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Twigs Way - Carnation

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Twigs Way Carnation
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    Carnation
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Carnation: summary, description and annotation

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From wedding bouquets to funeral wreaths, carnations can be seen everywhere in human culture. Their colorful but delicately folded petals have made them one of the foremost decorative flowers, from the gardens of the Ottoman Empire to American Mothers Day bouquets, via Chinese medicines and French Empresses. In this book, Twigs Way explores the extraordinary history of this inimitable flower.

The author traces the trials and tribulations of early breederscompelled by florists fascinations for the striped and spottedwhich led to delightfully colored (and delightfully named) varieties such as Lustie Gallant and Bleeding Swain. She looks at the symbolism of the red and whiteand even greencarnations made famous by Oscar Wilde, and glides through many of the rooms in literature and history that we have filled with the carnations glorious scent. Travelling from Europe to China, Way explores how carnations have been used by herbalists the world over as a treatment for ailments to both mind and body, and she looks at the many paintings that have attempted to capture their unique complexities. Lavishly illustrated and full of unexpected delights, this book willlike the carnation itselfcharm the mind and invigorate the senses.

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CARNATION Reaktions Botanical series is the first of its kind integrating - photo 1

CARNATION

Picture 2

Reaktions Botanical series is the first of its kind, integrating horticultural and botanical writing with a broader account of the cultural and social impact of trees, plants and flowers.

Published

Apple Marcia Reiss

Bamboo Susanne Lucas

Cannabis Chris Duvall

Carnation Twigs Way

Geranium Kasia Boddy

Grasses Stephen A. Harris

Lily Marcia Reiss

Oak Peter Young

Pine Laura Mason

Poppy Andrew Lack

Snowdrop Gail Harland

Weeds Nina Edwards

Willow Alison Syme

Yew Fred Hageneder

CARNATION

Picture 3

Twigs Way

REAKTION BOOKS

This book is dedicated to our very own Carnation, Lily, Lily, Rose

Published by
REAKTION BOOKS LTD
Unit 32, Waterside
4448 Wharf Road
London N1 7UX, UK

www.reaktionbooks.co.uk

First published 2016

Copyright Twigs Way 2016

All rights reserved
No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publishers

Page references in the Photo Acknowledgements and
Index match the printed edition of this book.

Printed and bound in China by 1010 Printing International Ltd

A catalogue record for this book is available from the British Library

eISBN: 9781780236810

Contents

Dianthus caryophyllus from the Florilegium of Alexander Marshal c 16201682 - photo 4

Dianthus caryophyllus from the Florilegium of Alexander Marshal c 16201682 - photo 5

Dianthus caryophyllus, from the Florilegium of Alexander Marshal (c. 16201682).

one
The Divine Flower

Picture 6

What shall I say to the Queene of delight and of flowers, Carnations and Gilloflowers, whose bravery, variety and sweete smell joined together, tyeth every ones affection with great earnestnesse both to like and to have them?

JOHN PARKINSON, Paradisi in sole, paradisus terrestris (1629)

After women, flowers are the most divine creations.

CHRISTIAN DIOR, couturier and perfumier

I t all starts with a name: Dios anthus: Dios from the Greek for Zeus, the chief god of the Olympians, and anthos from flower. Thus flower of god. The philosopher and naturalist Theophrastus (c. 371288 BC), known as the Father of Botany, was the first to describe and name the plant, setting it on its journey through time and space. Why the Greeks should have chosen the small wild carnation above all other flowers upon which to bestow divinity can only be guessed, but the name stuck with only very slight alteration to create the Latin nomenclature of Dianthus. After that the continuity of naming is rather spoilt by the fact that no one knows for certain exactly which of the many wild pink coloured flowers of the dianthus family the Greeks had originally been referring to. In fact over three hundred species of plants are now known to inhabit this blessed genus, ranging from the tiny Alpine pinks of central Europe to the tall exuberant Dianthus superbus that spreads its deeply cut petals from Norway to Japan. The wild carnation most likely to have been Given its natural blooming period of June to August it would have been easy to overlook the delicate, scentless plant and its single bloom in favour of the more boisterous and taller flowers of the summer months.

Mythology links the carnation not just to the Greek god Zeus but to the Roman goddess Diana, the goddess of the hunt and daughter of Zeus Roman equivalent Jupiter. Taking human form to visit earth one day, as all gods and goddesses traditionally did, Diana is said to have come upon a shepherd boy and taken a liking to him. However, the youth turned down her advances, never a wise thing to do to a woman or a goddess, and in retaliation Diana ripped out his eyes and threw them to the ground. The eyes immediately sprouted and flowered and became the first Dianthus, which slightly puts one off the otherwise attractive flower.

The true carnation (Dianthus caryophyllus), which is so familiar in our gardens and glasshouses, owes its second name to the spicy clove, the Caryophyllus aromaticus which so many of the carnation family imitate in their scent. Cary refers to the nut of the clove plant, although to clear up any confusion with the carnation Dianthus caryophyllus, botanists have carefully reclassified the clove plant first as Eugenia aromatica and then as Syzygium aromaticum, leaving the carnation somewhat bereft.

Our earliest image of the dianthus of classical times comes from the ill-fated Roman town of Pompeii where a single flowered wild carnation (most likely Dianthus sylvestris) was depicted in a fresco. Topped by a goldfinch who is shown bending the slender stalk, the painting decorated the wall of what is now known as The House of the Faun. The fragile image survived the devastation and destruction of the Vesuvian eruption of AD 79 but was sadly lost to the vagaries of the weather after being uncovered and recorded by archaeologists centuries later.preserved the fresco, had devoted much of his life to natural science and botany, producing a 37-volume work called Natural History. In it he described a pink or carnation known in southern Spain, referring to it by the name of Cantabrica, thereby adding confusion to the origins and naming of the flower when it came to be considered by sixteenth-century herbalists.

Sydenham Teast Edwards, Dianthus caryophyllus, Wheatear carnation, 1813, watercolour.

Spreading through Europe and Turkey with the crusaders of the Holy War the - photo 7

Spreading through Europe and Turkey with the crusaders of the Holy War, the wild carnation, or clove pink, made its home in the walls of French and English castles. The plant lover Henry Nicholson

The Cheddar pink Dianthus gratianopolitanus Grey-green foliage is a - photo 8

The Cheddar pink, Dianthus gratianopolitanus.

Grey-green foliage is a distinctive feature of the carnation and pink Tracing - photo 9

Grey-green foliage is a distinctive feature of the carnation and pink.

Tracing the path of the dianthus through Europe is fraught with difficulties because early botanists invented new names for the same plant and gave the same name to different species. In 1597 John Gerard attempted to trace the diverse pinks through the pages of previous herbalists, listing it as being identified as Cantabrica and Stactice by Pliny the Elder and William Turner (15081568), Vetonica altera and Vetonica altilis according to Rembert Dodoens in his herbal of 1554, and Superba by Gerards friend Matthew LObel. To add to the muddle, the carnation, which by the late sixteenth century was clearly differentiated from the pink, had according to Gerard been confused with it by some earlier writers. His contemporaries knew it as the

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