• Complain

Chang - Creativity and Taoism : a study of Chinese philosophy, art and poetry

Here you can read online Chang - Creativity and Taoism : a study of Chinese philosophy, art and poetry full text of the book (entire story) in english for free. Download pdf and epub, get meaning, cover and reviews about this ebook. City: London, China, China, year: 2011,1965, publisher: Jessica Kingsley Publishers Ltd;Singing Dragon, genre: Religion. Description of the work, (preface) as well as reviews are available. Best literature library LitArk.com created for fans of good reading and offers a wide selection of genres:

Romance novel Science fiction Adventure Detective Science History Home and family Prose Art Politics Computer Non-fiction Religion Business Children Humor

Choose a favorite category and find really read worthwhile books. Enjoy immersion in the world of imagination, feel the emotions of the characters or learn something new for yourself, make an fascinating discovery.

Chang Creativity and Taoism : a study of Chinese philosophy, art and poetry
  • Book:
    Creativity and Taoism : a study of Chinese philosophy, art and poetry
  • Author:
  • Publisher:
    Jessica Kingsley Publishers Ltd;Singing Dragon
  • Genre:
  • Year:
    2011,1965
  • City:
    London, China, China
  • Rating:
    4 / 5
  • Favourites:
    Add to favourites
  • Your mark:
    • 80
    • 1
    • 2
    • 3
    • 4
    • 5

Creativity and Taoism : a study of Chinese philosophy, art and poetry: summary, description and annotation

We offer to read an annotation, description, summary or preface (depends on what the author of the book "Creativity and Taoism : a study of Chinese philosophy, art and poetry" wrote himself). If you haven't found the necessary information about the book — write in the comments, we will try to find it.

In Creativity and Taoism, Chang Chung-yuan makes the elusive principle of Tao available to the western mind with objectivity, warmth, and depth of insight. It is an important contribution to the task of making the Taoist wisdom accessible to the western intellect - Ira Progoff No one can read Changs book without experiencing a broadening of his mental horizons - John C. H. Wu, Philosophy East and West His interpretation of the Taoist roots of Chan has been presented with taste and learning that help to clear up many questions that must have occurred to anyone familiar with his subject. The Spirit of the Valley dwells in this quiet and gentle man who, as so rarely happens, actually embodies some of the philosophic traits of which he writes - Gerald Sykes If the end of reading is the enhancement of life, the enlargement of experience and understanding, then this book becomes an important step in that direction. Dr. Chang writes in a style both lucid and felicitous. He displays with becoming modesty a mastery of the field, its development and its ideas...There is hardly a page which does not give pleasure - Robert R. Kirsh, Los Angeles Times Professor Changs study, a brilliant exposition and analysis, is concerned with the relevance and applicability of the Taoist view in Chinese artistic and intellectual creativity. Few other works facilitate so sensitive an understanding of creative impulse and expression in Chinese culture - Hyman Kublin, Library Journal Simultaneously accessible and scholarly, this classic book considers the underlying philosophy and the aesthetics of Chinese art and poetry, the expression of the Taoist approach to existence. Chapters cover everything from the potential of creativity to the way tranquillity is reflected in Chinese poems and painting. Chung-yuan Changs deceptively simple and always lucid narrative explores the relationship between the Tao and the creative arts, introducing classic paintings and poems to bring Taoism to life

Creativity and Taoism : a study of Chinese philosophy, art and poetry — read online for free the complete book (whole text) full work

Below is the text of the book, divided by pages. System saving the place of the last page read, allows you to conveniently read the book "Creativity and Taoism : a study of Chinese philosophy, art and poetry" online for free, without having to search again every time where you left off. Put a bookmark, and you can go to the page where you finished reading at any time.

Light

Font size:

Reset

Interval:

Bookmark:

Make
Creativity and Taoism a study of Chinese philosophy art and poetry - image 1
Creativity and Taoism
A Study of Chinese Philosophy, Art and Poetry

Chung-yuan Chang

Creativity and Taoism a study of Chinese philosophy art and poetry - image 2

London and Philadelphia

First published by The Julian Press, Inc. in 1965

This edition published in 2011

by Singing Dragon

an imprint of Jessica Kingsley Publishers

116 Pentonville Road

London N1 9JB, UK

and

400 Market Street, Suite 400

Philadelphia, PA 19106, USA

www.singingdragon.com

Copyright Chung-yuan Chang 1963, 2011

All rights reserved. No part of this publication may be reproduced in any material form (including photocopying or storing it in any medium by electronic means and whether or not transiently or incidentally to some other use of this publication) without the written permission of the copyright owner except in accordance with the provisions of the Copyright, Designs and Patents Act 1988 or under the terms of a licence issued by the Copyright Licensing Agency Ltd, Saffron House, 610 Kirby Street, London EC1N 8TS. Applications for the copyright owners written permission to reproduce any part of this publication should be addressed to the publisher.

Warning: The doing of an unauthorised act in relation to a copyright work may result in both a civil claim for damages and criminal prosecution.

