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Sw. Anand Prahlad - African-American Proverbs in Context (Publications of the American Folklore Society. New Series (Unnumbered).)

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    African-American Proverbs in Context (Publications of the American Folklore Society. New Series (Unnumbered).)
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A groundbreaking study of proverbs in African-American speech from slave times to the present

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title African-American Proverbs in Context Publications of the American - photo 1

title:African-American Proverbs in Context Publications of the American Folklore Society. New Series (Unnumbered)
author:Prahlad, Sw. Anand.
publisher:University Press of Mississippi
isbn10 | asin:0878058907
print isbn13:9780878058907
ebook isbn13:9780585223377
language:English
subjectAfrican American proverbs, African American proverbs--History and criticism.
publication date:1996
lcc:PN6426.P73 1996eb
ddc:398.9/21/08996073
subject:African American proverbs, African American proverbs--History and criticism.
Page i
African-American Proverbs in Context
Page ii
Publications of the American Folklore Society, New Series Elaine J. Lawless, General Editor
A listing of recent books in this series appears at the back of this volume.
Page iii
African-American Proverbs in Context
Sw. Anand Prahlad
University Press of Mississippi
Jackson
Page iv
Copyright (c) 1996 by the University Press of Mississippi
All rights reserved
Manufactured in the United States of America
99 98 97 96 4 3 2 1
The paper in this book meets the guidelines for permanence and durability of the Committee on Production Guidelines for Book Longevity of the Council on Library. Resources.
Library of Congress Cataloging-in-Publication Data
Prahlad, Sw. Anand.
African-American proverbs in context / Sw. Anand Prahlad.
p. cm.
Includes bibliographical references and index.
ISBN 0-87805-889-3. ISBN 0-87805-890-7 (pbk.)
1. Afro-American proverbs. 2. Afro-American proverbsHistory and criti
cism. I. Title.
PN6426.P73 1996
398.92108996073dc20 95-53818
CIP
British Library Cataloging-in-Publication data available
Page v
To Nick, Laura, and Osho and to the memory of
my great-grandmother, Mrs. Clara Abrams
Page vii
CONTENTS
Preface
ix
Acknowledgments
xiii
1. Toward a Contextual Theory
3
Part One: 1930s-1960s
35
2. Proverbial Speech among the Ex-enslaved: Speech Events with European-Americans
37
3. Proverbs in Blues Lyrics: Creativity and Innovation
77
Part Two: Contemporary Speech Acts
119
4. Proverb Masters and Symbolic Meaning
121
5. Proverb Speech Acts among Peers
165
Appendix
195
Notes
261
References
267
Index
287

Page ix
PREFACE
In many ways, it seems that I have been writing this book all of my life. I was born and raised in rural Virginia, surrounded by people who cast the world in vibrant and poetic colors. I grew up on a former plantation, in a community of African-Americans descended from slaves who had toiled there; the Big House still stood at the center of the several hundred acres of land, with the descendants of the slave owners coming and going in automobiles rather than in the horse and carriage of old. I was always hearing stories about those days, sometimes funny, sometimes tragic. And I was fortunate in that one of the community pillars, storytellers, and griots was my great-grandmother, to whom I was very close as I grew up. From her, my mother, and other older people, I learned the beauty of language and metaphor, the grace of the spoken word, aesthetics of poetic and philosophical meaning, and the ways in which all of these can be intricately linked to nature, as well as to private, community, and cultural experiences.
I fell in love with proverbs at an early age. I began collecting sayings from calendars and asking older people what they meant by some of the things that they said. The use of a proverb at a particular moment has always intrigued me and struck me as an aesthetic highlight in conversation. When I was taken on walks through the woods, for example, and shown the beauty and mystery of plants, I might be told a proverb as a part of that experience. Or a story might be told about an enslaved ancestor who performed an incredible feat, with a proverb accompanying the narrative. It was always a particularly rich moment when one of those expressions was spoken in some other context, and the pungent fragrance of cultural and personal history enhanced whatever speech event was happening at the time.
Although I had become a working poet by the time I graduated from high school, it was not until 1975, in a folklore class with Daryl Dance at Virginia Commonwealth University, that I realized what possibilities proverbs had as an academic pursuit. This realization crystalized when a few of the proverbs
Page x
that I had collected for that class appeared in Dance's Shuckin' and Jivin' (1978). So when I enrolled in the folklore program at the University of California, Berkeley, I already knew that I wanted to study proverbs. Many of the papers that I wrote for classes there focused on proverbs in one way or another, and by that time I had begun to write down occasions on which I heard proverbial speech and even to conduct a few interviews. The irony of doing graduate work at Berkeley, however, was that most of the time I was removed from African-American cultural environments; thus, most of my collecting was done on occasions when I traveled home to Virginia for summer or Christmas breaks. I was fortunate to have had the opportunity to study with Alan Dundes, who understood my interests and consistently gave me advice and encouragement. As fate would have it, Wolfgang Mieder was a visiting professor in the folklore program at Berkeley during my years there, and I had the opportunity to work with him and to get further advice and direction.
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