Contents
Acknowledgements
The early years of the research and writing of this book was a lonely affair. My only companion on that first section was my mother. Then into the frame stepped Judith Welsh. She offered me encouragement and sent me on the way to the next section. Again a lonely affair until lovely Jenny Brown, my agent, entered stage left. Jenny shone light onto it and helped me shape this book into what it is now. Thank you Jenny; you walked with me, over rough road, through dark forest until the book was borne into the light and into the care of Bill Campbell of Mainstream Publishing. A great publisher and I am eternally grateful to him and his team at Mainstream. Their enthusiasm and energy for this project was compelling.
My thanks too must go to Judith Sharpe, a friend of 30 years standing, who gave me optimism when I sorely needed it. Thanks too to Paul Greenwood of the Ancient Yew Group who gave me confidence when I was shadowed with self-doubt, thank you, Paul.
Then, once more, I must thank Judith Welsh. Bizarrely she was there in the beginning and ultimately was there to welcome me at the end. It was meant to be Judith. What a happy encounter that has been.
Then there is the power of the universal consciousness which gifts us with intuition; where would I have been without that!
Finally my gratitude goes to my mother. She and I are caught in the net of a shared destiny. Without her this book would not have been written.
Until next time then...
APPENDIX I
Timeline for Leonardo da Vinci
14521519
1452 15 April | Illegitimate birth of Leonardo da Vinci to a 16-year-old peasant girl, father a wealthy notary, Piero Fruosino di Antonio da Vinci. Various propositions that he lived with his mother initially then with his father and grandparents. Father moved to Florence and Leonardo remained with grandparents until his father took him to join him in Florence. Those formative years in the Tuscan landscape shaped his thinking and spirit of enquiry which were to continue throughout his life. |
1467 | Apprentice to Andrea del Verrocchio, leading Florentine painter and sculptor. |
1472 | Entered San Luca guild of painters but stayed at Verrocchios studio. First documented work of his of an angel kneeling in a work of Verrochios titled The Baptism of Christ. Verrochio was so chastened by the excellence of Leonardos execution that he gave up painting. At this time too Leonardo adopted the Flemish/northern use of oil rather than tempura, which was to change painting practice. |
147275 | The Annunciation. |
1475 | Madonna with Carnation. |
147578 | Madonna Benois. |
147880 | Portrait of Ginevra de Benci. NB same V in hairline as shared with Last Commission and Madonna of the Rocks and figure in The Last Supper. |
148082 | St Jerome in the Wilderness (unfinished). |
148182 | Adoration of the Magi for the Church of San Donato a Scopeto (unfinished). |
1482 | Move to Milan to patronage of Ludovico il Moro, where he remained for nearly 18 years, offering his services as a military engineer primarily, and sculptor and painter. |
1483 | Commission for the Franciscan Confraternity of the Church of San Francesco Maggiore for the Madonna of the Rocks. Not paid as the monks said the commission had not been properly fulfilled. Similarity between the profile and hairline of this Madonna with the one in my painting. |
1487 | World-famous drawing of the Vitruvian Man. The drawing represents the proportions of man and is part homage to the Roman architect Vitruvius. |
1490 | Portrait of Cecilia Gallerani (Lady with an Ermine). |
1490 | Portrait of an unknown woman (La Belle Ferroniere). |
1490 | Madonna Litta. |
1490 | Work on model of equestrian statue for Ludovico Sforza. (unfinished). |
1492 | Contemporary of Leonardos Christopher Columbuss voyage to America. |
1494 | Charles VIII of France (Order of St Michael, as were leading aristocrats including Ren dAnjou bearing scallop shell as their emblem) occupies Naples. |
149598 | The Last Supper for the refectory of the Dominican church, Santa Maria delle Grazie. Controversial painting referred to in Dan Browns book The Da Vinci Code. Note profile and hairline match with Madonna of the Rocks and my painting. Apparently three matching profiles and hairlines. |
1498 | Louis XIV, a patron of Leonardos succeeds Charles VIII. |
1499 | Leonardo leaves Milan for France after nearly 18 years of patronage at the court of Ludovico Sforza. |
1500 | Return to Florence. |
1500 | The Virgin and Child with St Anne and St John the Baptist possibly sketched at the Servite monastery in Florence. |
150216 | Virgin and Child with St Anne. |
1502 | Employment as architect and military engineer for General Cesare Borgia. Whilst in his employ created Madonna of the Yarnwinder and military maps for Borgia. |
1503 | Return to Florence and possibly commission by Francesco del Giocondo to paint his wife? Mona Lisa (La Gioconda) 150306 and the creation of a new technique sfumato in which the features are softened. The portrait, if it was commissioned by del Giocondo, was never delivered to the client and Leonardo kept it at his side for the remainder of his life. Whilst in Florence Leonardo also performed dissections in the hospital of Santa Maria Nuova, and provided a comprehensive account of the structure and function of the human body. He also made detailed studies of other natural phenomena, from the flight of birds to the movements of currents, and created vast collections of data pertaining to them. The act of human dissection, of course, was seen by the Church as heretical and was brought to an end. |
1504 | Francesco da Vinci, Leonardos uncle, bequeaths his estate to him. This is contested by his stepbrothers in 1507 and Leonardo battles it out in law. |
1505 | Leonardo studies the flight of birds and is unsuccessful in creating a flying machine. |
1506 | Commission for the Grand Council Chamber in the Palazzo Vecchio, the Florentine seat of government, The Battle of Anghiari (unfinished). Opposing wall to be painted by Michelangelo, The Battle of Cascina was also left unfinished. |
150612 | In Milan under the patronage of Charles dAmboise, French governor of the city for French King Louis XII. |
150610 | Leda and the Swan |
1507 | Appointed painter and engineer to Louis XII. |
1511 | Death of Charles dAmboise; allegiance moved to Giuliano de Medici, brother of the future Pope Leo X. Move to the papal court in Rome. No major works commissioned of him by the Pope, much to his chagrin most commissions were given to Raphael or Michelangelo. |
151316 | St John the Baptist (which remained with him until his death) and one too of Bacchus (St John the Baptist). |
1513 | Leonardo moves to Rome where he lives in the Belvedere with his companions Melzi and Salai. Whilst here Pope Leo halts his human dissections and cites the possible heretical act of necromancy and magic. |
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