This edition first published 2013
2013 Jonathan Harris
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Library of Congress Cataloging-in-Publication Data
Harris, Jonathan (Jonathan P.), author.
The utopian globalists : artists of worldwide revolution, 19192009 / Jonathan Harris.
pages cm
Includes bibliographical references and index.
ISBN 978-1-4051-9301-6 (hardback) 1. Art and globalizationHistory20th century.
2. Art and globalizationHistory 21st century. I. Title.
N72.G55H37 2013
709.04dc23
2012035996
A catalogue record for this book is available from the British Library.
... can any mortal be a creator? Yes, answered the spirits; for every human creature can create an immaterial world fully inhabited by immaterial creatures, and populous of immaterial subjects, such as we are, and all this within the compass of a head or scull; nay, not only so, but he may create a world of what fashion and government he will, and give the creature thereof such motions, figures, forms, colours, perceptions, etc. as he pleases, and make whirlpools, light pressures and reactions, etc., as he thinks best; nay, he may make a world full of veins, muscles, and nerves, and all these to move by one jolt or stroke: also he may alter that world as often as he pleases, or change it from a natural world, to an artificial; he may make a world of ideas, a world of atoms, a world of lights, or whatsoever his fancy leads him to. And since it is in your power to create such a world, what need you to venture life, reputation and tranquility, to conquer a gross material world?
Margaret Cavendish, The Description of a New World Called the Blazing World, in Susan James (ed.), Margaret Cavendish: Political Writings (Cambridge: Cambridge University Press: 2003 [1666], 5109): 72.
It is self-evident that nothing concerning art is self-evident anymore, not its inner life, not its relation to the world, not even its right to exist.
Theodor Adorno, Aesthetic Theory (London: Continuum, 2004 [1970, in German]): 1
List of Illustrations
Miroslaw Balka, How It Is (2009), Tate Modern Turbine Hall |
Photograph of Vladimir Tatlin, Model for a Monument to the Third International (1919) |
Olafur Eliasson, The Weather Project (2003), Tate Modern Turbine Hall |
Doris Salcedo, Shibboleth (2007), Tate Modern Turbine Hall |
Christo and Jeanne-Claude, Wrapped Reichstag, Berlin (19711995) |
Joseph Beuys, Action at Aachen (1964) |
John Lennon and Yoko Ono at Bed in, Montreal, Canada, May (1969) |
Joseph Beuys, Tallow (1977), 20 tons of fat cut into five elements of which the largest is 200 200 300 cm |
Joseph Beuys, Cosmos and Damian postcard (1974) |
Robert Smithson, Partially Buried Woodshed (1970) (with graffiti May 4 Kent 1970) |
Los Angeles Artists Tower of Protest (1966) |
Jan Dibbets, Perspective Corrections (Square with Two Diagonals), black-and-white photograph on photographic canvas (1968) |
Joseph Beuys, Crystal (1949) |
Vladimir Tatlin, Corner Counter-Relief (1915) |
Joseph Beuys, Fat corner elongated into a wedge (1962) |
Robert Smithson, Gravel Corner Piece (1968) |
Vladimir Tatlin, Model for Letatlin (1932) |
Pablo Picasso (and Mourlot), La Colombe en Vol (9 July 1950) |
Denis Oppenheim, Whirlpool, Eye of the Storm (1973) |
Robert Smithson, Spiral Jetty (1970) |
Kazimir Malevich, Zeta (19237) |
Pablo Picasso, Guernica (1937) |
Pablo Picasso, The Charnel House (1945) |
Pablo Picasso, Massacre in Korea (1951) |
Pablo Picasso, War (1952) |
Pablo Picasso, Peace (1952) |
Pablo Picasso, Portrait of Stalin (1953) |
Christo and Jeanne-Claude, Iron Curtain: Wall of Oil Barrels, Paris (1962) |
Joseph Beuys, The Chief (1963) |
Joseph Beuys, Coyote (1974) |
Joseph Beuys, Eurasia, 34th Section of the Siberian Symphony (1966) |
Joseph Beuys, How to Explain Pictures to a Dead Hare (1965) |
Joseph Beuys, The Pack (1969) |
War is Over! billboard (1970) |
Douglas Huebler, Duration Piece # 14. Bradford, Mass. May 1, 1970 (1970) |
Vietnam War protest at Museum of Modern Art, New York, January 1970, in front of Picassos Guernica |
Poster by Art Workers Coalition, Q: And babies? A: And babies (1970) |
Michael Heizer, Double Negative (196970) |
Robert Smithson, Spiral Hill (1971) |
Ant Farm Collective, Cadillac Ranch (1974) |
Charles Simonds, LandscapeBodyDwelling (1971) |
Christo and Jeanne-Claude with Willy Brandt, former West German Chancellor, in the artists New York studio (1981) |
Christo and Jeanne-Claude, Running Fence, California (19721976) |
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