To my loving wife and children, who patiently missed out on so much without complaint while they supported me through the writing of this book.
&
In memory of Anthony Bryant, 19612013, with whom this book was originally to have been co-written. Im sure this book is lacking for your absence, Anthony.
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This electronic edition published in 2017 by Bloomsbury Publishing Plc
OSPREY is a trademark of Osprey Publishing, a division of Bloomsbury Publishing Plc.
First published in Great Britain in 2017
2017 (Trevor Absolon)
All rights reserved
You may not copy, distribute, transmit, reproduce or otherwise make available this publication (or any part of it) in any form, or by any means (including without limitation electronic, digital, optical, mechanical, photocopying, printing, recording or otherwise), without the prior written permission of the publisher. Any person who does any unauthorised act in relation to this publication may be liable to criminal prosecution and civil claims for damages.
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Trevor Absolon has asserted his right under the Copyright, Designs and Patents Act, 1988, to be identified as the Author of this Work.
ISBN: 978-1-4728-0796-0 (HB)
ISBN: 978-1-4728-2225-3 (eBook)
ISBN: 978-1-4728-2224-6 (ePDF)
ISBN: 978-1-4728-2223-9 (XML)
EDITORS NOTE
All quotations from Japanese language source material are translated into English by Trevor Absolon.
IMAGE ACKNOWLEDGEMENTS
All line drawings and artwork unless otherwise accredited were commissioned from and produced by Brian Snoddy, an exceptional artist and valued friend.
All images and photographs are from the authors personal archive unless otherwise accredited.
Front cover: A cuirass made in the yokohagi-okegawa-d style.
Title page: A historically accurate reproduction of the Japanese National Treasure aka odoshi -yoroi. The original armour is said to have belonged to the famous 12th century Genpei War samurai Hatakeyama Shigetada. (me Municipal Museum of Provincial History)
Dedication page: Legend of Muge Hoju no Tama. Detail of a Japanese folding screen of the 18th century, at the Museum of Eastern Art in Venice, Italy. (Photo by Roger Viollet/Getty Images)
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CONTENTS
FOREWORD
A very high quality mid-17th century kebiki odoshi hon kozane ni-mai-d gusoku that was made for a senior member of the powerful Matsudaira clan, who were closely related with the ruling Tokugawa Shguns.
I t is indeed an honour and pleasure to be asked by Trevor Absolon to write a foreword for his new publication. I have known Trevor for nearly ten years and during that time he collaborated with me on an exhibition in 2010 which focused on samurai arms and armour at the Art Gallery of Greater Victoria in British Columbia, Canada. He generously loaned many examples from his own collection and kindly offered his expertise for making the exhibition a major success with the public. Trevor has also donated some important samurai paraphernalia to our art museum including a magnificent helmet (kabuto), a face protector (menpo), sections of armour and four important samurai banners/standards (sashimono).
Trevor Absolons book provides a new and refreshing look at the military history of Japan and the improvement of samurai armour through the ages. His absorbing examination of a complex theme provides us not only with a wealth of knowledge but also much new and interesting research material. The book makes a serious attempt to trace the development, influences, exchanges and the perfection of early Japans protective armour, and is vital to understanding the subject. Trevors new perspectives and spontaneous writing style provide us with a fascinating read. It will no doubt become an important reference book in the future for all those who love the subject matter of Japans great warriors, the samurai.
Trevors wonderful historical narrative is accompanied by a brilliant array of works of art and detailed illustrations of samurai armour. He has chosen the images well, not only for their beauty and story-telling but also in the case of armour for its practical usage in battle and for its symbolism and pageantry. Connoisseurs of the military arts will no doubt be satisfied with this marvellous presentation. I warmly and enthusiastically recommend this book.
Barry Till
Curator of Asian Art (19812017)
Art Gallery of Greater Victoria,
British Columbia, Canada
PREFACE
A superb kinpaku nuri hon kozane ni-mai-d from the late 16th century.
M ilitary items have interested me for as long as I can remember. How far this interest would have carried, however, is hard to say, had I not become childhood friends with a boy from England. As it turned out my friend had also lived in Belgium for a number of years near the town of Waterloo, where the last great climactic battle of the Napoleonic Wars had been fought in 1815. Naturally he was quite fascinated by this fact, as most boys would be if they grew up in a town where they were daily exposed to pictures, postcards and places that heralded the deeds and deaths of brightly uniformed soldiers and famous historical personalities.
Needless to say, I was suitably impressed with his collection of historical picture-books, toy soldiers and other novelty items associated with Napoleons final battle when he first showed them to me. So much so, that I soon found myself reading every book I could lay my hands on that had anything to do with Napoleon and the Napoleonic Wars. My friends collection turned out to be the catalyst that sparked my lifelong fascination for history and passion for the collecting of historical items.