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Ferm - A history of philosophical systems

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Ferm A history of philosophical systems
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Editor Vergilius Ferm brings together the theories of over forty-one prominent philosophers in this well-organized and thoughtful overview of philosophical systems. Youll find compelling entries from each school of thought including Buddhist and Christian philosophies, Positivism, Phenomenology, Evolution, and more. This text, which includes the work of philosophers from ancient Greece all the way up to twentieth-century thinkers, is the perfect companion to any serious student of philosophy.

Vergilius Ferm is the author of several reference titles in philosophy, including Dictionary of Pastoral Psychology and A History of Philosophical Systems. He taught at the College of Wooster, where he served as the head of the Department of Philosophy.

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Table of Contents CHAPTER ONE THE STORY OF INDIAN PHILOSOPHY SHRI - photo 1
Table of Contents

CHAPTER ONE
THE STORY OF INDIAN PHILOSOPHY
SHRI KRISHNA SAKSENA

INDIAN PHILOSOPHY is, perhaps, the earliest recorded thought of man. Its four thousand-odd years of history embracing the multitudinous phases of intense enquiry cannot possibly be done justice to in the short space assigned for the purpose. Only a birds-eye-view of this vast panorama is, accordingly, possible in the following survey.
The Vedas
The Vedas (2500-2000 B. C.) which embody divine truths, are believed to have been revealed to the super-consciousness of the seers. They represent the fountainhead of Hindu philosophical thought. Each of the four Vedas, Rig-Veda, Yajur-Veda, S Picture 2 ma-Veda and Atharva-Veda, has three main divisions: 1) the Samhit Picture 3 s (sacred texts), 2) the Br Picture 4 hma Picture 5 as (commentaries) and 3) the Picture 6 ra Picture 7 yakas (forest-books). The Rigveda Samhit Picture 8 is the oldest record of Hindu philosophical thought.
To begin with, man looks outside. His first thoughts therefore relate to the sequence of natural phenomena in which he sees the causes of vicissitudes of his everyday life. The early mantras (hymns), thus, contain a religion of nature-worship, in which the various powers of nature like fire ( agni ) and wind ( v Picture 9 yu ), which influence human life, are personified as gods, whom it is a mans duty to propitiate. Varu Picture 10 a and Indra are the chief among them, the former being conceived as a symbol of omniscience and righteousness. The gods being righteous are believed to uphold Rta or the physical and moral order in the universe. The relation of man to gods who are conceived as originating and sustaining the world is one of utter dependence. Man, it is maintained, must lead a righteous life to please the gods who are good. In Vedic religious thought the unreality of the universe is never suggested. In fact, worldly prosperity and the joys of everyday life are constantly stressed. Transmigration is not directly referred to though the soul is conceived as immortal.
In later hymns and the Br Picture 11 hma Picture 12 as, the development of thought takes three distinct lines: monotheism, monism and ritualism. Identity in the conception of different gods suggests monotheism. A supreme God is, however, not yet conceived, though an attempt is made to discover a common power behind all the gods. God Praj Picture 13 pati is such a power. The monistic tendency traces the world not to a creator but to a single primal cause, diversifying itself into the universe, which anticipating the later Upanisadic Absolute is described as Tat Ekam or That One. Here, therefore, the focus of attention turns from the concrete and the external to the abstract and the internal, which is, later followed up in the Upani Picture 14 ads.
Ritualism, representing the effort to gain the favor of the gods through sacrificial gifts culminates in the Br Picture 15 hma Picture 16 a Picture 17 . It is just another way of looking at the concept of Rta according to which a correct sacrifice inexorably brings its own good result.
The Upani Picture 18 ads
The Upani Picture 19 ads (700-600 B.C.) literally mean secret teaching. Forming the concluding part of the Vedas, they are also called the Ved Picture 20 nta and Picture 21 ranyakas or the forest books. They mark a distinct step beyond the Br Picture 22 hma Picture 23 as. Of the major Upani Picture 24 ads, about ten are the most celebrated, the Brihad Picture 25 ra Picture 26 yaka and the Ch Picture 27 ndogya being the most important among them. Their exalted idealism and lofty teachings have had a lasting influence upon the Indian mind. Much of the subsequent Indian philosophy in one way or another draws its inspiration from the Upani Picture 28 ads.
In the Upani Picture 29 ads the stress is, not on the traditional performance of action ( Karma-m Picture 30 rga ), but on the knowledge of the ultimate truth as a means to the final liberation of man. (J Picture 31 na-m Picture 32 rga) Apart from this shift in emphasis, the Upani Picture 33 ads inaugurate a new era of looking within for the reality of the Universe as against the Vedic perception of the Puru Picture 34 a as a macrocosmic reality.
Thought is here devoted chiefly to the concept of the Picture 35 tman and the Br Picture 36 hma Picture 37 . The quest after Br Picture 38 hma Picture 39 as the all-pervasive spirit springs from the desire to discover a supreme Controller of Man and Nature. By a process of progressive elimination, this ultimate reality is found by the Upani Picture 40
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