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Chuck Willis - The Illustrated Encyclopedia of Weaponry: From Flint Axes to Automatic Weapons

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The Illustrated Encyclopedia of Weaponry: From Flint Axes to Automatic Weapons: summary, description and annotation

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When did hunting weapons begin to be used against humans instead of animals? What is the difference between the Plains Indian War Club and the Fijian War Club? What weapon is common to peoples in every part of the world? The Illustrated Encyclopedia of Weaponry is a comprehensive guide to arms and armaments throughout history.
Beginning in the Stone Age, The Illustrated Encyclopedia of Weaponry travels through the Bronze Age to our present day, showing the tools humans have used to defend themselves all around the globe. Theres the Japanese tanto, or dagger, which have become identified with gangs known as yakuza. Theres the flaming arrow used when Swiss and Austrian forces clashed in the 14th century. And theres the revolver that Samuel Colt made practical for both military and civilian use in Hartford, Connecticut.
The Illustrated Encyclopedia of Weaponry will help readers better understand howand whythe battles of history were fought.

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THE ILLUSTRATED ENCYCLOPEDIA OF

WEAPONRY

The Illustrated Encyclopedia of Weaponry From Flint Axes to Automatic Weapons - image 1

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The Illustrated Encyclopedia of Weaponry From Flint Axes to Automatic Weapons - image 3

The Illustrated Encyclopedia of Weaponry From Flint Axes to Automatic Weapons - image 4

Thunder Bay Press
An imprint of the Baker & Taylor Publishing Group
10350 Barnes Canyon Road, San Diego, CA 92121
www.thunderbaybooks.com

Publisher: Peter Norton

Moseley Road Inc.

123, Main Street Irvington, New York 10533

www.moseleyroad.com

Moseley Road

Publisher: Sean Moore

General Manager: Karen Prince

Art Director: Tina Vaughan

Production Director: Adam Moore

Editorial

Lisa Purcell, Jo Weeks, Jill Hamilton, James Harrison,

Frank Ritter, Phil Hunt, Damien Moore

Index: Nancy Ball

Design

Heather McCarry, Mark Johnson-Davies

Photography

Jonathan Conklin, Sean Moore, Assisted by Kira Tidmore

Additional photography by Richard McCaffrey

Picture research

Jo Walton

Berman Museum of World Hostory

Adam Cleveland, Susan Doss, David Ford

North American Compilation Copyright 2012, Thunder Bay Press

Copyright 2012, Moseley Road Inc.

Copyright under International, Pan American, and Universal Copyright Conventions. All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage-and-retrieval system, without written permission from the copyright holder. Brief passages (not to exceed 1,000 words) may be quoted for reviews.

Thunder Bay is a registered trademark of Baker & Taylor. All rights reserved.

All notations of errors or omissions should be addressed to Thunder Bay Press, Editorial Department, at the above address. All other correspondence (author inquiries, permissions) concerning the content of this book should be addressed to Moseley Road Inc.,

ISBN-13: 978-1-60710-984-6

Library of Congress Cataloging-in-Publication Data available upon request.

2 3 4 5 16 15 14 13 12

CONTENTS THE GREATEST JOY A MAN CAN KNOW IS TO CONQUER HIS ENEMIES AND DRIVE - photo 5

CONTENTS THE GREATEST JOY A MAN CAN KNOW IS TO CONQUER HIS ENEMIES AND DRIVE - photo 6

CONTENTS THE GREATEST JOY A MAN CAN KNOW IS TO CONQUER HIS ENEMIES AND DRIVE - photo 7

CONTENTS

THE GREATEST JOY A MAN CAN KNOW IS TO CONQUER HIS ENEMIES AND DRIVE THEM BEFORE HIM. TO RIDE THEIR HORSES AND TAKE AWAY THEIR POSSESSIONS. TO SEE THE FACES OF THOSE WHO WERE DEAR TO THEM BEDEWED WITH TEARS, AND TO CLASP THEIR WIVES AND DAUGHTERS IN HIS ARMS.

