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Blaise Pascal - Pensees (Penguin Classics)

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Blaise Pascal Pensees (Penguin Classics)

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Blaise Pascal, the precociously brilliant contemporary of Descartes, was a gifted mathematician and physicist, but it is his unfinished apologia for the Christian religion upon which his reputation now rests. The Penses is a collection of philosohical fragments, notes and essays in which Pascal explores the contradictions of human nature in pscyhological, social, metaphysical and - above all - theological terms. Mankind emerges from Pascals analysis as a wretched and desolate creature within an impersonal universe, but who can be transformed through faith in Gods grace.

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PENSES BLAISE PASCAL was born in Clermont in 1623 the son of a government - photo 1

PENSES


BLAISE PASCAL was born in Clermont in 1623, the son of a government official. During his short life he left his mark on mathematics, physics, religious controversy and literature. A convert to Jansenism, he engaged with gusto in a controversy with the Jesuits, which gave rise to his Lettres Provinciales on which, with the Penses , his literary fame chiefly rests. A remarkable stylist, he is regarded by many as the greatest of French prose artists. He died, after a long illness, in 1662.

DR A. J. KRAILSHEIMER was born in 1921 and was Tutor in French at Christ Church, Oxford, from 1957 until his retirement in 1988. His publications are Studies in Self-interest (1963), Rabelais and the Franciscans (1965), Three Conteurs of the Sixteenth Century (1966), Rabelais (1967), A. J. de Ranc, Abbot of La Trappe (1974), Pascal (1980), Conversion (1980), Letters of A. J. de Ranc (1984), Ranc and the Trappist Legacy (1985), Correspondance de Ranc (1991), Floritge de Lettres de Ranc (1999) and A. J. de Ranc, abb de la Trappe (revised French edition of the 1974 book for the Tercentenary in 2000). He has also translated Flauberts Three Tales (1981), Balzacs Pre Goriot (1991) and Hugos Notre Dame de Paris (1993) for Oxford Worlds Classics, and Flauberts Bouvard and Pcuchet and Salammb , and Pascals The Provincial Letters for the Penguin Classics.

PASCAL

Penses

Translated with an Introduction by

A. J. KRAILSHEIMER

PENGUIN BOOKS

PENGUIN BOOKS

Published by the Penguin Group

Penguin Books Ltd, 80 Strand, London WC2R 0RL, England

Penguin Putnam Inc., 375 Hudson Street, New York, New York 10014, USA

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Penguin Books Ltd, Registered Offices: 80 Strand, London WC2R 0RL, England

www.penguin.com

This translation first published 1966

Revised edition 1995

Copyright A. J. Krailsheimer, 1966,1995

All rights reserved

The moral right of the translator has been asserted

Except in the United States of America, this book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out, or otherwise circulated without the publishers prior consent in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser

9780141915647

CONTENTS


SECTION ONE: PAPERS CLASSIFIED BY PASCAL ( Pascals Titles )


SECTION TWO: PAPERS NOT CLASSIFIED BY PASCAL ( Translators Titles )


NOTE: Except for the Old Testament series and XXI-XXII these titles are only a rough indication of the main contents of each series.


SECTION THREE: MIRACLES


SECTION FOUR: FRAGMENTS NOT FOUND IN THE FIRST COPY

INTRODUCTION

An author of two widely celebrated works on religion (and much else) who enjoys the reputation of being a brilliant mathematician, a scientist of proven ability, a technologist capable of designing and constructing a calculating machine and devising and seeing inaugurated the first public transport service in Paris, may well expect to be labelled dilettante. Yet Pascal gained the admiration and respect of his contemporaries by his outstanding gifts as mathematician, scientist and technologist quite independently of the fame that accrued to him at the end of his life from his literary and religious work, which has never been more in honour than today. It is as a Frenchman of all-round distinction that Pascals portrait was chosen for the 500franc banknote issued by the Banque de France. The word genius is perhaps overworked, yet it can properly be applied to Pascal, whose work on probability, barometric pressure, the vacuum and many other problems put him in the front rank of European intellectuals. Fermat and Descartes in France, and Christopher Wren and Christiaan Huygens abroad, were among those who recognized his gifts.

As a writer he compelled attention with the Provincial Letters (16567). Since these appeared clandestinely and anonymously, the success they at once achieved owed nothing to the unknown authors previous reputation. The Letters showed that readers with no special knowledge or qualifications in theology or casuistry could have such matters explained to them in such a way that they felt competent to pass judgement on the practices and abuses attributed to the Jesuits. The interview technique exploited with such devastating effect in the earlier letters has been likened to that of modern journalism, and in this as in so many other aspects of his work Pascal was ahead of his time. The sureness and lightness of touch revealed in the Provincial Letters would assure Pascal of an honourable mention in the literary history of a century of outstanding French prose writers. It should be remembered that the issues involved in the Letters were deadly serious, even if Pascals gift for exposing duplicity and inconsistency made the whole affair look ridiculous.

The Penses , therefore, first published in 1670, eight years after Pascals death, are by no means the main, let alone sole, cause of Pascals fame in his own time. The man whose conversion in 1654 led him to see intellectual achievement as a distraction from the search for reality was not a failure looking for compensation in withdrawal. It was his very success, most recently in defending his friends at Port Royal by the Provincial Letters , which is the background to the Penses.

The constraints and limitations of seventeenth-century ideas about God and man are very different from those of the present day, but only now can the reader look at a text left by Pascal not rearranged to fit an individual editors preconceptions. It is remarkable how wide a public shows interest in the work, surely transcending curiosity or problem solving. Perhaps comparative ignorance of the historical background is an aid to enjoyment, perhaps individual readers put their own construction on the work to the point that misunderstanding becomes fruitful; whatever the reason Pascal seems to speak to modern readers with quite particular force.

Attempts are still made to explain Pascal and the Penses in terms of his heredity, class-background and even physiology, and, lamentably as these have failed, there are indisputably some grounds for beginning with what is objectively verifiable. Born on 19 June 1623, Pascal lost his mother when he was only three, and was brought up with his two sisters, Gilberte and Jacqueline, entirely by his father, tienne Pascal, a legal officer of substance at Clermont (now Clermont-Ferrand). In 1631 tienne Pascal left Auvergne and installed his family in Paris, where he directed Blaises education himself, setting high standards and demonstrating clear principles to such effect that the twelve-year-old boy is reported to have discovered for himself the first thirty-two propositions of Euclid. The family stayed in Paris until 1640, when tienne, reconciled with Richelieu after a bold but imprudent protest against the financial policy of the government, was appointed Commissioner for Taxes in Upper Normandy and moved to Rouen.

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