Chang-Rae Lee - Aloft

FROM UP HERE, a half mile above the Earth, everything looks perfect to me.

I am in my nifty little Skyhawk, banking her back into the sun, having nearly completed my usual fair-weather loop. Below is the eastern end of Long Island, and I'm flying just now over that part of the land where the two gnarly forks shoot out into the Atlantic. The town directly ahead, which is nothing special when you're on foot, looks pretty magnificent now, the late-summer sun casting upon the macadam of the streets a soft, ebonized sheen, its orangey light reflecting back at me, matching my direction and speed in the windows and bumpers of the parked cars and swimming pools of the simple, square houses set snugly in rows. There is a mysterious, runelike cipher to the newer, larger homes wagoning in their cul-de-sac hoops, and then, too, in the flat roofs of the shopping mall buildings, with their shiny metal circuitry of HVAC housings and tubes.

From up here, all the trees seem ideally formed and arranged, as if fretted over by a persnickety florist god, even the ones (no doubt volunteers) clumped along the fencing of the big scrap metal lot, their spindly, leggy uprush not just a pleasing garnish to the variegated piles of old hubcaps and washing machines, but then, for a stock guy like me, mere heartbeats shy of sixty (hard to even say that), the life signs of a positively pri-apic yearning. Just to the south, on the baseball diamond our people's pattern supreme the local Little League game is entering the late innings, the baby-blue-shirted players positioned straightaway and shallow, in the bleachers their parents only appearing to sit church-quiet and still, the sole perceivable movement a bounding golden-haired dog tracking down a Frisbee in deep, deep centerfield.

Go, boy, go.

And as I point my ship Donnie is her name to track alongside the broad arterial lanes of Route 495, the great and awful Long Island Expressway, and see the already-accrued jams of the Sunday Hamptons traffic inching back to the city, the grinding columns of which, from my seat, appear to constitute an orderly long march, I feel as if I'm going at a heady light speed, certainly moving too fast in relation to the rest, an imparity that should by any account invigorate but somehow unsettles all the same, and I veer a couple of degrees northwest to head over the remaining patchworks of farmland and scrubby forest and then soon enough the immense, uninterrupted stretch of older, densely built townships like mine, where beneath the obscuring canopy men like me are going about the last details of their weekend business, sweeping their front walks and dragging trash cans to the street and washing their cars just as they have since boyhood and youth, soaping from top to bottom and brushing the wheels of sooty brake dust, one spoke at a time.

And I know, too, from up here, that I can't see the messy rest, none of the pedestrian, sea-level flotsam that surely blemishes our good scene, the casually tossed super-size Slurpies and grubby confetti of a million cigarette butts, the ever-creeping sidewalk mosses and weeds; I can't see the tumbling faded newspaper circular page, or the dead, gassy possum beached at the foot of the curb, the why of its tight, yellow-toothed grin.

All of which, for the moment, is more than okay with me.

Is that okay?

Okay.

I bought this plane not for work or travel or the pure wondrous thrill of flight, which can and has, indeed, been scarily, transcendentally life-affirming and so on, but for the no doubt seriously unexamined reason of my just having to get out of the house.

That's certainly what my longtime (and recently ex-) girlfriend, Rita Reyes, was thinking about several years ago, when she gave me a flying lesson out at Islip for my birthday. Really, of course, she meant it as a diversionary excursion, just a hands-on plane ride, never intending it to lead to anything else.

At the time she was deeply worried about me, as I was a year into having early-retired from the family landscaping business and was by all indications mired in a black hole of a rut, basically moping around the house and snacking too much. On weekdays, after Rita left for her job as a home-care nurse (she now works the ER), I'd do my usual skim of the paper in front of the TV and then maybe watch a ladies' morning talk show and soon enough I'd feel this sharp nudge of ennui and I'd head to the nearby Walt Whitman Mall (the poet was born in a modest house right across the street, which is now something they call an "interpretive center" and is open for tours) for what I would always hope was the easeful company of like-minded people but would end up instead, depending on the selling season, to be frantic clawing hordes or else a ghost town of seniors sitting by the islands of potted ficus, depressing and diminishing instances both.

When Rita came back home, the breakfast dishes would still be clogging the table, and I'd be on the back patio nursing a third bottle of light beer or else napping in the den after leafing through my tattered Baedeker's Italy for the umpteenth time.

She'd try to be helpful and patient but it was hard, as that's what she'd done all day long. More often than not we'd end up in a shouting match because she'd toss aside my guidebook a bit too casually and I'd say something loose and mean about her mother, and she'd retreat to the bedroom while I went to the car and revved the engine inside for a long minute before clicking open the garage door. I'd find myself at a run-down Chinese place on Jericho, chasing a too-sweet Mai Tai with wonton soup for dinner and then phoning Rita, to see if she wanted her usual pupu platter appetizer and shrimp with black beans, which she would, and which I'd bring back and duly serve to her, as the saying goes, with love and squalor.

All this began occurring too regularly and finally Rita told me I had better get into something to take up my time, even if it was totally useless and shallow. Immediately I thought maybe it was finally time I strapped myself into a convertible sports car or fast boat, some honeyed, wet-look motor that the neighbors would gape at and maybe snicker and whisper micropenis about and then pine after, too, but I wanted something else, not quite knowing what exactly until the moment I opened the gift certificate from Rita for Flaherty's Top Gun Flight School.

I must say I was nervous that day, even downright afraid, which was strange because I've flown in hundreds of planes, some of them single-engine like this one and certainly not as kept-up. I could hardly finish my breakfast toast and coffee. I kept trying and failing to pee, all the while thinking how it was that a person should die exactly on his birthday, how maudlin and rare, and so also a bit pathetic if it actually did happen, especially if you weren't someone famous, all of which Rita caught on to, fake eulogizing me all morning with hushed phrasings of "And he was exactly fifty-six"

But I could tell she was worried, too, for she wouldn't kiss me or even look me in the eye when I was leaving for the airfield, hardly glancing up from her cooking magazine as she murmured a casual, if all swallowed-up, goodbye. Sweet moment, potentially, as it should have been, with me supposed to drop my car keys back into the loose-change bowl and saunter over to Rita in my new aviator shades and cup her silky butterscotch breast through the opening of her robe and assure us both of the righteous tenure of our (then nearly twenty) years of devo-tion and love; but what did I do but mutter goodbye back and mention that I'd be home in time for lunch and could that osso buco she'd made two nights ago be heated up with extra orzo, or maybe even some couscous with snips of fresh mint? Rita, of course, responded with her usual "No problem," which anyone else even half-listening would think was a dirge of pure defeat and trouble but was long my favorite tune.