PAGANISM & SHAMANISM
What is Paganism? A religion, a spirituality, an alternative belief system, nature worship? You can find support for all these definitions (and many more) in dictionaries, encyclopaedias, and text books of religion, but subscribe to any one and the truth will evade you. Above all Paganism is a creative pursuit, an encounter with reality, an exploration of meaning and an expression of the soul. Druids, Heathens, Wiccans and others, all contribute their insights and literary riches to the Pagan tradition. Moon Books invites you to begin or to deepen your own encounter, right here, right now. If you have enjoyed this book, why not tell other readers by posting a review on your preferred book site.
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Asante, Molefi (2015), African Pyramids of Knowledge: Kemet, Afrocentricity and Africology. Universal Write Publications LLC
Assmann, Jan (2002), The Mind of Egypt: History and Meaning in the Time of the Pharaohs. Metropolitan Books
Bourghouts, J F (1978), Ancient Egyptian Magical Texts. Brill, Leiden
David, Rosalie (2002), Religion and Magic in Ancient Egypt. Penguin Books
De Vartavan, Christian (2016), Vocalised Dictionary of AncientEgypt. SAIS, London
Diop, Cheik Anta (1988), Precolonial Black Africa. Chicago Review Press
Dunand, Francoise & Zivie-Coche, Christiane (2004), Gods and Men in Egypt 3000 BCE to 395 CE. Cornell Paperbacks
Erman, Adolf (author) and Blackman, Aylward (translator) (1995), Ancient Egyptian Poetry and Prose. Dover Publications, New York.
Graves-Brown, Carolyn (2010), Dancing for Hathor, Women inAncient Egypt. Bloomsbury Academic
John, Billie Walker (2003), The Setian. Ignotus Press
Kaster, Joseph (1995), The Wisdom of Ancient Egypt. Michael OMara Books Limited
Kemboly, Mpay. 2010. The Question of Evil in Ancient Egypt. London: Golden House Publications
Lichtim, Miriam (1975), Ancient Egyptian Literature Volume 1: The Old and Middle Kingdoms. University of California Press
Mourad, Anna-Latifa (2015), Rise of the Hyksos. Archaeopress Publishing Ltd
Pinch, Geraldine (2006), Magic in Ancient Egypt. The British Museum Press
Rautman, Alison E. (2000), Reading the Body. University of Pennsylvania Press
Journal Articles
Baumgarten, A., Assmann, J., Stroumsa, G. G. (Hg.), Self, Soul and Body (Studies in the history of religions 78), Leiden 1998, S. 384-403
Harrell, James. Gemstones. UCLA Encyclopedia of Egyptology, 2012
Jonckheere, Frans. LEunuque dans lgypte pharaonique. Revue dHistoire des Sciences, vol. 7, No. 2 (April-June 1954), pp. 139-155
Moret, Alexandre. Le rituel du culte divin. Journalier en Egypte, 1902, Paris
Ottens, Sandra. The Seven Hathors, Musicians of fate. Leiden, 2012
Pouls Wegner, Mary-Ann. Wepwawet in Context: a reconsideration of the jackal deity and its role in the spatial organisation of the North Abydos landscape
Reeder, Greg. A Rite of Passage: The Enigmatic Tekenu in Ancient Egyptian Funerary Ritual. KMT: A Modern Journal of Ancient Egypt, autumn 1994, vol.5 no.3
Shaltout, Mosalam & Belmonte, Juan Antonio. On the Orientation of Ancient Egyptian Temples I: Upper Egypt and Lower Nubia. 2005
Van Loon, A J. Law and order in Ancient Egypt. 2014, Leiden University.
Zecchi, Marco. Sobek of Shedet. The Crocodile God in the Fayyum in the Dynastic Period. 2010
Chapter One
Ancient Egyptian History
In dividing Egyptian history from mythology, we are perpetuating a rather modern conception that these are two quite distinct categories actual events in the real world and imagined events in a symbolic world. The further back in human history we go, and with Egypt that is a remarkably long stretch, the more closely intertwined these two strands become. However, for the sake of convention let us first consider those events mostly involving mortals and later move on to those involving immortal beings. In laying out the history of Egypt it would be easy to become lost in the convoluted corridors of over five thousand years worth of events. The intention is to avoid bogging the reader down with an excess of political turmoil, artistic innovations, and scientific discoveries but rather to give sufficient background to the changing cultural milieu to help place the mythology in a wider context.