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Saint Mary Magdalene - Da Vincis last commission the most sensational detective story in the history of art

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Saint Mary Magdalene Da Vincis last commission the most sensational detective story in the history of art

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Imagine you have an old painting, a Madonna and Child, which has been in your family for years. It is beautiful, serene and spellbinding. It hangs on your wall and for a long time you take it for granted. But curiosity to know more about it gradually grows in you until it becomes irresistible. The day comes when you look at it and begin to realise it is more rare than you ever imagined.

You call in the experts. They get excited. What if that old family painting was thought to be by a pupil of Leonardo da Vinci - or even the great master himself? You start researching, communicating with academics and institutions all over the world. The results of your research are nothing short of astounding.

What would you do if that painting pointed to one of the greatest heresies of our time? And what if it revealed an incredible story that the Roman Catholic Church has been desperate to keep secret at all costs for centuries?

Da Vincis Last...

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Contents

Acknowledgements

The early years of the research and writing of this book was a lonely affair. My only companion on that first section was my mother. Then into the frame stepped Judith Welsh. She offered me encouragement and sent me on the way to the next section. Again a lonely affair until lovely Jenny Brown, my agent, entered stage left. Jenny shone light onto it and helped me shape this book into what it is now. Thank you Jenny; you walked with me, over rough road, through dark forest until the book was borne into the light and into the care of Bill Campbell of Mainstream Publishing. A great publisher and I am eternally grateful to him and his team at Mainstream. Their enthusiasm and energy for this project was compelling.

My thanks too must go to Judith Sharpe, a friend of 30 years standing, who gave me optimism when I sorely needed it. Thanks too to Paul Greenwood of the Ancient Yew Group who gave me confidence when I was shadowed with self-doubt, thank you, Paul.

Then, once more, I must thank Judith Welsh. Bizarrely she was there in the beginning and ultimately was there to welcome me at the end. It was meant to be Judith. What a happy encounter that has been.

Then there is the power of the universal consciousness which gifts us with intuition; where would I have been without that!

Finally my gratitude goes to my mother. She and I are caught in the net of a shared destiny. Without her this book would not have been written.

Until next time then...

APPENDIX I
Timeline for Leonardo da Vinci
14521519
1452 15 AprilIllegitimate birth of Leonardo da Vinci to a 16-year-old peasant girl, father a wealthy notary, Piero Fruosino di Antonio da Vinci. Various propositions that he lived with his mother initially then with his father and grandparents. Father moved to Florence and Leonardo remained with grandparents until his father took him to join him in Florence. Those formative years in the Tuscan landscape shaped his thinking and spirit of enquiry which were to continue throughout his life.
1467Apprentice to Andrea del Verrocchio, leading Florentine painter and sculptor.
1472Entered San Luca guild of painters but stayed at Verrocchios studio. First documented work of his of an angel kneeling in a work of Verrochios titled The Baptism of Christ. Verrochio was so chastened by the excellence of Leonardos execution that he gave up painting. At this time too Leonardo adopted the Flemish/northern use of oil rather than tempura, which was to change painting practice.
147275The Annunciation.
1475Madonna with Carnation.
147578Madonna Benois.
147880Portrait of Ginevra de Benci. NB same V in hairline as shared with Last Commission and Madonna of the Rocks and figure in The Last Supper.
148082St Jerome in the Wilderness (unfinished).
148182Adoration of the Magi for the Church of San Donato a Scopeto (unfinished).
1482Move to Milan to patronage of Ludovico il Moro, where he remained for nearly 18 years, offering his services as a military engineer primarily, and sculptor and painter.
1483Commission for the Franciscan Confraternity of the Church of San Francesco Maggiore for the Madonna of the Rocks. Not paid as the monks said the commission had not been properly fulfilled. Similarity between the profile and hairline of this Madonna with the one in my painting.
1487World-famous drawing of the Vitruvian Man. The drawing represents the proportions of man and is part homage to the Roman architect Vitruvius.
1490Portrait of Cecilia Gallerani (Lady with an Ermine).
1490Portrait of an unknown woman (La Belle Ferroniere).
1490Madonna Litta.
1490Work on model of equestrian statue for Ludovico Sforza. (unfinished).
1492Contemporary of Leonardos Christopher Columbuss voyage to America.
1494Charles VIII of France (Order of St Michael, as were leading aristocrats including Ren dAnjou bearing scallop shell as their emblem) occupies Naples.
149598The Last Supper for the refectory of the Dominican church, Santa Maria delle Grazie. Controversial painting referred to in Dan Browns book The Da Vinci Code. Note profile and hairline match with Madonna of the Rocks and my painting. Apparently three matching profiles and hairlines.
1498Louis XIV, a patron of Leonardos succeeds Charles VIII.
1499Leonardo leaves Milan for France after nearly 18 years of patronage at the court of Ludovico Sforza.
1500Return to Florence.
1500The Virgin and Child with St Anne and St John the Baptist possibly sketched at the Servite monastery in Florence.
150216Virgin and Child with St Anne.
1502Employment as architect and military engineer for General Cesare Borgia. Whilst in his employ created Madonna of the Yarnwinder and military maps for Borgia.
1503Return to Florence and possibly commission by Francesco del Giocondo to paint his wife? Mona Lisa (La Gioconda) 150306 and the creation of a new technique sfumato in which the features are softened. The portrait, if it was commissioned by del Giocondo, was never delivered to the client and Leonardo kept it at his side for the remainder of his life.
Whilst in Florence Leonardo also performed dissections in the hospital of Santa Maria Nuova, and provided a comprehensive account of the structure and function of the human body. He also made detailed studies of other natural phenomena, from the flight of birds to the movements of currents, and created vast collections of data pertaining to them. The act of human dissection, of course, was seen by the Church as heretical and was brought to an end.
1504Francesco da Vinci, Leonardos uncle, bequeaths his estate to him. This is contested by his stepbrothers in 1507 and Leonardo battles it out in law.
1505Leonardo studies the flight of birds and is unsuccessful in creating a flying machine.
1506Commission for the Grand Council Chamber in the Palazzo Vecchio, the Florentine seat of government, The Battle of Anghiari (unfinished). Opposing wall to be painted by Michelangelo, The Battle of Cascina was also left unfinished.
150612In Milan under the patronage of Charles dAmboise, French governor of the city for French King Louis XII.
150610Leda and the Swan
1507Appointed painter and engineer to Louis XII.
1511Death of Charles dAmboise; allegiance moved to Giuliano de Medici, brother of the future Pope Leo X. Move to the papal court in Rome. No major works commissioned of him by the Pope, much to his chagrin most commissions were given to Raphael or Michelangelo.
151316St John the Baptist (which remained with him until his death) and one too of Bacchus (St John the Baptist).
1513Leonardo moves to Rome where he lives in the Belvedere with his companions Melzi and Salai. Whilst here Pope Leo halts his human dissections and cites the possible heretical act of necromancy and magic.
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