Library of Congress Cataloging in Publication Data

A CIP catalog record for this book is available from the Library of Congress

British Library Cataloguing in Publication Data

A CIP catalogue record for this book is available from the British Library

ISBN 978 1 84819 050 4

eISBN 978 0 85701 047 6

Creativity and Taoism a study of Chinese philosophy art and poetry - image 3

Converted to eBook by EasyEPUB

Introduction

In a witty and profound essay entitled A Conversation with a Chinese Voltaire draws a vivid picture of an encounter of a gentleman from China and a Hollander. The meeting occurs in a bookstore where the Chinese has asked for a world history. Skimming through it quickly he discovers to his astonishment that there is not a word in the entire volume about China. Understandably enough he is very upset and falls into discussion about this curious oversight with a Dutch scholar who was present. How is it possible, he asks when they have become acquainted, that in a volume entitled World History there is not a single word about China? But soon it is the Hollanders turn to be astonished, for it transpires in their talk that the Chinese visitor had never even so much as heard of Caesar or the ancient Greeks. Voltaires laconic comment for the entire affair is Vainglory!

But less than a hundred years laterin 1816 to be exactHegel was lecturing learnedly at Heidelberg on Taoism, Confucianism, and the philosophy found in the I Ching. His information, to be sure, was derived secondhand from the translations of the Jesuits, but he was surprisingly well informed, notably on the subject of Taoism. For example, we find in his lectures the following:

We still have his [Lao Tzus] principal writings; they are available in Vienna and I have seen them myself. One special passage is frequently quoted from them: The nameless Tao is the beginning of Heaven and Earth; with a name Tao is the Mother of the Universe (All Things) To the Chinese what is highest, the origin of things, is nothingness, emptiness, the altogether undetermined, the abstract universal, and this is also called Tao

In his lecture, Hegel compares Chinese Taoism with Greek thinking:

When the Greeks say that the absolute is one, or when men in modern times/say that it is the highest existence, all determinations are abolished, and by the merely abstract Being nothing has been expressed except this same negation, only in an affirmative form.

From this parallel drawn between Chinese Taoism and Western philosophy it is obvious that Hegel was quite familiar with the philosophy of the East. Thus we see that by the beginning of the nineteenth century Taoism was being carefully examined for its place in the history of philosophy.

About a hundred years later, in 1929, when Richard Wilhelm published his German translation of The Secret of the Golden Flower, C. G. Jung wrote an important introduction in which he expounds the essence of Tao in the light of modern psychology. He says:

If we take Tao as the method or conscious way by which to unite what is separated, we have probably come quite close to the psychological content of the concept Without doubt also, the question of making opposites conscious (conversion) means reunion with the laws of life represented in the unconscious, and the purpose of this reunion is the attainment of conscious life, or, expressed in Chinese terms, the bringing about of Tao.

The value of Tao lies in its power to reconcile opposites on a higher level of consciousness. It is symbolically expressed as light in Taoism. To reconcile the polarities in order to achieve a balanced way of living and a higher integration is the endeavor of psychotherapy. Jung found out that the method he had applied for years in his practice coincided with the wise teaching of the ancient Taoists. He says:

My experience in my practice has been such as to reveal to me a quite new and unexpected approach to Eastern wisdom. But it must be well understood that I did not have a starting point, a more or less adequate knowledge of Chinese philosophy It is only later that my professional experiences have shown me that in my technique I had been unconsciously led along the secret way which for centuries has been the preoccupation of the best minds of the East.

What is this preoccupation of the Eastern mind? Jung puts it thus:

Because the things of the inner world influence us all the more powerfully for being unconscious it is essential for anyone who intends to make progress in self-culture to objectivate the effects of the anima and then try to understand what contents underlie those effects. In this way he adapts to, and is protected against, the invisible. No adaptation can result without concessions to both worlds.

From a consideration of the claims of the inner and outer worlds, or rather, from the conflicts between them, the possible and the necessary follows. Unfortunately our Western mind, lacking all culture in this respect, has never yet devised a concept, nor even a name, for the union of opposites through the middle path, that most fundamental item of inward experience, which could respectably be set against the Chinese concept of Tao.

Never before has Chinese Taoism been so well explained in the light of modern psychology and sincerely pursued as a way to elevate mans mental activities and alleviate his sufferings. Thus the mystery of age-old Eastern wisdom, which brings out the best in man, is no longer a mystery but simply a way to wholesome and harmonious living.

Only thirty years later, in 1959, Joseph Needham of Cambridge University in his voluminous Science and Civilization in China (Vol. III) proves to us that Taoist philosophy was applied to astronomy and mathematics and that leading Taoists made contributions in geography, cartography, mineralogy, and chemistry. Based upon the Taoist theory of infinite empty space and the condensation of vapor, Chinese astronomers developed the

Next page
Light

Font size:

Reset

Interval:

Bookmark:

Make

Similar books «Creativity and Taoism : a study of Chinese philosophy, art and poetry»

Look at similar books to Creativity and Taoism : a study of Chinese philosophy, art and poetry. We have selected literature similar in name and meaning in the hope of providing readers with more options to find new, interesting, not yet read works.


Reviews about «Creativity and Taoism : a study of Chinese philosophy, art and poetry»

Discussion, reviews of the book Creativity and Taoism : a study of Chinese philosophy, art and poetry and just readers' own opinions. Leave your comments, write what you think about the work, its meaning or the main characters. Specify what exactly you liked and what you didn't like, and why you think so.