Jane Roberts - The Early Sessions: Book 9 of The Seth Material

THE

EARLY SESSIONS

Book 9 of The Seth Material

Sessions 422-510

7/10/681/19/70

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THE EARLY SESSIONS

The Early Sessions consist of the first 510 sessions dictated by Seth through Jane Roberts. There are 9 books in The Early Sessions series.

THE PERSONAL SESSIONS

The Personal Sessions , often referred to as the deleted sessions, are Seth sessions that Jane Roberts and Rob Butts considered to be of a highly personal nature and were therefore kept in separate notebooks from the main body of the Seth material. There are 7 books in The Personal Sessions series.

The great value I see now in the many deleted or private sessions is that they have the potential to help others, just as they helped Jane and me over the years. I feel that its very important to have these sessions added to Janes fine creative body of work for all to see. Rob Butts

THE SETH AUDIO COLLECTION

Recordings of Seth speaking through Jane Roberts are available on CD. (Further information is supplied at the back of this book.)

For complete information on the Seth Books, Online Seth Classes, Seth Conferences, Seth Audio Recordings/CDs, Jane Roberts books and The Art of Robert Butts (Jane Roberts husband and co-author of the Seth Books) write to New Awareness Network and request the latest catalogue or visit our website at www.sethcenter.com

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THE

EARLY SESSIONS

Book 9 of The Seth Material

Sessions 422-510

7/10/681/19/70

2000 by Robert Butts

2014 Laurel Davies Butts

Published by New Awareness Network Inc.

New Awareness Network Inc.

P.O. Box 192

Manhasset, New York 11030

Opinions and statements on health and medical matters expressed in this book are those of the author and are not necessarily those of or endorsed by the publisher. Those opinions and statements should not be taken as a substitute for consultation with a duly licensed physician.

Cover Design: Michael Goode

Photography: Cover photos by Rich Conz and Robert F. Butts, Sr.

Editorial: Rick Stack

Typography: Raymond Todd, Joan Thomas, Michael Goode

All rights reserved. This book may not be reproduced in whole or in part, without written permission from the publisher, except by a reviewer who may quote brief passages in a review; nor may any part of this book be reproduced, stored in a retrieval system, or transmitted in any form or by any means electronic, mechanical, photocopying, recording, or other, without written permission from the publisher.

Library of Congress Cataloging-in-Publication Data

Seth (Spirit)

The early sessions: volume 8 of the seth material / [channeled] by Jane Roberts ; notes by Robert F. Butts.

p. cm.(A Seth book)

1. Spirit writings. 2. SelfMiscellanea

I. Roberts, Jane 19291984. II. Butts, Robert F. III. Title

IV. Series: Seth (Spirit), 19291984 Seth book.

Library of Congress Catalog Number: 96-69349

EBook ISBN 978-0-9894058-4-3

Printed Book ISBN 0-9652855-9-6

Printed in U.S.A. on acid-free paper

I dedicate The Early Sessions

to my wife, Jane Roberts,

who lived her 55 years

with the greatest creativity

and the most valiant courage.

-Rob

Please Note: Within this ebook, Rob Butts sometimes refers the reader to review material on specific pages. These page references apply only to the page numbers of the regular trade paperback version of this book.

SESSION 422

JULY 10, 1968 9 PM WEDNESDAY

(At 8:45 tonight Jane said that Seth was going to talk about the York Beach apparitions we created at that resort in the summer of 1963, while on vacation there, in Maine. Jane had been writing about the incident this afternoon and I had wondered aloud if Seth could give more data on this. He had also discussed it in the early sessions to some degree.

(Jane began speaking in the usual Seth manner.)

Now, good evening.

(Good evening, Seth.)

You may tell Ruburt he has not lost his bright self, and it has gone nowhere.

(This was in reference to a poem Jane wrote after supper tonight, when she was low in spirits.)

Tell him to remember a poem, Rapunzel , that he wrote years ago. He just denied expression to his bright self. This evenings poem did indeed contain, and was in itself, an intuitional inspiration.

It was a welcome to the spontaneous self, expressed creatively. The idea is an excellent one. A poetic statement carries weight for his personality, and this poetic statement has almost magical connotations. As natives do a dance to induce rain, with often excellent results, so Ruburts poem represents the same sort of incantation.

The act of writing the poem at this time, regardless of the poems message, you see, represents a willingness to allow the spontaneous self expression. The message itself then doubly reinforces the suggestion. Even the emotion in the first portion, spontaneously expressed and creatively formed into art, is a good indication.

Now, as to your York Beach images. Here aggressive and destructive energies were unconsciously projected outward, given a pseudoreality and a temporary physical validity. There was a protein loss on your own parts.

Such images are constructed of emotional energy, but they also are partially formed from the chemical structure of the individual or individuals behind such productions. The physical body then must work overtime. The impetus is emotional, and the pseudoframework is formed of emotional energy, but the image itself must be built up in part of physical components, and these must come from somewhere.

Now even in the case of hallucinations, the originator uses projections from his own physical structure, which he then perceives. Though the mind, or brain rather, may be seemingly passive in the case of the perceiver, the metabolism is quickened, for the body is using energy at a quickened rate.

The emotional charge provides the pattern, and the impetus for creation, and in the York Beach affair and like situations, it provides for the actual projection or externalization itself. According to the physical validity or the extent of physical reality to be achieved, the physical body of the originator then lends, or transposes or transfers, portions of its own chemical structure. Proteins are used, and there is a high carbohydrate loss on the part of the originator.

Unconsciously, the physical methods at hand are used, then, in such endeavors. It is highly unusual, but possible, according to the strength of the psychic discontent, that the consciousness could then split itself up, some residing in the new image.

Now. Physical illness is not a natural condition. It also necessitates additional work of this same sort, hence often the physical vitamin deficiencies that occur. In many cases they do not cause a disease, but are the result of it. In the same way that the bodys proteins and chemical structures can be used to form various kinds of images, they may also be utilized in a lesser fashion to, say, form an ulcer, a goiter, or to affect other changes.

Again, the body is overworking. Here particular emotions are dissociated, denied. The individual does not want to accept them as a portion of himself. Instead of projecting them outward, as you did into such images, they are directed to a specific area in the body; or in other cases allowed to wander, so to speak, traveling troublemakers, through the entire physical system.

Definite energy is needed to sustain them. We will not go into an entire discussion, yet you should be able to see the connection between some kinds of images and ulcers, or other growths.