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Shaw - Ancient Egypt: a very short introduction

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Shaw Ancient Egypt: a very short introduction
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    Ancient Egypt: a very short introduction
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The ancient Egyptians are an enduring source of fascination--mummies and pyramids, curses and rituals have captured our imaginations for generations. We all have a mental picture of ancient Egypt, but is it the right one? How much do we really know about this once great civilization?
In this absorbing introduction, Ian Shaw, one of the foremost authorities on Ancient Egypt, describes how our current ideas about Egypt are based not only on the thrilling discoveries made by early Egyptologists but also on fascinating new kinds of evidence produced by modern scientific and linguistic analyses. He also explores the changing influences on our responses to these finds, by examining the impact of Egyptology on various aspects of popular culture such as literature, cinema, opera, and contemporary art. He considers all aspects of ancient Egyptian culture, from tombs and mummies to the discovery of artifacts and the decipherment of hieroglyphs, and from despotic pharaohs to animal-headed gods. From the general reader interested in Ancient Egypt, to students and teachers of ancient history and archaeology, to museum-goers, this Very Short Introduction will not disappoint.

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Ancient Egypt A Very Short Introduction Very Short Introductions are for - photo 1

Ancient Egypt: A Very Short Introduction

Very Short Introductions are for anyone wanting a stimulating and accessible way in to a new subject. They are written by experts, and have been published in more than 25 languages worldwide.

The series began in 1995, and now represents a wide variety of topics in history, philosophy, religion, science, and the humanities. Over the next few years it will grow to a library of around 200 volumes a Very Short Introduction to everything from ancient Egypt and Indian philosophy to conceptual art and cosmology.

Very Short Introductions available now:

