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Womack - Dialogue

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Womack Dialogue
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DIALOGUE Dialogue is a many-sided critical concept at once an ancient - photo 1

DIALOGUE

Dialogue is a many-sided critical concept; at once an ancient philosophical genre, a formal component of fiction and drama, a model for the relationship of writer and reader, and a theoretical key to the nature of language. In all its forms, it questions literature, disturbing the singleness and fixity of the written text with the fluid interactivity of conversation.

In this clear and concise guide to the multiple significance of the term, Peter Womack:

outlines the history of dialogue form, looking at Platonic, Renaissance, Enlightenment and Modern examples;

illustrates the play of dialogue in the many voices of the novel, and considers how dialogue works on the stage;

interprets the influential dialogic theories of Mikhail Bakhtin;

examines the idea that literary study itself consists of a dialogue with the past;

presents a useful glossary and further reading section.

Practical and thought-provoking, this volume is the ideal starting-point for the exploration of this diverse and fascinating literary form.

Peter Womack is Professor of Literature and Drama at the University of East Anglia.

THE NEW CRITICAL IDIOM

SERIES EDITOR: JOHN DRAKAKIS, UNIVERSITY OF STIRLING

The New Critical Idiom is an invaluable series of introductory guides to today's critical terminology. Each book:

provides a handy, explanatory guide to the use (and abuse) of the term;

offers an original and distinctive overview by a leading literary and cultural critic;

relates the term to the larger field of cultural representation.

With a strong emphasis on clarity, lively debate and the widest possible breadth of examples, The New Critical Idiom is an indispensable approach to key topics in literary studies.

Also available in this series:

The Author by Andrew Bennett

Autobiography by Linda Anderson

Adaptation and Appropriation by Julie
Sanders

Allegory by Jeremy Tambling

Class by Gary Day

Colonialism/Postcolonialism Second
edition by Ania Loomba

Comedy by Andrew Stott

Crime Fiction by John Scaggs

Culture/Metaculture by Francis
Mulhern

Difference by Mark Currie

Discourse by Sara Mills

Drama / Theatre / Performance by
Simon Shepherd and Mick Wallis

Dramatic Monologue by Glennis Byron

Ecocriticism by Greg Garrard

Elegy by David Kennedy

Genders by David Glover and Cora
Kaplan

Genre by John Frow

Gothic by Fred Botting

Historicism by Paul Hamilton

Humanism by Tony Davies

Ideology by David Hawkes

Interdisciplinarity by Joe Moran

Intertextuality by Graham Allen

Irony by Claire Colebrook

Literature by Peter Widdowson

Lyric by Scott Brewster

Magic(al) Realism by Maggie Ann Bowers

Memory by Anne Whitehead

Metaphor by David Punter

Metre, Rhythm and Verse Form by Philip
Hobsbaum

Mimesis by Matthew Potolsky

Modernism by Peter Childs

Myth by Laurence Coupe

Narrative by Paul Cobley

Parody by Simon Dentith

Pastoral by Terry Gifford

Performativity by James Loxley

The Historical Novel by Jerome de Groot

The Postmodern by Simon Malpas

Realism by Pam Morris

Rhetoric by Jennifer Richards

Romance by Barbara Fuchs

Romanticism by Aidan Day

Science Fiction by Adam Roberts

Sexuality by Joseph Bristow

Stylistics by Richard Bradford

Subjectivity by Donald E. Hall

The Sublime by Philip Shaw

The Unconscious by Antony Easthope

DIALOGUE

Peter Womack

Dialogue - image 2

First published 2011
by Routledge
2 Park Square, Milton Park, Abingdon, OX14 4RN

Simultaneously published in the USA and Canada
by Routledge
711 Third Avenue, New York, NY 10017

Routledge is an imprint of the Taylor & Francis Group, an informa business

2011 Peter Womack

The right of Peter Womack to be identified as author of this work has been asserted
by him in accordance with sections 77 and 78 of the Copyright, Designs and Patents
Act 1988.

Typeset in Garamond and Scala Sans by Tayor & Francis Books
All rights reserved. No part of this book may be reprinted or reproduced or utilised
in any form or by any electronic, mechanical, or other means, now known or
hereafter invented, including photocopying and recording, or in any information
storage or retrieval system, without permission in writing from the publishers.

British Library Cataloguing in Publication Data
A catalogue record for this book is available from the British Library

Library of Congress Cataloging in Publication Data
Womack, Peter, 1952

Dialogue / Peter Womack. 1st ed.

p. cm. (The New critical idiom)

Includes bibliographical references and index.

1. Dialogue analysis. I. Title.

P95.455.W63 2010

401.43 dc22

2010046804

ISBN: 978-0-415-32921-7 (hbk)
ISBN: 978-0-415-32922-4 (pbk)
ISBN: 978-0-203-39127-3 (ebk)

For Laura

C ONTENTS
A CKNOWLEDGEMENTS

I wrote this book because I am not very good at dialogue. So it is a particular pleasure to note how deeply it has benefited from conversations with friends and colleagues. Many thanks to my skilful interlocutors, especially Jon Cook, Mark Currie, Tony Gash, Denise Riley, Victor Sage and Laura Scott. I am also indebted, like all the authors in this series, to the editorial vigilance of John Drakakis.

A BBREVIATIONS

The books by Bakhtin that I have quoted most often, The Dialogic Imagination and Problems of Dostoevsky's Poetics, are cited in the text as DI and PDP respectively.

S ERIES E DITOR'S P REFACE

The New Critical Idiom is a series of introductory books which seeks to extend the lexicon of literary terms, in order to address the radical changes which have taken place in the study of literature during the last decades of the twentieth century. The aim is to provide clear, well-illustrated accounts of the full range of terminology currently in use, and to evolve histories of its changing usage.

The current state of the discipline of literary studies is one where there is considerable debate concerning basic questions of terminology. This involves, among other things, the boundaries which distinguish the literary from the non-literary; the position of literature within the larger sphere of culture; the relationship between literatures of different cultures; and questions concerning the relation of literary to other cultural forms within the context of interdisciplinary studies.

It is clear that the field of literary criticism and theory is a dynamic and heterogeneous one. The present need is for individual volumes on terms which combine clarity of exposition with an adventurousness of perspective and a breadth of application. Each volume will contain as part of its apparatus some indication of the direction in which the definition of particular terms is likely to move, as well as expanding the disciplinary boundaries within which some of these terms have been traditionally contained. This will involve some re-situation of terms within the larger field of cultural representation, and will introduce examples from the area of film and the modern media in addition to examples from a variety of literary texts.

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