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Jo Malin - The voice of the mother: embedded maternal narratives in twentieth-century womens autobiographies

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Every woman autobiographer is a daughter who writes and establishes her identity through her autobiographical narrative. In The Voice of the Mother, Jo Malin argues that many twentieth-century autobiographies by women contain an intertext, an embedded narrative, which is a biography of the writer/daughters mother. Analyzing this narrative practice, Malin examines ten texts by women who seem particularly compelled to tell their mothers stories: Virginia Woolf, Sara Suleri, Kim Chernin, Drusilla Modjeska, Joan Nestle, Carolyn Steedman, Dorothy Allison, Adrienne Rich, Cherr?e Moraga, and Audre Lorde. Each author is, in fact, able to write her own autobiography only by using a narrative form that contains her mothers story at its core. These texts raise interesting questions about autobiography as a genre and about a feminist writing practice that resists and subverts the dominant literary tradition. Malin theorizes a hybrid form of autobiographical narrative containing an embedded narrative of the mother. The textual relationship between the two narratives is unique among texts in the auto/biographical canon. This alternative narrative practicein which the daughter attempts to talk both to her mother and about heris equally an autobiography and a biography rather than one or the other. The technique is marked by a breakdown of subject/object categories as well as auto/biographical dichotomies of genre. Each text contains a self that is more plural than singular, yet neither. In addition to being a theoretical and textual analysis, Malins book is also a mother-daughter autobiography and biography itself. She shares her own story and her mothers story as a way to connect directly with readers and as a way to bridge the gap between theory and practice.

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title The Voice of the Mother Embedded Maternal Narratives in - photo 1

title:The Voice of the Mother : Embedded Maternal Narratives in Twentieth-century Women's Autobiographies
author:Malin, Jo.
publisher:Southern Illinois University Press
isbn10 | asin:0809322668
print isbn13:9780809322664
ebook isbn13:9780585312590
language:English
subjectAmerican prose literature--Women authors--History and criticism, Autobiography--Women authors, English prose literature--Women authors--History and criticism, American prose literature--20th century--History and criticism, English prose literature--20th c
publication date:2000
lcc:PS388.A88M35 2000eb
ddc:818/.508093520431
subject:American prose literature--Women authors--History and criticism, Autobiography--Women authors, English prose literature--Women authors--History and criticism, American prose literature--20th century--History and criticism, English prose literature--20th c
Page iii
The Voice of the Mother
Embedded Maternal Narratives in Twentieth-Century Women's Autobiographies
Jo Malin
Page iv Copyright 2000 by the Board of Trustees Southern Illinois - photo 2
Page iv
Copyright 2000 by the Board of Trustees,
Southern Illinois University
All rights reserved
Printed in the United States of America
03 02 01 00 4 3 2 1
"Birth" by Sue Mullins is reprinted from the Massachusetts Review, 1972 The Massachusetts Review, Inc.
Library of Congress Cataloging-in-Publication Data
Malin, Jo, date.
The voice of the mother : embedded maternal narratives in twentieth
century women's autobiographies / Jo Malin.
p. cm.
Includes bibliographical references (p. ) and index.
1. American prose literatureWomen authorsHistory and
criticism. 2. AutobiographyWomen authors. 3. English prose
literatureWomen authorsHistory and criticism. 4. American
prose literature20th centuryHistory and criticism. 5. English
prose literature20th centuryHistory and criticism. 6. Mothers
and daughters in literature. 7. Mother and child in literature. 8.
Motherhood in literature. 9. Mothers in literature. 10. Narration
(Rhetoric) I. Title.
PS388.A88M35 2000
818'.508093520431dc21 99-16863
ISBN 0-8093-2266-8 (cloth : alk. paper) CIP
The paper used in this publication meets the minimum requirements of American National Standard for Information SciencesPermanence of Paper for Printed Library Materials, ANSI Z39.48-1992.Picture 3
Page v
For my mother and my daughter
Page vii
Contents
Preface
ix
Acknowledgments
xi
1. Introduction
1
2. Conversations about Space and Houses
15
3. Conversations about Intimacy, Bodies, and Sexuality
35
4. Conversations about Material Things, Longing, and Envy
56
5. Conversations about Storytelling and Voice
70
Afterword
89
Coda
Babies and Books: Motherhood and Writing
91
Epilogue
100
Notes
103
Works Consulted
107
Index
115

Page ix
Preface
Picture 4
Look at me: autobiography, it is I!
Phillipe Lejeune, On Autobiography
Picture 5
Women catch courage from the women whose lives and writings they read, and women call the bearer of that courage friend.
Carolyn Heilbrun, The Last Gift of Time
I write this preface after my book is almost complete. In it, I try to sort out two issues: Why have I chosen to write about this topic? Why have I chosen these texts? I also introduce myself as a writer whose personal voice enters this text.
Why do women's autobiographies continue to fascinate me? Why am I most interested in the story each woman writes about her mother and the place of this story in the text? For, as my book discusses at length, each of the women autobiographers I include definitely does write of her mother and this biographical telling is central in the given woman's autobiographical text.
Like Lejeune, I must have chosen the topic because I am interested in writing autobiographically myself. In fact, just the process of selection of texts and critical views of the texts is an autobiographical act. The careful reader can see what the process reveals about any writer. My readers can see that I am fascinated with, even fixated on, the mother/daughter relationship and its evidence in a woman's text, not all women's texts, but many. Further, it reveals my continual and continuing interest in my own relationship with my mother and more recently my relationship with my daughter. I am very close to both these women. One's body held my own and gave me life. The other was carried in my body and nourished at my breast. I am constantly aware of an overlap, a joining of voices, histories, and genetic markings in both relationships.
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