ANCIENT EGYPT Ian Shaw

Continental Philosophy

ANCIENT PHILOSOPHY

Simon Critchley

Julia Annas

COSMOLOGY Peter Coles

THE ANGLO-SAXON AGE

CRYPTOGRAPHY

John Blair

Fred Piper and Sean Murphy

ANIMAL RIGHTS David DeGrazia

DADA AND SURREALISM

ARCHAEOLOGY Paul Bahn

David Hopkins

ARCHITECTURE

Darwin Jonathan Howard

Andrew Ballantyne

Democracy Bernard Crick

ARISTOTLE Jonathan Barnes

DESCARTES Tom Sorell

ART HISTORY Dana Arnold

DRUGS Leslie Iversen

ART THEORY Cynthia Freeland

THE EARTH Martin Redfern

THE HISTORY OF

EGYPTIAN MYTH Geraldine Pinch

ASTRONOMY Michael Hoskin

EIGHTEENTH-CENTURY

Atheism Julian Baggini

BRITAIN Paul Langford

Augustine Henry Chadwick

THE ELEMENTS Philip Ball

BARTHES Jonathan Culler

EMOTION Dylan Evans

THE BIBLE John Riches

EMPIRE Stephen Howe

BRITISH POLITICS

ENGELS Terrell Carver

Anthony Wright

Ethics Simon Blackburn

Buddha Michael Carrithers

The European Union

BUDDHISM Damien Keown

John Pinder

CAPITALISM James Fulcher

EVOLUTION

THE CELTS Barry Cunliffe

Brian and Deborah Charlesworth

CHOICE THEORY

FASCISM Kevin Passmore

Michael Allingham

THE FRENCH REVOLUTION

CHRISTIAN ART Beth Williamson

William Doyle

CLASSICS Mary Beard and

FREE WILL Thomas Pink

John Henderson

Freud Anthony Storr

CLAUSEWITZ Michael Howard

Galileo Stillman Drake

THE COLD WAR Robert McMahon

Gandhi Bhikhu Parekh

GLOBALIZATION Manfred Steger

PLATO Julia Annas

HEGEL Peter Singer

POLITICS Kenneth Minogue

HEIDEGGER Michael Inwood

POLITICAL PHILOSOPHY

HIEROGLYPHS Penelope Wilson

David Miller

HINDUISM Kim Knott

POSTCOLONIALISM

HISTORY John H. Arnold

Robert Young

HOBBES Richard Tuck

POSTMODERNISM

HUME A. J. Ayer

Christopher Butler

IDEOLOGY Michael Freeden

POSTSTRUCTURALISM

Indian Philosophy

Catherine Belsey

Sue Hamilton

PREHISTORY Chris Gosden

Intelligence Ian J. Deary

PRESOCRATIC PHILOSOPHY

ISLAM Malise Ruthven

Catherine Osborne

JUDAISM Norman Solomon

Psychology Gillian Butler and

Jung Anthony Stevens

Freda McManus

KANT Roger Scruton

QUANTUM THEORY

KIERKEGAARD Patrick Gardiner

John Polkinghorne

THE KORAN Michael Cook

ROMAN BRITAIN

LINGUISTICS Peter Matthews

Peter Salway

LITERARY THEORY

ROUSSEAU Robert Wokler

Jonathan Culler

RUSSELL A. C. Grayling

LOCKE John Dunn

RUSSIAN LITERATURE

LOGIC Graham Priest

Catriona Kelly

MACHIAVELLI Quentin Skinner

THE RUSSIAN REVOLUTION

MARX Peter Singer

S. A. Smith

MATHEMATICS Timothy Gowers

SCHIZOPHRENIA

MEDIEVAL BRITAIN

Chris Frith and Eve Johnstone

John Gillingham and

SCHOPENHAUER

Ralph A. Griffiths

Christopher Janaway

MODERN IRELAND Senia Pasta

SHAKESPEARE Germaine Greer

MOLECULES Philip Ball

SOCIAL AND CULTURAL

MUSIC Nicholas Cook

ANTHROPOLOGY

Myth Robert A. Segal

John Monaghan and Peter Just

NIETZSCHE Michael Tanner

SOCIOLOGY Steve Bruce

NINETEENTH-CENTURY

Socrates C. C. W. Taylor

BRITAIN Christopher Harvie and

SPINOZA Roger Scruton

H. C. G. Matthew

STUART BRITAIN John Morrill

NORTHERN IRELAND

TERRORISM Charles Townshend

Marc Mulholland

THEOLOGY David F. Ford

PARTICLE PHYSICS Frank Close

THE TUDORS John Guy

paul E. P. Sanders

TWENTIETH-CENTURY

Philosophy Edward Craig

BRITAIN Kenneth O. Morgan

PHILOSOPHY OF SCIENCE

Wittgenstein A. C. Grayling

Samir Okasha

WORLD MUSIC Philip Bohlman

Available soon:

AFRICAN HISTORY

HIROSHIMA B. R. Tomlinson

John Parker and Richard Rathbone

HUMAN EVOLUTION

THE BRAIN Michael OShea

Bernard Wood

BUDDHIST ETHICS

INTERNATIONAL RELATIONS

Damien Keown

Paul Wilkinson

CHAOS Leonard Smith

JAZZ Brian Morton

CHRISTIANITY Linda Woodhead

MANDELA Tom Lodge

CITIZENSHIP Richard Bellamy

MEDICAL ETHICS

CLASSICAL ARCHITECTURE

Tony Hope

Robert Tavernor

THE MIND Martin Davies

CLONING Arlene Judith Klotzko

NATIONALISM

CONTEMPORARY ART

Steven Grosby

Julian Stallabrass

PERCEPTION Richard Gregory

THE CRUSADES

PHILOSOPHY OF RELIGION

Christopher Tyerman

Jack Copeland and Diane Proudfoot

Derrida Simon Glendinning

PHOTOGRAPHY

DESIGN John Heskett

Steve Edwards

Dinosaurs David Norman

THE RAJ Denis Judd

DREAMING J. Allan Hobson

THE RENAISSANCE

ECONOMICS Partha Dasgupta

Jerry Brotton

THE END OF THE WORLD

RENAISSANCE ART

Bill McGuire

Geraldine Johnson

EXISTENTIALISM Thomas Flynn

SARTRE Christina Howells

THE FIRST WORLD WAR

THE SPANISH CIVIL WAR

Michael Howard

Helen Graham

FUNDAMENTALISM

TRAGEDY Adrian Poole

Malise Ruthven

THE TWENTIETH CENTURY

Habermas Gordon Finlayson

Martin Conway

For more information visit our web site

www.oup.co.uk/vsi

Ian Shaw

Ancient Egypt

A Very Short Introduction

Great Clarendon Street, Oxford ox2 6dp

Oxford University Press is a department of the University of Oxford.

It furthers the Universitys objective of excellence in research, scholarship, and education by publishing worldwide in

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Published in the United States

by Oxford University Press Inc., New York

Ian Shaw 2004

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First published as a very short Introduction 2004

All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, or under terms agreed with the appropriate reprographics rights organization. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above

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