Morris - The Human Zoo
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The Human Zoo: summary, description and annotation
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This study concerns the city dweller. Morris finds remarkable similarities with captive zoo animals and looks closely at the aggressive, sexual and parental behaviour of the human species under the stresses and pressures of urban living.
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Desmond Morris was born in Wiltshire in 1928. After gaining a degree in zoology from Birmingham University, he obtained his D.Phil. from the University of Oxford. He became curator of mammals at London Zoo in 1959, a post he held for eight years.
He was already the author of some fifty scientific papers and seven books before completing The Naked Ape in 1967, which was to sell over 10 million copies throughout the world and be translated into almost every known language.
Desmond Morris has made many television programmes and films on human and animal behaviour, his friendly and accessible approach making him popular with both adults and children, and he is now one of the best-known presenters of natural history programmes.
He is also an accomplished artist and his books include The Biology of Art, The Art of Ancient Cyprus and The Secret Surrealist, as well as his familiar series of Manwatching, Bodywatching, Animal-watching and Babywatching. His new study of the meaning of gestures, Bodytalk: A World Guide to Gestures, is published by Jonathan Cape.
BY DESMOND MORRIS
The Biology Of Art
The Mammals
Men And Snakes (co-author)
Men And Apes (co-author)
Men And Pandas (co-author)
Zootime
Primate Ethology (editor)
The Naked Ape
The Human Zoo
Intimate Behaviour
Patterns Of Reproductive Behaviour
Manwatching
Gestures (co-author)
Animal Days
The Soccer Tribe
Inrock
The Book Of Ages
The Art Of Ancient Cyprus
Bodywatching
The Illustrated Naked Ape
Dogwatching
Catwatching
The Secret Surrealist
Catlore
The Animals Roadshow
The Human Nestbuilders
Horsewatching
The Animal Contract
Animalwatching
Babywatching
Christmas Watching
The Naked Ape Trilogy
The Human Animal
The Illustrated Catwatching
Bodytalk
The Naked Woman
The Naked Man
This ebook is copyright material and must not be copied, reproduced, transferred, distributed, leased, licensed or publicly performed or used in any way except as specifically permitted in writing by the publishers, as allowed under the terms and conditions under which it was purchased or as strictly permitted by applicable copyright law. Any unauthorised distribution or use of this text may be a direct infringement of the authors and publishers rights and those responsible may be liable in law accordingly.
Version 1.0
Epub ISBN 9781409020622
www.randomhouse.co.uk
Published by Vintage 1994
17 19 20 18 16
Copyright Desmond Morris 1969
The right of Desmond Morris to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act, 1988
This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, resold, hired out, or otherwise circulated without the publishers prior consent in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser
First published in Great Britain by
Jonathan Cape, 1969
Vintage
Random House, 20 Vauxhall Bridge Road,
London SW1V 2SA
www.vintage-books.co.uk
Addresses for companies within The Random House Group Limited can be found at: www.randomhouse.co.uk/offices.htm
The Random House Group Limited Reg. No. 954009
A CIP catalogue record for this book is available from the British Library
ISBN 9780099482116
As with its predecessor, The Naked Ape, this book is intended for a general audience and authorities have therefore not been quoted in the text. However, many original books and papers have been referred to during the assembly of this volume and it would be wrong to present it without acknowledging their valuable assistance. I have included a chapter-by-chapter appendix relating the topics discussed to the major authorities concerned (). This appendix can be used to trace the detailed references given in the selected bibliography.
I would also like to express my debt and my gratitude to the many colleagues and friends who have helped me, in discussions, correspondence and many other ways. Their contributions have varied. In some instances, they have been of direct assistance in connection with a specific point in the present text, but in other cases they have been stimulating in a more indirect way, often over a period of years, influencing my general thinking and helping me to clarify my views. With a subject as broad as The Human Zoo, it is impossible to name them all, but they include, in particular, the following: Dr Anthony Ambrose, Mr Robert Ardrey, Mr David Attenborough, Mr Kenneth Bays, Professor Misha Black, Dr David Blest, Dr N. G. Blurton-Jones, Mr James Bomford, Dr John Bowlby, Mr Richard Carrington, Sir Hugh Casson, Dr Michael Chance, Dr Richard Coss, Dr Christopher Evans, Professor Robin Fox, Professor J. H. Fremlin, Mr Oliver Graham-Jones, Dr Fae Hall, Professor Harry Harlow, Mrs Mary Haynes, Professor Heini Hediger, Professor Robert Hinde, Dr Jan van Hooff, Dr Francis Huxley, Sir Julian Huxley, Professor Jancy Ironside, Miss Devra Kleiman, Dr Adriaan Kortlandt, Baroness Jan van Lawick-Goodall, Dr Paul Leyhausen, Mrs Caroline Loizos, Professor Konrad Lorenz, Dr Malcolm Lyall-Watson, Dr Gilbert Manley, Dr Isaac Marks, Mr Tom Maschler, Dr L. Harrison Matthews, Lady Medway, Mrs Ramona Morris, Dr Martin Moynihan, Dr John Napier, Mrs Caroline Nicolson, Mr Philip Oakes, Dr Kenneth Oakley, Mr Victor Pasmore, Sir Roland Penrose, Sir Herbert Read, Dr Frances Reynolds, Dr Vernon Reynolds, Mrs Claire Russell, Dr W. M. S. Russell, Professor Arthur Smailes, Mr Peter Shepheard, Dr John Sparks, Dr Anthony Storr, Mr Frank Taylor, Dr Lionel Tiger, Professor Niko Tinbergen, Dr Nevil Tronchin-James, Mr Ronald Webster, Dr Wolfgang Wickler, Miss Pat Williams, Dr G. M. Woddis and Professor John Yudkin.
I hasten to add that the inclusion of a name in this list does not imply that the person concerned necessarily agrees with my views as expressed in this book.
When the pressures of modern living become heavy, the harassed city-dweller often refers to his teeming world as a concrete jungle. This is a colourful way of describing the pattern of life in a dense urban community, but it is also grossly inaccurate, as anyone who has studied a real jungle will confirm.
Under normal conditions, in their natural habitants, wild animals do not mutilate themselves, masturbate, attack their offspring, develop stomach ulcers, become fetishists, suffer from obesity, form homosexual pair-bonds, or commit murder. Among human city-dwellers, needless to say, all of these things occur. Does this, then, reveal a basic difference between the human species and other animals? At first glance it seems to do so. But this is deceptive. Other animals do behave in these ways under certain circumstances, namely when they are confined in the unnatural conditions of captivity. The zoo animal in a cage exhibits all these abnormalities that we know so well from our human companions. Clearly, then, the city is not a concrete jungle, it is a human zoo.
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