Anthony Julius - Bentham and the Arts

Bentham and the Arts

Bentham and the Arts

Edited by Anthony Julius, Malcolm Quinn and Philip Schofield

First published in 2020 by

UCL Press

University College London

Gower Street

London WC1E 6BT

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Text Contributors, 2020

Collection Editors, 2020

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Julius, A., Quinn, Malcolm, and Schofield, P. (eds). 2020. Bentham and the Arts. London: UCL Press. https://doi.org/10.14324/111.9781787357365

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ISBN: 978-1-78735-738-9 (Hbk.)

ISBN: 978-1-78735-737-2 (Pbk.)

ISBN: 978-1-78735-736-5 (PDF)

ISBN: 978-1-78735-739-6 (epub)

ISBN: 978-1-78735-740-2 (mobi)

DOI: https://doi.org/10.14324/111.9781787357365

Contents

Philip Schofield

Philip Schofield

Frances Ferguson

Stella Sandford

Emmanuelle de Champs

Jan-Melissa Schramm

Tim Milnes

Anthony Julius

Malcolm Quinn

Benjamin Bourcier

Fran Cottell and Marianne Mueller

Carolyn Shapiro

List of contributors

Benjamin Bourcier is associate professor of moral and political philosophy at the European School of Political and Social Sciences (ESPOL) at the Catholic University of Lille. He holds a PhD on Jeremy Benthams cosmopolitan thought. His main interests are in history of international political thought and cosmopolitanism.

Fran Cottell is an artist and senior lecturer in fine art at Camberwell College of Arts, University of the Arts London. She has been producing performance and installations since the 1970s and for the last 18 years she has been staging live installations displaying the contents, visitors and occupants of her house. Her work questions how to present life, or rather the breath of aliveness, within the fixed frame of the art institution.

Emmanuelle de Champs is professor of British history and civilization at Universit Cergy-Pontoise and dean of the Faculty of Languages and International Studies. She was a COFUND research fellow at the Max-Weber-Kolleg, Universitt Erfurt in 201718 and holds an honorary research fellowship at the Bentham Project, University College London. She has published several books and articles on the intellectual history of Benthamite utilitarianism, including Enlightenment and Utility: Bentham in French, Bentham in France (Ideas in Context series, Cambridge University Press, 2015). She has co-edited, with Jean-Pierre Clro, Bentham et la France: fortunes et infortunes de lutilitarisme (SVEC, 2009). Her recent work focuses on the late-Enlightenment context in which English utilitarianism emerged.

Frances Ferguson is the author of Pornography, the Theory: What Utilitarianism did to Action and other writing on eighteenth- and nineteenth-century topics. She teaches at the University of Chicago.

Anthony Julius is professor of law and the arts, University College London, and deputy chairman of law firm Mishcon de Reya. His book on arts censorship in liberal democracy will be published by Oxford University Press in 2021.

Tim Milnes is senior lecturer in English literature at the University of Edinburgh. Before moving to Edinburgh he was junior research fellow at University College, Oxford. He is the author of The Testimony of Sense: Empiricism and the Essay from Hume to Hazlitt (Oxford University Press, 2019), The Truth about Romanticism: Pragmatism and Idealism in Keats, Shelley, Coleridge (Cambridge University Press, 2010), Knowledge and Indifference in English Romantic Prose (Cambridge University Press, 2003) and William Wordsworth: The Prelude (Palgrave, 2009). He is also the co-editor (with Kerry Sinanan) of Romanticism, Sincerity and Authenticity (Palgrave, 2010).

Marianne Mueller is a practising architect and professor of architectural design and building typology at the State Academy of Art and Design in Stuttgart. She studied and taught at the Architectural Association in London. Her practice Casper Mueller Kneer Architects is based in London and Berlin.

Malcolm Quinn is professor of cultural and political history, associate dean of research for Camberwell, Chelsea and Wimbledon Colleges of Arts, University of the Arts London and honorary senior research associate, Bentham Project, Faculty of Laws, University College London. He is the author of Utilitarianism and the Art School in Nineteenth-century Britain (Pickering and Chatto, 2013) and is general editor of The Persistence of Taste: Art, Museums and Everyday Life after Bourdieu (Routledge, 2018). He has published articles on utilitarianism, taste and art in History of European Ideas and Revue dtudes benthamiennes.

Stella Sandford is professor in the Centre for Research in Modern European Philosophy at Kingston University, London. Her main research interests include sex and gender in the history of philosophy, the philosophy of natural history and philosophy and psychoanalytical theory.

Philip Schofield is director of the Bentham Project, Faculty of Laws, University College London and general editor of the new authoritative edition of The Collected Works of Jeremy Bentham.

Jan-Melissa Schramm worked as a lawyer before undertaking doctoral work on the changing idea of evidence in the long nineteenth century. She is now reader in literature and law and deputy director of the Centre for Research in the Arts, Social Sciences and Humanities (CRASSH), at the University of Cambridge. She is the author of Testimony and Advocacy in Victorian Law, Literature and Theology (Cambridge University Press, 2000), Atonement and Self-sacrifice in Nineteenth-century Narrative (Cambridge University Press, 2012), and Censorship and the Representation of the Sacred in Nineteenth-century England (Oxford University Press, 2019). She has also co-edited two volumes of essays: Fictions of Knowledge: Fact, Evidence, Doubt (Macmillan, 2011), and Sacrifice and the Modern Literature of War (Oxford University Press, 2018).

Carolyn Shapiro is senior lecturer at Falmouth University, Cornwall, where she has been teaching critical theory across disciplines since 2002. She was previously a lecturer in the English department at Baruch College, City University of New York. She holds a PhD in Performance Studies from New York University.