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Khadija Mastoor - The Women’s Courtyard

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Khadija Mastoor The Women’s Courtyard

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Aliya lives a life confined to the inner courtyard of her home with her older sister and irritable mother, while the men of the family throw themselves into the political movements of the day. She is tormented by the petty squabbles of the household and dreams of educating herself and venturing into the wider world. But Aliya must endure many trials before she achieves her goals, though at what personal cost?
Set in the 1940s, with Partition looming on the horizon, The Womens Courtyard cleverly brings into focus the claustrophobic lives of women whose entire existence was circumscribed by the four walls of their homes, and for whom the outside world remained an inaccessible dream. Daisy Rockwells elegant and nuanced translation captures the poignance and power of Khadija Masturs inimitable voice.

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Contents
KHADIJA MASTUR The Womens Courtyard Translated from the Urdu by - photo 1
KHADIJA MASTUR The Womens Courtyard Translated from the Urdu by DAISY ROCKWELL - photo 2
The Womens Courtyard - image 3
KHADIJA MASTUR
The Womens Courtyard
Translated from the Urdu by DAISY ROCKWELL
The Womens Courtyard - image 4
PENGUIN BOOKS
The Womens Courtyard - image 5
PENGUIN BOOKS
Advance Praise for the Book

One of the iconic modern Urdu novels. Basically about Partitionand about how people observed it and what actually happened to themit is a highly symbolic narrative of fractured lives and peoples. Poignant, and in many ways prophetic of the events that happened after Partition, it is a novel that deserves much greater notice than it has received so far. It is a good thing that Daisy Rockwell, a knowledgeable and committed translator of Urdu and Hindi, has chosen to bring this truly great noveland not just by a woman, but great by any standardsto the wider world through her English translation

SHAMSUR RAHMAN FARUQI

acclaimed author of The Mirror of Beauty

Beyond the astute, masterful exercise of a translators art, her sensitive choices in diction and idiom, Daisy Rockwells translations are rendered with a subtle brilliance that transports our master writers original framework of sensibilities with great delicacy into a new language. We are fortunate to have, in Rockwell, a meticulous, virtuoso translator working on our literature

MUSHARRAF ALI FAROOQI

acclaimed author of Between Clay and Dust

Picture 6
The
Womens
Courtyard
Past
1

A winters night grows desolate so quickly. Today as well, clouds had been gathering since evening. There was a chill in the air now, and the electric street lamp burned silently. Across the gali, an owl hooted from the thicket of trees near the half-built school building, its ominous voice adding to the bleakness of the night. It was a bit quieter in the large room next door nowshe could no longer hear Chammi tossing and turning.

Shes sleeping soundly, Aliya thought with longingshe herself couldnt get to sleep. Not being able to sleep at night is so very painfuleven worse in a completely new place. Perhaps first nights in new places must always be spent sleeplessly like this. She tried once again to fall asleep, casting the room in darkness by pulling the shutters partly closed, then covered her face with the quilt and lay down as though she were actually asleep.

After lying there motionless for a long time, she felt the whole effort had gone to waste. Sleep was nowhere in sight and memories of the past kept whirling through her mind. She sat up on her bed, cross-legged, feeling helpless. She opened the shutters and began to look outside. The school building on the other side of the gali, the dense mango and pipal treesall were shrouded in darkness. Everything had looked so clear and lovely in the evening. She had sat at the window and gazed out with some interest then; but now, in the darkness, the trees looked like black mountains, and when a sharp gust of wind blew, they looked frightening, like something out of the ghost stories shed heard in childhood.

Ill never get to sleep this way, she thought, and pulled the shutters closed again. Her body ached as she lay down. The anxiety of a full days journey had drained her.

Oh my! she moaned. Now I cant sleepso long as I cant clear my mind therell be no room for sleep! Memories rushed in from all sides. People say you should forget the past. Whats the point of turning and looking back? Just keep moving forward. But her past was all shed inherited. Her past, from which shed learnt so much. How could she wrench herself away from it now? And now, ever more memories filled her head because of how shed come to be here.

She had no idea if Amma was also asleepthe house had grown so silent. Someone passing through the lane in the chill night air sang out in a shivering voice:

For you, darling, I was needlessly disgraced...

Would this night ever end? Abba, how are you spending your nights in jail? She clutched her knees to her stomach anxiously. From somewhere far off came the sound of the bell striking eleven.

A light rain began to fall. Gusting drops blew against the shutters, thrumming a faint melody.

What would life be like now? She was frightened at the thought. It was so dark in the room. She felt as though her question was similarly shrouded in darkness as she closed her eyes fearfully. Sleep was still far off, but memories of the past settled in to help her pass the night.

2

The new district had looked quite bleak. Red-brick houses were arranged in no particular order, as though someone had just picked them up and scattered them about. But there had been so many temples for such a small place! The golden spires lifted their heads as though praying to God. The faint sounds of priests singing hymns and ringing bells could be heard in the house from morning till evening.

And there had been so many trees there. Both sides of the dusty dirt roads were lined with dense mango, jamun and pipal trees. Wayfarers would spread their turban cloths out in the shade of those trees, lay their heads on their travelling bundles, and sleep soundly. It had been spring then. The mango flowers had already blossomed. The cuckoos sang all day.

When Abba had been transferred to that new place she had found it so lonely and sad, yet it was there that her intellect had awoken and she had developed a new-found capacity for thinking and understanding.

Large bundles of their belongings had been left all about the courtyard on the day they moved into the new house, and Abba started opening these with the help of the chaprasi he had been assigned from the division. Amma seemed totally disconnected from the house and the luggage, but all the same she kept walking about the house, gazing at the high-arched veranda, the rooms, the bathroom and so on. Aliyas elder sister, Tehmina, went about picking up small items with downcast eyes and placing them in various rooms. Amma lay half-reclining on an easy chair, a look of distinct displeasure on her face. Aliyas cousin Safdar squatted under the arch of the veranda, his weak shoulders sagging.

You help your uncle too, Amma had said, gazing over at Safdar scornfully.

Leave him be, hes still weak from the fever, and hes also tired from the journey, Abba had said softly.

That one is always tired, grumbled Amma, and she angrily began to help Abba open the bundles. Tehmina glanced nervously at Safdar, and then gazed down again with a frightened look.

That day it had seemed to Aliya that the atmosphere of the house was terribly strained. The grimaces on everyones faces upset her all the more. She missed their old place.

There, all the officers yellow bungalows had been built in a row, and there had been a mango orchard close by, as well as a small pond, where children and buffalo bathed together. There had been many girls and boys her age to play games with all day long. And when there was nothing else to do, they would throw mud balls at the buffalo. Theyd slip into the garden and steal small unripe mangoes, and when they were caught in the act, the groundsman wouldnt scold them at all, instead picking up fruit that had fallen on the ground and giving it to the children himself.

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