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Sarah Shaw - The Art of Listening: A Guide to the Early Teachings of Buddhism

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Sarah Shaw The Art of Listening: A Guide to the Early Teachings of Buddhism
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DescriptionAn accessible introduction to the teachings of the Buddha told through the oral tradition of the Dghanikya--the preeminent text of the Pali canon.The Dghanikya or Long Discourses of the Buddha is one of the four major collections of teachings from the early period of Buddhism. Its thirty-four suttas (in Sanskrit, sutras) demonstrate remarkable breadth in both content and style, forming a comprehensive collection. The Art of Listening gives an introduction to the Dghanikya and demonstrates the historical, cultural, and spiritual insights that emerge when we view the Buddhist suttas as oral literature. Each sutta of the Dghanikya is a paced, rhythmic composition that evolved and passed intergenerationally through chanting. For hundreds of years, these timeless teachings were never written down. Examining twelve suttas of the Dghanikya, scholar Sarah Shaw combines a literary approach and a personal one, based on her experiences carefully studying, hearing, and chanting the texts. At once sophisticated and companionable, The Art of Listening will introduce you to the diversity and beauty of the early Buddhist suttas.ReviewFor many years I regarded the Dgha Nikya, the Buddhas Long Discourses, as of little personal relevance, seeing it as primarily aimed at enhancing the status of Buddhism in the social and cultural milieu of ancient India. Sarah Shaws book has radically transformed my assessment of this collection. Beautifully written and rich in observations, her inspired work shows the Digha to be perhaps the boldest and most majestic of the four Nikyas. In Shaws treatment of the text, the Digha merges two contrasting perspectives in a tense but happy harmony: a panoramic vision of the vast cosmic significance of the Buddha and his teaching, and an earthy view of the Buddhas concrete physical presence in this world. This contrast, she argues, is seen most poignantly in the Mahaparinibbana Sutta, the long narrative on the Buddhas final journey and passage into nirvana, where he himself exemplifies his teaching of universal impermanence. I believe that for others, too, this book will have a lasting impact on their appreciation of the Digha, offering many new ways of looking at this fascinating collection of early Buddhist texts.Ven. Bhikkhu Bodhi, author of Reading the Buddhas Discourses in PliIn this quietly revolutionary book, Sarah Shaw shows us that Buddhist sutras are also Buddhist practices, and that listening can be a form of meditation. She shows that our modern habits of skim reading and skipping ahead in texts are very different from the way the sutras have been appreciated in the past, and that if we can better understand the way the dharma has been recited and listened to over so many generations, it will allow us to engage with it more fully. Cultivating a quiet and attentive practice of listening seems more necessary than ever and this is a book that shows us how it can be done.Sam van Schaik, author of Buddhist Magic and Tibetan ZenAbout the AuthorDR. SARAH SHAW is a faculty member and lecturer at the University of Oxford. She has taught and published numerous works on the history and practices of Buddhism, including Mindfulness, An Introduction to Buddhist Meditation, and The Spirit of Meditation.

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Shambhala Publications Inc 2129 13th Street Boulder Colorado 80302 - photo 1
Shambhala Publications Inc 2129 13th Street Boulder Colorado 80302 - photo 2

Shambhala Publications, Inc.

2129 13th Street

Boulder, Colorado 80302

www.shambhala.com

2021 by Sarah Shaw

Cover art: Scenes from the life of Buddha. British Library / Granger, NYC

Cover and interior design: Claudine Mansour Design

All rights reserved. No part of this book may be reproduced in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without permission in writing from the publisher.

First Edition

For more information please visit www.shambhala.com.

Shambhala Publications is distributed worldwide by

Penguin Random House, Inc., and its subsidiaries.

Library of Congress Cataloging-in-Publication Data

Names: Shaw, Sarah (Scholar of Buddhism), author.

Title: The art of listening: a guide to the early teachings of Buddhism: exploring the Dghanikya: the long discourses of the Buddha / Sarah Shaw.

Description: First edition. | Boulder, Colorado: Shambhala, [2021] | Includes bibliographical references and index.

Identifiers: LCCN 2020037473 | ISBN 9781611808858 (trade paperback)

eISBN 9780834843578

Subjects: LCSH: Tipiaka. Suttapiaka. DghanikyaCommentaries.

Classification: LCC BQ1297 .S43 2021 | DDC 294.3/823dc23

LC record available at https://lccn.loc.gov/2020037473

a_prh_5.7.0_c0_r0

Contents

2. Of Bards and Bhvan:
Oral Literature and Buddhist Practice

6. Myth and the Cardinal Points:
Creating a Space for Beings in All Directions

Acknowledgments

A FEW DECADES AGO , my meditation teacher, Lance Cousins, invited me to join a sutta group for people who had learned meditation with him for a few months or more. The suttas he chose were the Dialogues of the Buddha in Thomas William Rhys Davidss magisterial, if dated, translation. We read several of the suttas discussed here, and the format was quite simple. We practiced together, chanted, listened to the sutta, and then discussed it. At the end of the meeting a blessing was chanted, and we continued with general chat. All we had to do was listen to the sutta and not judgea rare and still sometimes difficult skill. We then investigated it, with Lances help. This group and our discussions gave me an introduction to the vast scope and feeling of adventure underlying the Buddhist path and teachings. This could be felt simply by hearing the suttas read out loud. It was one of the major turning points in my life. If this book manages to communicate any hint of the wonder of those meetings, which so often ended as the dawn chorus chirped the end of our discussions, that is good enough for me. Lance is no longer with us, but I would like to thank those other participants for making it all possible, as well as other friends for our group work in samatha.

