Chang-Rae Lee - On Such A Full Sea

It is known where we come from, but no one much cares about things like that anymore. We think, Why bother? Except for a lucky few, everyone is from someplace, but that someplace, it turns out, is gone. You can search it, you can find pix or vids that show what the place last looked like, in our case a gravel-colored town of stoop-shouldered buildings on a riverbank in China, shorn hills in the distance. Rooftops a mess of wires and junk. The river tea-still, a swath of black. And blunting it all is a haze that you can almost smell, a smell, you think, you dont want to breathe in.

So what does it matter if the town was razed one day, after our people were trucked out? What difference does it make that theres almost nothing there now? It was on the other side of the world, which might as well be a light-year away. Though probably it was mourned when it was thriving. People are funny that way; even the most miserable kind of circumstance can inspire a genuine throb of nostalgia.

The blood was pumping, yes?

Werent we alive!

You can bet that where we live now was mourned, too, in its time, and though it may be surprising to consider, someday this community might be remembered as an excellent place, even by those of us who recognize its shortcomings. But we dont wish to dwell on the unhappier details. Most would agree that any rational person would leap at the chance of living here in B-Mor, given what its like out there, beyond the walls. In the open counties. And even those relative few whove secured a spot in the Charter villages might find certain aspects of life here enviable, though they would definitely never say so.

We, on the other hand, will offer this: you can rely on the time here, the tread of the hours. If you think about it, theres little else thats more important than having a schedule, and better yet, counting on that schedule; it helps one to sleep more soundly, to work steadily through ones shift, maybe even to digest the hearty meals, and finally to enjoy all the free time available to us, right up to the last minutes of the evening. Then, if the stars are out and they do seem to be out most every night now we can sit together in our backyards and wave a hand to neighbors over the fences and view our favorite programs while sitting in the open air and authentically believe that this stretch of sky sings its chorus of light for us alone.

Who would tell us we are wrong? Let them come forward. Let them try to shake our walls. Our footings are dug deep. And if they like, they can even bring up the tale of Fan, the young woman whose cause has been taken up by a startling number of us. Shes now gone from here, and whether shes enduring or suffering or dead is a matter for her household, whatever their disposition. They are gone, too, transferred to another facility in the far west, the best scenario for them after the strife she caused.

We can talk about her openly because hers is no grand tragedy, no apocalypse of the soul or of our times. Yes, there are those who would like to believe otherwise; that each and every being in the realm is a microcosm of the realm. That we are heartened and chastened and diminished and elevated by a singular reflection. This is a fetching idea, metaphorically and otherwise, most often enlisted for promoting the greater good. But more and more we can see that the question is not whether we are individuals. We cant help but be, this has been proved, case by case. We are not drones or robots and never will be. The question, then, is whether being an individual makes a difference anymore. That it can matter at all. And if not, whether we in fact care.

Did Fan care about such things? We cant be certain. We know much about her daily life but that still leaves a great deal to be determined. She was perhaps brighter than most, certainly less talkative, but otherwise, in terms of character, not terribly distinctive. Nor would anyone have thought that she could do the thing she did. Such a lamentable action!

She did stand out physically, and not because she was beautiful. She was pleasing enough to look at. She was tiny, was the thing, just 150 centimeters (or not quite five feet tall), and slim besides, which made her the perfect size for her job in the tanks. At sixteen she had the stature of a girl of eleven or twelve, and thereby, when first encountered, she could appear to possess a special perspective that one might automatically call wisdom but is perhaps more a kind of timelessness of view, the capacity, as a child might have, to see things and people and events without the muddle of the present and all it contains. Perhaps Fan truly had that kind of clarity, and not just a semblance of it.

But if we may, let us picture her before the trouble, just as she was, clad in black neoprene, only the pale gleam of her bare feet and hands and face to indicate her humanity. Once she pulled on gloves and flippers and her eye mask, she looked like a creature of prey, a sleek dark seabird knifing into the waters. Of course, thats not what she did in the tanks, where her job was to husband and nurture the valuable fish that allow our community to do so well in this mostly difficult world. She was one of the best in her function as a diver, easily able to hold her breath for two minutes or more while she scrubbed and vacuumed and replaced tubing and filters, and patched whatever tears had formed in the linings, a half-weight vest to hold her beneath the surface. Even that was almost too heavy for her and she would have to bend her knees while at the bottom of the two-meter-deep water and propel herself upward to breathe, before descending again, her various tools attached to her work belt.

Once submerged, a diver is not easily seen. Given all the fish in the water naturally as many healthy fish are raised as possible she is a mere shadow among them, trained to do her tasks quickly and unobtrusively. That is why she uses no special breathing apparatus aside from a snorkel, compressed gases causing too much of a disturbance. Fearful fish are not happy fish. The diver is not one of them but is part of the waterscape from the time they are hatchlings, and they see her customary form and the repeated cadence of her movements and the gentle motor of her flippered feet that must come to them like a motherly lullaby. A dream-song of refuge, right up to the moment of harvest. The diver is there at harvest, of course, and sees to it that the very last of them finds its way into the chute. And it is only then, for the span of the few hours while the tank is being cleaned and filtered before the next generation of hatchlings is released, that the water is clear of activity, that the diver is alone.

How somber a period that must be. The constant light from the grow bulbs filtering through the canopy of vegetables and herbs and ornamental flowers suspended above the tanks throws blue-green glints about the facility walls, this cool Amazonian hue that suggests a fecundity primordial and unceasing. The diver inspects each aquarium, which is roughly the dimension of a badminton court, and by the end she is exhausted not by the work or holding her breath but instead from the strange exertion of pushing against the emptiness. For she is accustomed to the buoying lift of their numbers, how sometimes the fish seem to gird her and bear her along the tank walls like a living scaffold, or perhaps lead her to one of their dead by swarming about its upended corpse, or even playfully school themselves into just her shape and become her mirror in the water. At the pellet drop they are simply fish again and thrash upward, mouths agape, the vibrato of the water chattering and electric, as if bees were madly attempting to pass through her suit. And wouldnt it be truth enough to speak of those bristling hundreds as not only being cared for by the diver but as serving to shepherd her, too, through the march of days?