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Anthony Julius - Trials of the Diaspora: A History of Anti-Semitism in England

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Trials of the Diaspora is a ground-breaking book that reveals the full history of anti-Semitism in England. Anthony Julius focuses on four distinct versions of English anti-Semitism. He begins with the medieval persecution of Jews, which included defamation, expropriation, and murder, and which culminated in 1290 when King Edward I expelled all the Jews from England. Turning to literary anti-Semitism, Julius shows that negative portrayals of Jews have been continuously present in English literature from the anonymous medieval ballad Sir Hugh, or the Jews Daughter, through Shakespeares Merchant of Venice, to T. S. Eliot and beyond. The book then moves to a depiction of modern anti-Semitism--a pervasive but contained prejudice of insult and exclusion that was experienced by Jews during their readmission to England in the mid-17th century through the late 20th century. The final chapters detail the contemporary anti-Semitism that emerged in the late 1960s and the 1970s and continues to be present today. It treats Zionism and the State of Israel as illegitimate Jewish enterprises, and, in Juliuss opinion, now constitutes the greatest threat to Anglo-Jewish security and morale. A penetrating and original work, Trials of the Diaspora is sure to provoke much comment and debate.

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TRIALS OF THE DIASPORA

TRIALS OF THE DIASPORA

A HISTORY OF ANTI-SEMITISM IN ENGLAND

ANTHONY JULIUS

Trials of the Diaspora A History of Anti-Semitism in England - image 1

Trials of the Diaspora A History of Anti-Semitism in England - image 2

Great Clarendon Street, Oxford OX2 6DP

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Anthony Julius 2010

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First published 2010

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stored in a retrieval system, or transmitted, in any form or by any means,
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or as expressly permitted by law, or under terms agreed with the appropriate
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Oxford University Press, at the address above

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and you must impose the same condition on any acquirer

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Typeset by SPI Publisher Services, Pondicherry, India
Printed in Great Britain
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ISBN 9780199297054
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Katarina, this book is for you.

Contents
Acknowledgements

Earlier versions of chapters, or parts of chapters, have appeared in Paul Iganski and Barry Kosmin (eds.), A New Antisemitism? (London, 2003), in the online journal Engage, on the website , and in David Kertzer (ed.), Old Demons, New Debates (New York, 2005), as well as in Critical Quarterly, the Jewish Chronicle, the Times Literary Supplement, the London Review of Books, and the Guardian.

I owe specific debts of gratitude to Jane Ashworth, Hadassa Ben-Itto, Lily Bloch, Shimon Cohen, Simon Cohen, Stan Cohen, Jonathan Cummings, Jeffrey Davis, Michael Ezra, Ofir Frankel, R. M. Ginsbury, Daniel Hochhauser, Jonathan Hoffman, Jenifer Howie, Oliver Kamm, Irene Lancaster, Richard Landes, Noam Leshem, James Libson, Robert Jan Van Pelt, Antony Polonsky, Daniel Reisner, Andrew Roberts, Ann Robinson, Bill Rubinstein, Paul Usiskin, and Michael Yudkin. I am particularly grateful to Todd Endelmann, Deborah Lipstadt, and Ken Stern for convening a one-day conference in NYC on my manuscript.

Elena Schiff has been indefatigable on the books behalf. I thank her for all her work on it; I cannot imagine completing it without her help. It was at Andrew Wylies suggestion that I started to think about writing this bookI thank him, and Tracey Bohan too.

The following read all, or some part, of the book: John H. Arnold, Jane Ashworth, Anthony Bale, Steve Bayme, Paul Bew, Marcel Borden, Ben Cohen, Nick Cohen, Deborah Dwork, Richard Evans, David Feldman, Geoffrey Field, Jonathan Freedland, Norman Geras, Sander L. Gilman, Dean Godson, Bernard Harrison, David Hirsh, Dan Jacobson, Howard Jacobson, Menachem Kellner, Michael Kotzin, Shalom Lappin, Deborah Lipstadt, Colin McCabe, Derek Penslar, David Plante, Felix Posen, Aviva Raz-Shechter, W. D. Rubinstein, Ken Stern, Michael Yudkin, and Steve Zipperstein. These are all very busy people; I am grateful to them for taking the time and for offering their comments. Each one of them has improved the book.

Trials of the Diaspora began as a project under the vigilant, engaged care of the late Nikos Stangos, my very dear and still-mourned friend, and the editor of two of my earlier books. I hope he would have been pleased with the final product, even though it appears under the imprint of a publishing house other than his own. In the event, I could not have wished for a better publisher than OUP. I was lucky enough to have Luciana OFlaherty as my editor (and thank you Claire Pinder for the introduction). She has been exemplary, both patient and enthusiastic.

Writing this book has been somewhat like swimming long-distance through a sewer. Family, friends, and colleagues, have provided welcome distractions, and I thank them allthe children, especially. Max helped with some research early on, Laura kept me politically in line, Chloe contributed some scholarship on John Singer Sargent, Theo read the whole manuscript shortly before it was finalized, all the while negotiating GCSE and physical training commitments, and Elon took a special interest in the books length (word count, number of pages), sitting on his perch at my desk. The books dedication is a token of my dedication.

I do not wish to take up the cudgels for the Jews in this pamphlet. It would be useless. Everything rational and everything sentimental that can possibly be said in their defence has been said already.

Theodore Herzl, The Jewish State

... it is easy to be a Jew in England...

Chaim Weitzmann, Statement to the Palestine Royal Commission (1936)

If you want to know the character of any nation, ask the Jews.

Chaim A. Kaplan, Warsaw Diary

The Jews have contrived, in these few years of unconditional freedom, to place themselves again on trial before public opinion.

Anonymous contributor, London Quarterly Review, October 1882

In the modern world, the Jew has perpetually been on trial; still today the Jew is on trial, in the person of the Israeliand this modern trial of the Jew, this trial which never ends, begins with the trial of Shylock.

Philip Roth, Operation Shylock

Introduction

Experiences of many kinds go into the writing of a bookmore of them, indeed, than the writer himself can ever know. Only some of them survive as memories.

Many years ago, I took a train journey to Birmingham with my father and a non-Jewish business associate whom I will call Arthur. I was ten or eleven years old at the time, and I would often tag along on these business trips, when school allowed. My father owned a number of menswear shops, mainly in the West Country. He had enjoyed considerable success in business, and it was a familiar experience for me to see him in the company of other businessmen seeking his advice or asking for favours. Arthur was one such man, and his conversations with my father always had a slightly cloying, ingratiating quality. I remember that on this occasion he was talking about his daughter, who was about my age but whom I had not met. Arthur rambled on, my father patiently listening, while I read a book.

And then Arthur said something like the following: Do you know, Morris, she has got a special little friend, a Jewish girl, and we had the girl over for tea last weekend. I must say, the child has got the most beautiful manners. He beamed. I had a sense of the temperature in the compartment rising, but nothing else was said on the subject, and after a short period, Arthur wandered off to the dining car to buy a drink. My father turned to me, fuming. Did you hear what he said? I am supposed to be impressed that he actually had a Jewish girl over to his house for tea? And that she had beautiful manners? So what are you going to say, Daddy? I asked. Nothing, of course. What is there to say? Shortly afterwards, Arthur returned, and the two men resumed their conversation, chatting together until we arrived at our destination.

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