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Swami Lakshmanjoo - 29 May

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Swami Lakshmanjoo 29 May

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Even if you are already drowned in the cycle of the ocean of repeated births and deaths, when you once find attachment (love) and devotion for Lord Shiva, then you have found that Cintamani jewel. ~Swami LakshmanjooThe Magical Jewel of Devotion in Kashmir Shaivism - Stava Cintamani as revealed by Swami Lakshmanjoo, is a sublime and unique hymn addressed to Lord Shiva, whom the author, Bhatta Narayana, clearly holds as the Supreme Reality. Though these hymns are both practical and deeply philosophical, the constant theme that runs like a thread through the one hundred and twenty verses is that love and devotion towards Lord Shiva is everything.That Bhatta Narayana composed his hymn with the intention of introducing his audience to the richness of the path of non-dual Kashmir Shaivism is clearly visible in his unique interpretation of the ancient and highly revered Gayatri mantra: I dont care to possess that effulgent light (tat savitur varenyam) of the three worlds (bhuh, bhuvah and svah), and I dont need my intellect elevated to the state of universal understanding (dhiyo yo nah pracodayat); I want only for that effulgent light to direct me on the path of Shaivism that is all I long for and that is the only favor I ask of Gayatri.In this book Swami Lakshmanjoo shares with us the secrets gleaned from the ancient masters of the oral tradition of Kashmir Shaivism.

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The Magical Jewel of Devotion in Kashmir Shaivism

Stava Cintmai of Bhaa Nryaa

Revealed by

Swami Lakshmanjoo

WITH ORIGINAL AUDIO

John Hughes, Editor

Lakshmanjoo Academy

Published by:

Lakshmanjoo Academy

Copyright 2018 Hughes Family Trust

All rights reserved. No part of this book or the associated audio material may be used or reproduced in any manner whatsoever without written permission. No part of this book may be stored in a retrieval system or transmitted in any form or by any means including electronic, electrostatic, magnetic tape, mechanical, photocopying, recording, or otherwise without the prior permission in writing of the publisher.

First printing 2018

Printed in the United States of America

For information, address:

Lakshmanjoo Academy

www.lakshmanjooacademy.org

ISBN 978-1-947241-05-3 (paperback)

ISBN 978-1-947241-04-6 (hardcover)

ISBN 978-1-947241-06-0 (ebook)

This sacred text is dedicated to Swami Lakshmanjoo, our beloved teacher and spiritual father who has given us everything.

Glory be to Thee!

Table of Contents

Guide to Pronunciation

The following English words exemplify the pronunciation of selected Saskit vowels and consonants. The Romanized Saskit vowel or consonant is first listed and then an English word is given to aid you in its proper pronunciation.

aasa in America.
asa in father.
iasi in fill, lily.
asi in police.
uasu in full.
asu in rude.
iasri in merrily.
asri in marine.
ease in prey.
aiasai in aisle.
oaso in stone.
auasou in house
ass in sure.
assh in sh un, bush
sass in saint, sun

Preface

Devotional hymns have always held an important place in the history of the Monistic teachings of Kashmir Shaivism. The recitation of such devotional hymns is a common part of the daily spiritual practice for many Shaiva aspirants.

Stava Cintmai, The Magical Jewel of Devotion in Kashmir Shaivism, is a sublime and unique hymn addressed to Lord Shiva, whom the author, Bhaa Nryaa, clearly holds as the Supreme Reality. Though highly devotional, these hymns are at the same time practical and deeply philosophical.

The Sanskrit text of the Stava Cintmai with Kemarjas commentary was first published in the Kashmir Series of Texts and Studies, Volume X, in Kashmir (1918). This was the text used by Swami Lakshmanjoo in his translation and commentary of this present publication.

Swamijis love for devotional hymns is evidenced by the fact that he translated and commented upon the Stava Cintmai on three occasions. The first, in 1978, was recorded by John Hughes and forms the basis of this present publication. Then, in 1990, he gave an impromptu translation during which time Denise Hughes compiled extensive hand written notes. Lastly, a recording of Swamijis recitation of the verses along with a brief translation of selected verses was recorded in Los Angeles in 1991.

To facilitate the reader, these last two renderings have been incorporated as footnotes and are indicated as Stava Cintmai (1990) and Stava Cintmai (1991), respectively. All footnotes, unless otherwise indicated, are by the editors. An appendix has been added to further assist the reader.

Lakshmanjoo Academy

9th May, 2018


This edition was not recorded.

Introduction

God and the individual are one.

To realize this is the essence of Kashmir Shaivism.

The author Bhaa Nryaa

Swami Lakshmanjoo tells us that Bhaa Nryaa was one of the most important Kashmir Shaivite masters and that he lived approximately one century before the illustrious Abhinavagupta (924-1020 CE).

This places Bhaa Nryaas time-frame somewhere between the time of Vasugupta Together these highly revered masters disseminated the foundational texts of a system of philosophy that would later become known exclusively as Kashmir Shaivism.

Thus, the ninth century was a significant period in the history of Shaiva philosophy, which Somnanda tells us had its origins almost 4,000 years earlier, at the beginning of the waxed and waned to the extent that a few generations before Bhaa Nryana their importance had all but disappeared from the mainstream of Shaiva teachings.

At that time, again out of compassion for humanity, Lord Shiva appeared in a dream to the sage Vasugupta and duly instructed him to seek out a large rock nestled on the side of a stream in the sacred Valley of Harvan.Shaivism.

In the wake of this revival of non-dual Shaivism, Bhaa Nryaa composed his Stava Cintmai. Little is known about the authors life, as he hardly mentions himself in his writings, but we read in Kemarjas commentary that the name of his grandfather was Paramevara, his father Aparjita, his mother r Daya, and his eldest brother akara.

Taking into account the spiritual climate of that generation, with the majority of the population being en-trenched in dualistic and mono-dualistic practices, something that was needed to educate sincere spiritual aspirants in the non-dual-monistic way of thought and practice. Since his commentators indicate that the Stava Cintmai was well received and highly influential, it is more than likely that Bhaa Nryaa achieved that goal.

That the author endeavored to enlighten his audience in the direction of non-dual Shaivism is evident in the inclusion of his interpretation of the ancient and highly revered Gyatri mantra, where he says:

For those sincere aspirants caught in the snare of dualistic disciplines, who were attempting to remove the obstacles to their spiritual progress and who were oblivious to the fact that such ascetic disciplines often serve to develop a distaste for the world, which, from a dualistic point of view, is declared to be an illusion (moha) and unreal (my), it must have been like a stream of nectar to hear Bhaa Nryaa boldly declare:

Jayanti! Glory be to those divine drops of knowledge which are existing in the cycle of aiva Yoga... and which have the ability of destroying and washing off all of the three impurities (malas).

With these words, Bhaa Nryaa is clearly refuting the long-held notion that ignorance is some kind of physical substance that requires a physical means for its removal. In the wake of this revival of non-dual Shaivism, it is not surprising that Bhaa Nryaas contemporary, Somnanda, begins his ivadi with a verse carrying the same spirit of Shaiva monism:

Despite the efforts of these spiritual pioneers to propagate a new revelation of non-dual Shaivism, the overall spiritual atmosphere of Kashmir continued to labor under the influence of the long-established dualistic traditions. This is evidenced by the fact that several generations after Vasugupta, Bhaa Nryaa, and Somnanda, the illustrious master, Abhinavagupta, found it necessary to continue in the spirit of his predecessors by writing a commentary on the Bhagavad Gt, and a recension on dieas (Patajali) Paramrthasra, both of which were clearly

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