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Seung Sahn - The Whole World Is a Single Flower: 365 Kong-Ans for Everyday Life (Tuttle Library of Enlightenment)

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Seung Sahn The Whole World Is a Single Flower: 365 Kong-Ans for Everyday Life (Tuttle Library of Enlightenment)
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The Whole World Is a Single Flower: 365 Kong-Ans for Everyday Life (Tuttle Library of Enlightenment): summary, description and annotation

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Tricycle Magazine reviewA kong-an (Korean for koan) collection does not exactly lend itself to a conventional book review. And merely creating a koan calendara charming enough literary conceitdoes not by itself make koan study applicable to everyday life. Zen Master Seung Sahn is well aware of this. In his brief essay, Zen Teaching, Kong-an Practice, which follows the koan collection, Seung Sahn argues that nothing less than a Zen revolution is involved. This is because traditionally Zen koan training meant checking someones enlightenment. Now, we use kong-ans to make our lives correct. Whether the answers are correct or not doesnt matteronly how you can use kong-ans in your everyday life. In other words, the revolution consists in associating koan study not with realization (the attainment of enlightenment-experience and its certification) but with actualization. We are told that correct kong-an practice consists in just doing whatever you are doing. The implication is that one can, in fact, actualize the Way without having, strictly speaking, realized the Way. Or is the point rather that the distinction should be abandoned altogether? Or maybe this is primarily skillful means (upaya)the adaptation of traditional koan study to suit the needs of secular laypersons (rather than monks) in the West who, in addition to living in the real world, may be impatient with the traditional connection between koan and enlightenment? If it is primarily a matter of skillful means, then it is inappropriate to judge it by anything other than pragmatic criteria. And it goes without saying that this revolutionary way of seeing the value and point of koan study will be more appealing to Zen students, many of whom are somewhat koanophobic. But the other practical concern is: will this new approach actually transform everyday life in the sense of making for what Zen Master Seung Sahn calls correct situation, correct relationship, and correct function? Rather than waiting it out, I would like to suggest that there remains a danger in catering to an increasing tendency in American Zen to ideologize everyday life at the expense of the traditional insistence on realization and enlightenment. And while it can be a mistake to overemphasize the attainment of enlightenment, there is really no Zen without it.That said, the collection itself is terrific and reveals the incomparably profound, minutely subtle, and disarmingly humorous Mind of the Master. For the first time a koan collection includes Christian and Taoist koans as well as the more familiar Japanese koans. The Buddhist koans are selected from the classic collections The Gateless Gate and The Blue Cliff Record, as well as from a large number of orally preserved koans from Korean Zen teachers. The Christian koans are derived from the poems of the German mystic known as Angelus Silesius; the Taoist koans come from the Tao Te Ching (in the translation by Stephen Mitchell, who also wrote this books foreword). The checking questions are indeed probing and dumbfoundedness-inducing; the commentaries are uniformly brilliant and incisive (though, frankly, repetitive). One question, however, lingers in my mind. If one of the primary problems with koan study is attachment to language, why not use the language that we are attached to, rather than using the cryptic language of traditional collections? For an everyday-life koan collection, it seems that everyday-life language should be used in the koans themselves, not just in the commentaries. With that reservation aside, this is unquestionably one of the finest collections to have appeared since the dawn of Zen in the West.

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The Story of Seung Sahn Soen-sa Seung Sahn Soen-sa was born in 1927 in Seun - photo 1
The Story of Seung Sahn Soen-sa

Seung Sahn Soen-sa was born in 1927 in Seun Choen, North Korea. His parents were Protestant Christians.

Korea at this time was under severe Japanese military rule, and all political and cultural freedom was brutally suppressed. In 1944, Soen-sa joined the underground Korean independence movement. Within a few months he was caught by the Japanese police and narrowly escaped a death sentence. After his release from prison, he and two friends stole several thousand dollars from their parents and crossed the heavily-patrolled Manchurian border in an unsuccessful attempt to join the Free Korean Army.

In the years following World War II, while he was studying Western philosophy at Dong Guk University, the political situation in South Korea grew more and more chaotic. One day Soen-sa decided that he wouldn't be able to help people through his political activities or his academic studies. So he shaved his head and went into the mountains, vowing never to return until he had attained the absolute truth.

For three months he studied the Confucian scriptures, but he was unsatisfied by them. Then a friend of his, who was a monk in a small mountain temple, gave him the Diamond Sutra, and he first encountered Buddhism. "All things that appear in this world are transient. If you view all things that appear as never having appeared, then you will realize your true self." When he read these words, his mind became clear. For the next few weeks he read many sutras. Finally, he decided to become a Buddhist monk and was ordained in October, 1948.

Soen-sa had already understood the sutras. He realized that the only important thing now was practice. So ten days after his ordination, he went further up into the mountains and began a one-hundred-day retreat on Won Gak Mountain (the Mountain of Perfect Enlightenment). He ate only pine-needles, dried and beaten into a powder. For twenty hours every day he chanted the Great Dharani of Original Mind Energy. Several times a day he took ice-cold baths. It was a very rigorous practice.