From an academic perspective, I would like to thank Professor Jim Adams for introducing Greek oral literature in the classical Greek part of my course at Manchester University; Dr. Douglas Brooks-Davies, my English tutor in Manchester, for teaching number symbolism and structure in early modern English literature; and Professor Richard Gombrich, with whom I read some of these suttas in Pli. Professor Pamela Clemit has been particularly helpful in discussions about literary terminology. I would also like to thank Professor John Brockington, Mary Brockington, and Dr. Marina Pyrovolaki for conversations about oral literature. Dr. Marco Meyer, Daniel Roules, and Richard Teall gave excellent comments and feedback on some of these chapters. I had helpful conversations with Professor Kate Crosby, Guy Healey, Dr. Pyi Phyo Kyaw, Dr. Aleix Ruiz-Falques, Professor Peter Skilling, Dr. Andrew Skilton, and Chris Westrup. Thanks too to attendees at a Sanskritists lunch at Balliol College, Oxford, for their very useful comments. I am grateful to the memory of T. W. Rhys Davids and Maurice Walshe, whose pioneering translations of the Dghanikya I consult all the time; they are not acknowledged as they should be.

Many will share my thanks to those working to translate Buddhist texts for the general public. The Buddhist tradition of free dhamma transmission is a great thing: we are lucky we now have websites like SuttaCentral and Access to Insight. While I was writing this book during lockdown, away from my library, these apparently magical online resources provided texts as quickly as a strong man might stretch his armthe speed of movement between human realms and the Heaven of Thirty-Three. So my thanks to all scholars providing these services.

This book emerged as an idea from talks in a podcast series titled The Early Teachings of the Buddha, which Wise Studies asked me to give. I am particularly grateful to Ryan Spielman and Spencer Barron for inviting me to do this and being so encouraging. Professor Vesna Wallace, then Numata chair of Buddhist Studies at Oxford, asked me to give a lecture series at Balliol College on literary features of the canon in 2010. A good part of this book is based on those talks and lectures. I would like to express great gratitude to Venerable Dr. Dhammasmi for introducing me to so many features of Shan and Buddhist practice and for many visits to Southeast Asia. I am grateful, too, to Chao Khun Laow Panyasiri for giving such an extensive and patient training in Thai chanting styles, in particular the Mahsamaya-sutta, over the last twenty-five years. It has put these long texts into a completely different perspective for me. Warm thanks also go to my meditation teacher, Boonman Poonyathiro, and his wife, Dang.

Thanks to my editor, Matt Zepelin, for his creatively helpful suggestions. I am grateful to the Khyentse Foundation for funding my Readership in Buddhist Studies at the University of South Wales. Particular thanks to Dr. Nick Swann, as well as colleagues and students at the University of Oxford, the University of South Wales, and the Oxford University Department of Continuing Education.

When the book was completed Bhikkhu Bodhi provided extensive comment and corrections. The care he took was generous, insightful, and painstaking.

Not many people in publishing houses have the gift of seeing what someone wants to do and can encourage new directions. So thanks to Nikko Odiseos, president of Shambhala Publications, for suggesting the book to me and having faith in it.

Lastly, thank you to Charles, Jeremy, Roland, and Lucy.

Introduction

M OST OF US liked hearing stories in the evening as children. At my boarding school, during sewing in the evening after dinner, our teacher used to read us long novels over a number of evenings. We complained, of course, but I used to like just hearing someones voice telling me a story. Something in my mind relaxed, and events of the day fell into perspective. Such reading aloud, particularly in the evenings, was widespread in Western cultures until recently. For every Victorian novel bought, nine people heard it: families used to read to one another as everyone relaxed after the day.

While writing this book during the COVID-19 pandemic, I was struck by how people again find listening at home so helpful and soothing in times of fear and, for many, solitude. Our genetic code must be hardwired to this method of letting go, and we have refound the pleasure of listening. Before the virus confined us all to our homes, we could sit on a train, plane, or bus during the evening rush hour and see others, having finished a hard days work, shut their eyes and visibly unwind with earbuds in place: they would be just listening, transported, to music, a story, or perhaps a talk on a podcast. And this has continued. We are at home in our various states of quarantine or social distancing, and many of us are listening to apps, the radio, music, or, if were lucky, birdsong in surprisingly unpolluted skies.

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