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Robin MacDonald - Sensing the Sacred in Medieval and Early Modern Culture

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Robin MacDonald Sensing the Sacred in Medieval and Early Modern Culture

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Sensing the Sacred in Medieval and Early Modern Culture
This volume traces transformations in attitudes toward, ideas about, and experiences of religion and the senses in the medieval and early modern period. Broad in temporal and geographical scope, it challenges traditional notions of periodisation, highlighting continuities as well as change. Rather than focusing on individual senses, the volumes organisation emphasises the multisensoriality and embodied nature of religious practices and experiences, refusing easy distinctions between asceticism and excess. The senses were not passive, but rather active and reactive, responding to and initiating change. As the contributions in this collection demonstrate, in the pre-modern era, sensing the sacred was a complex, vexed, and constantly evolving process, shaped by individuals, environment, and religious change. The volume will be essential reading not only for scholars of religion and the senses, but for anyone interested in histories of medieval and early modern bodies, material culture, affects, and affect theory.
Robin Macdonald completed her PhD at the University of York and was a Postdoctoral Research Fellow at the ARC Centre of Excellence for the History of Emotions at the University of Western Australia.
Emilie K. M. Murphy is a Lecturer in Early Modern History at the University of York.
Elizabeth L. Swann is a Research Associate at the University of Cambridge. From September 2018, she will be Assistant Professor in Interdisciplinary Studies within the Department of English Studies, Durham University.
Sensing the Sacred in
Medieval and Early
Modern Culture
Edited by Robin Macdonald,
Emilie K. M. Murphy, and
Elizabeth L. Swann
Sensing the Sacred in Medieval and Early Modern Culture - image 1
First published 2018
by Routledge
2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN
and by Routledge
711 Third Avenue, New York, NY 10017
Routledge is an imprint of the Taylor & Francis Group, an informa business
2018 selection and editorial matter, Robin Macdonald, Emilie K. M.
Murphy, and Elizabeth L. Swann; individual chapters, the contributors
The right of Robin Macdonald, Emilie K. M. Murphy, and Elizabeth L. Swann to be identified as the authors of the editorial material, and of the authors for their individual chapters, has been asserted in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988.
All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers.
Trademark notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe.
British Library Cataloguing-in-Publication Data
A catalogue record for this book is available from the British Library
Library of Congress Cataloging-in-Publication Data
Names: Macdonald, Robin, editor.
Title: Sensing the sacred in medieval and early modern culture / edited by
Robin Macdonald, Emilie K.M. Murphy, and Elizabeth L. Swann.
Description: 1st [edition]. | New York : Routledge, 2018. | Includes
bibliographical references and index.
Identifiers: LCCN 2017050482 (print) | LCCN 2018007384 (ebook) |
ISBN 9781315608389 | ISBN 9781472454669 (alk. paper)
Subjects: LCSH: Senses and sensationReligious aspectsHistory. |
Human bodyReligious aspectsHistory. | Civilization, Medieval.
Classification: LCC BL65.B63 (ebook) | LCC BL65.B63 S465 2018
(print) | DDC 248.2dc23
LC record available at https://lccn.loc.gov/2017050482
ISBN: 978-1-4724-5466-9 (hbk)
ISBN: 978-1-315-60838-9 (ebk)
Typeset in Sabon
by Keystroke, Neville Lodge, Tettenhall, Wolverhampton
Table of Contents

ROBIN MACDONALD, EMILIE K. M. MURPHY, AND
ELIZABETH L. SWANN
PART I
Prescription and practice

JOHN H. ARNOLD

RICHARD NEWHAUSER

C. M. WOOLGAR
PART II
Concord and conversion

JOE MOSHENSKA

ABIGAIL SHINN
PART III
Exile and encounter

ERIN LAMBERT

EMILIE K. M. MURPHY

ROBIN MACDONALD
PART IV
Figuration and feeling

SUBHA MUKHERJI

BRONWYN V. WALLACE

ELIZABETH L. SWANN

MICHAEL SCHOENFELDT
John H. Arnold is Professor of Medieval History at the University of Cambridge. He has published on various aspects of medieval religion and culture, and on modern historiographical practice, and edited the Oxford Handbook of Medieval Christianity (2014).
Erin Lambert is Assistant Professor of History at the University of Virginia. She holds a PhD in early modern European history from the University of Wisconsin-Madison. Her recent book explores the interplay of body, community, and belief in the Reformation through two interconnected themes: theologies of the resurrection of the body and the practice of song.
Robin Macdonald was awarded her PhD at the University of York. She recently completed a postdoctoral research fellowship at the Australian Research Council Centre of Excellence for the History of Emotions at the University of Western Australia (project number CE110001011). Her research focuses on histories of encounter in seventeenth-century North America, letter writing, and the materiality of texts.
Joe Moshenska is Associate Professor of English at the University of Oxford and a fellow of University College. He is the author of Feeling Pleasures: The Sense of Touch in Renaissance England (Oxford University Press, 2014) and A Stain in the Blood: The Remarkable Voyage of Sir Kenelm Digby (William Heinemann, 2016). His monograph Iconoclasm as Child's Play is forthcoming from Stanford University Press.
Subha Mukherji is Senior Lecturer in English at the University of Cambridge, Fellow of Fitzwilliam College, and Principal Investigator on the ERC-funded interdisciplinary project, Crossroads of Knowledge in Early Modern England: the Place of Literature. She has published widely on law and literature in the Renaissance, early modern literature, Shakespeare, genre, literary epistemologies, and the poetics of space. She is currently writing a book provisionally entitled Full of doubt I stand: Questioning Knowledge in Early Modern Literature.
Emilie K. M. Murphy is a Lecturer in Early Modern History at the University of York. Her research focuses on processes of religious change, identity formation, and cultural encounter for people living in Reformation England and for Anglophones in Counter-Reformation Europe. She has published several articles on the embodiment of religious expression through sounds, voice and language, and musical performance, and is currently completing her first monograph: The Reformation of the Soundscape: Music and Piety in Early Modern England.
Richard Newhauser is Professor of English and Medieval Studies, Arizona State University, Tempe. His research is focused on the history of the senses, the moral tradition in Western thought, and Middle English literature. He is the co-editor of Pleasure and Danger in Perception
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