Soon he was assailed by doubts. Why was this retreat necessary? Why did he have to go to extremes? Couldn't he go down to a small temple in a quiet valley, get married like a Japanese monk, and attain enlightenment gradually, in the midst of a happy family? One night these thoughts became so powerful that he decided to leave and packed his belongings. But the next morning his mind was clearer, and he unpacked. A few days later the same thing happened. And in the following weeks, he packed and unpacked nine times.

By now fifty days had passed, and Soen-sa's body was very exhausted. Every night he had terrifying visions. Demons would appear out of the dark and make obscene gestures at him. Ghouls would sneak up behind him and wrap their cold fingers around his neck. Enormous beetles would gnaw his legs. Tigers and dragons would stand in front of him, bellowing. He was in constant terror.

After a month of this, the visions turned into visions of delight. Sometimes Buddha would come and teach him a sutra. Sometimes Bodhisattvas would appear in gorgeous clothing and tell him that he would go to heaven. Sometimes he would keel over from exhaustion and Kwanseum Bosal would gently wake him up. By the end of eighty days, his body was strong. His flesh had turned green from the pine-needles.

One day, a week before the retreat was to finish, Soen-sa was walking outside, chanting and keeping rhythm with his moktak. Suddenly, two boys, eleven or twelve years old, appeared on either side of him and bowed. They were wearing many-colored robes, and their faces were of an unearthly beauty. Soen-sa was very surprised. His mind felt powerful and perfectly clear, so how could these demons have materialized? He walked ahead on the narrow mountain path, and the two boys followed him, walking right through the boulders on either side of the path. They walked together in silence for a half-hour, then, back at the altar, when Soen-sa got up from his bow, they were gone. This happened every day for a week.

Finally it was the hundredth day. Soen-sa was outside chanting and hitting the moktak. All at once his body disappeared, and he was in infinite space. From far away he could hear the moktak beating, and the sound of his own voice. He remained in this state for some time. When he returned to his body, he understood. The rocks, the river, everything he could see, everything he could hear, all this was his true self. All things are exactly as they are. The truth is just like this.

Soen-sa slept very well that night. When he woke up the next morning, he saw a man walking up the mountain, then some crows flying out of a tree. He wrote the following poem:

The road at the bottom of Won Gak Mountain

is not the present road.

The man climbing with his backpack

is not a man of the past.

Tok, tok, tok - his footsteps

transfix past and present.

Crows out of a tree.

Caw, caw, caw.

Soon after he came down from the mountain, he met Zen Master Ko Bong, whose teacher had been Zen Master Man Gong. Ko Bong was reputed to be the most brilliant Zen Master in Korea, and one of the most severe. At this time he was teaching only laymen; monks, he said, were not ardent enough to be good Zen students. Soen-sa wanted to test his enlightenment with Ko Bong, so he went to him with a moktak and said, "What is this?" Ko Bong took the moktak and hit it. This was just what Soen-sa had expected him to do.

Soen-sa then said, "How should I practice Zen?"

Ko Bong said, "A monk once asked Zen Master Jo-ju, 'Why did Bodhidharma come to China?' Jo-ju answered, 'The pine tree in the front garden.' What does this mean?"

Soen-sa understood, but he didn't know how to answer. He said, "I don't know."

Ko Bong said, "Only keep this don't-know mind. That is true Zen practice."

That spring and summer, Soen-sa did mostly working Zen. In the fall, he sat for a hundred-day meditation session at Su Dok Sa monastery, where he learned Zen language and Dharma-combat. By the winter, he began to feel that the monks weren't practicing hard enough, so he decided to give them some help. One night, as he was on guard-duty (there had been some burglaries), he took all the pots and pans out of the kitchen and arranged them in a circle in the front yard. The next night, he turned the Buddha on the main altar toward the wall and took the incense-burner, which was a national treasure, and hung it on a persimmon tree in the garden. By the second morning the whole monastery was in an uproar. Rumours were flying around about lunatic burglars, or gods coming from the mountain to warn the monks to practice harder.

The third night, Soen-sa went to the nuns' quarters, took seventy pairs of nuns' shoes and put them in front of Zen Master Dok Sahn's room, displayed as in a shoe store. But this time, a nun woke up to go to the outhouse and, missing her shoes, she woke up everyone in the nuns' quarters. Soen-sa was caught. The next day he was brought to trial. Since most of the monks voted to give him another chance (the nuns were unanimously against him), he wasn't expelled from the monastery. But he had to offer formal apologies to all the high monks.

First he went to Dok Sahn and bowed. Dok Sahn said, "Keep up the good work."

Then he went to the head nun. She said, "You've made a great deal too much commotion in this monastery, young man." Soen-sa laughed and said, "The whole world is already full of commotion. What can you do?" She couldn't answer.

Next was Zen Master Chun Song, who was famous for his wild actions and obscene language. Soen-sa bowed to him and said, "I killed all the Buddhas of past, present, and future. What can you do?"

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