 978-1-315-29413-1 (ebk)
Typeset in Times New Roman
by Apex CoVantage, LLC
For Oscar and Ezra Contents i ii v Guide MUSEUMS IN FOCUS - photo 3
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For Oscar and Ezra Contents i ii v Guide MUSEUMS IN FOCUS - photo 4
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For Oscar and Ezra
Contents
  1. i
  2. ii
  3. v
Guide
MUSEUMS IN FOCUS logo by James Verdon (2017)
REBELMUSE_ROUTLEDGE image by James Verdon (2017)
#THEDISOBEDIENTMUSEUM@REBELMUSE_ROUTLEDGE logo by James Verdon (2017)
Museums in Focus is a series of short format books published by Routledge that aims to foster debate about the cultural value and political nature of museums and heritage in contemporary society. It encourages attempts to radically rethink the way we engage with museums in intellectual life to better articulate the relationship of culture, politics, and academic scholarship about museums to related cultural products and phenomena.
Committed to the articulation of big, even risky ideas in small format publications, the series challenges authors and readers to experiment with, innovate, and press museums and the intellectual frameworks through which we view these in order to keep exploring, questioning, and extending knowledge in the fields of museum studies, heritage and cultural studies, and cognate fields such as history, art history, anthropology, and archaeology to find new ways of transferring knowledge with others in, beyond, and outside related fields.
The intellectual hypothesis motivating the series is that museums are not innately useful, safe, or even public places, and that recalibrating our thinking about them might benefit from adopting a more radical and transgressive form of logic and approach. Examining this problem requires a level of comfort with (or at least tolerance of) ideas of crisis, dissent, protest, and radical thinking, and authors might benefit from considering how cultural and intellectual crisis, regeneration, and anxiety have been approached in other disciplines and contexts. The challenge requires brave and committed scholarship, as well as debate between and across diverse disciplinary and theoretical/practical contexts in order to force a constant process of intellectual reflection and questioning of the museological canon as it currently stands.
The writing of this book coincided with and is, as such, a product of a difficult and extended period of crisis. Despite its short length, it would almost certainly not exist without the help and support of family, friends, colleagues, and students, and without Routledges unfettered enthusiasm for the Museums in Focus initiative. I am very thankful to the editorial team at Routledge for their support, advice, and professionalism. I have also been overwhelmed by the extent of interest I have received in the series thus far by readers and contributors, and I am very excited to see what directions forthcoming titles will lead the series in.
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