Genghis Khan

F ROM THE ROCK FIRST HELD in the hands of Paleolithic man t - photo 8

F ROM THE ROCK FIRST HELD in the hands of Paleolithic man to the twenty-first - photo 9

F ROM THE ROCK FIRST HELD in the hands of Paleolithic man to the twenty-first - photo 10

F ROM THE ROCK FIRST HELD in the hands of Paleolithic man to the twenty-first - photo 11

F ROM THE ROCK FIRST HELD in the hands of Paleolithic man to the twenty-first century assault rifle, weapons have been an integral component in human history. As early humans evolved, so did their technology. Small rocks became specialized tools and weapons. These early innovations helped man in his quest for food, and eventually in protecting both family and territory. Stone technology gave way to metallurgy and as humans passed through each period of historycopper, bronze, and irontheir use and development of weapons increased. With the advent of agriculture and animal domestication, the reliance on weapons shifted from hunting food to protection from wild animals and other humans. Newly acquired possessionsfood, animals, and sheltercarried intrinsic wealth and brought status. Humans used weapons to protect both.

Early weapons were effective only in hand-to-hand combat. The introduction of gunpowder into Europe brought radical change in weaponry and warfare. Its military use was first recorded in 919 c.e., and by the eleventh century explosive bombs filled with gunpowder were fired from catapults in China. Europes initial use of gunpowder in the thirteenth century was recorded by the English philosopher Roger Bacon, and cannons were made in Florence, Italy, around 1326 with technology used by bell makers. By the later fourteenth century, hand-held firearms made an appearance. When metal projectiles could pierce armor, chain mail became a necessity, yet often was a poor defense against gunpowder and lead. Soon hand-to-hand combat was used only as a last means of defense.

THE ROOT OF THE EVIL IS NOT THE CONSTRUCTION OF NEW, MORE DREADFUL WEAPONS. IT IS THE SPIRIT OF CONQUEST.

Ludwig von Mises

The design of new weaponry was not left to the military. Leonardo da Vinci, the great Renaissance artist and inventor who hated war was, however, fascinated by structure and function and the beauty of design and utility. This must have been why his great genius was used in inventing numerous weapons, including missiles, multibarreled machine guns, grenades, mortars, and even a modern-style tank. As deadly as these early weapons were, it would be several centuries before technological advances allowed hand guns to fire more than one projectile at a time. Guns did not cause the obsolescence of other weapons; knives, swords, and other implements were still needed in combat. To overcome the deficiency of single-fire weapons, combination weaponsthose that could perform more than one functionwere developed. Single-fire guns were fitted with bayonets, and the fighting ax contained a gun in the handle. If the shot missed the target, its user had an alternate defense source. Combination weapons continue to be manufactured today. A recent example would be a cellular phone that contains a small .22 caliber pistol that could be used for assassinations or easily smuggled through security screening by terrorists.

Multishot weapons appeared in the nineteenth century. Early examples called pepperboxes shot from five to twenty times. Perhaps the most famous multishot weapon was the Gatling gun, capable of firing up to 800 rounds per minute, whichhad it been introduced earliermight have meant an earlier triumph by the Union Army during the U.S. Civil War. The twentieth century saw its share of multishot weapons; one of the best known was the Thompson submachine gun used by the likes of Roaring Twenties gangsters Dillinger and Bonnie and Clyde. Once it was adopted by the military, the multishooting machine gun changed warfare. With one-shot guns, advancement toward an enemy could be accomplished during reloading. With machine guns, movement on an open battlefield became more deadly, and gunplay was performed from entrenchments and behind barricades. Technology changes were required to protect battlefield soldiers. Tanks and other armored vehicles were developed in the early twentieth century to reduce battle casualties by protecting soldiers as they advanced across an open battlefield.

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