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Graham St John - Mystery School in Hyperspace: A Cultural History of DMT

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Graham St John Mystery School in Hyperspace: A Cultural History of DMT

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Since the mid-1950s, the psychoactive compound DMT has attracted the attention of experimentalists and prohibitionists, scientists and artists, alchemists and hyperspace emissaries. While most known as a crucial component of the jungle alchemy that is ayahuasca, DMT is a unique story unto itself. Until now, this story has remained untold. Mystery School in Hyperspace is the first book to delve into the history of this substance, the discovery of its properties, and the impact it has had on poets, artists, and musicians.
DMT has appeared at crucial junctures in countercultural history. William Burroughs was jacking the spice in Tangier at the turn of the 1960s. It was present at the meeting between Ken Keseys Merry Pranksters and Tim Learys associates. It guided the inception of the Grateful Dead in 1965. It showed up in Berkeley in the same year, falling into the hands of Terence McKenna, who would eventually become its champion in the post-rave neo-psychedelic movement of the 1990s. Its indole vapor drifted through Portugals Boom Festival and has been evident at Nevadas Burning Man, where DMT has been adopted as spiritual technology supplying shape, color, and depth to a visionary art movement. The growing prevalence of use is evident in a vast networked independent research culture, and in its impact on fiction, film, music and metaphysics. As this book traces the effect of DMTs release into the cultural bloodstream, the results should be of great interest to contemporary readers.
The book permits a broad reading audience to join ongoing debates in studies in consciousness and theology where the brain is held to be either a generator or a receiver of consciousness. The implications of the spirit molecule or the brains own psychedelic among other theories illustrate that DMT may lift the lid on the Pandoras Box of consciousness.
Features a foreword by Dennis McKenna, cover art by Beau Deeley, and thirty color illustrations by various artists, including Alex Grey, Android Jones, Martina Hoffmann, Luke Brown, Carey Thompson, Adam Scott Miller, Randal Roberts, along with Jay Bryan, Cyb, Orryelle Defenestrate-Bascule, Art Van Dlay, Stuart Griggs, Jay Lincoln, Gwyllm Llwydd, Shiptu Shaboo, Marianna Stelmach, and Mister Strange.
Regarded as the nightmare hallucinogen or celebrated as the spirit molecule, labelled psychotogenic or entheogenic, considered a dangerous drug or the suspected X-factor in the evolution of consciousness, DMT is a powerful enigma. Documenting the scientists and artists drawn into its sphere of influence, navigating the liminal aesthetics of the breakthrough experience, tracing the novum of hyperspace in esoteric and science fiction currents, Mystery School in Hyperspace excavates the significance of this enigmatic phenomenon in the modern world.
Exposing a great many myths, this cultural history reveals how DMT has had a beneficial influence on the lives of those belonging to a vast underground network whose reports and initiatives expose drug war propaganda and shine a light in the shadows. This conversation is highly relevant at a time when significant advances are being made to lift the moratorium on human research with psychedelics.
From the Trade Paperback edition.

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Combining the breadth of a scholar, the savvy of an underground journalist, and the open spirit of a radical empiricist, Graham St John has written the definitive cultural history of the weirdest molecule on the planet (and in your body). Mystery School in Hyperspace tells amazing tales, sheds light on the shadows, and brilliantly referees the ongoing psychoactive rumble between the sacred and profane.

Erik Davis, author of TechGnosis: Myth, Magic, and Mysticism in the Age of Information

Graham St Johns tour de force through the tapestry of alchemists, hippies, DJs, scientists, shamans, mystics, and seekers of the mystery that DMT reveals is an exhilarating ride and a thoroughly researched achievement. St John successfully builds up a historical profile of both dimethyltryptamine and the quest to understand it, piercing the mystery to bring back translinguistic trip reports that illuminate the central gnosis of our time. As the latest generation of psychonauts explores the invisible landscape of Terra Incognita, Mystery School in Hyperspace could very well be the map that we have all been looking for.

Rak Razam, director of Aya: Awakenings

Boldly going where no one had gone before, Graham St John takes his readers on a properly hallucinatory yet extremely well documented tour through the history of DMT. Analyzing six decades of radical countercultural experimentation and exploration at the limits of human consciousness and beyond, this is a significant contribution to the emerging study of entheogenic religion

Wouter J. Hanegraaff, University of Amsterdam

Wrap your mind around the most ubiquitous and profound psychedelic on the planet, DMT! A multidimensional journey that provides a smorgasbord of information, and will give seasoned psychonauts, dogmatic academics, culture aficionados, and frankly any curious mind, plenty to chew on.

Mitch Schultz, founder of MYTHAPHI and director of DMT: The Spirit Molecule

MYSTERY SCHOOL IN HYPERSPACE
A CULTURAL HISTORY OF
DMT

GRAHAM ST JOHN

Mystery School in Hyperspace A Cultural History of DMT - image 1

Berkeley, California

Copyright 2015 by Graham St John. All rights reserved. No portion of this book, except for brief review, may be reproduced, stored in a retrieval system, or transmitted in any form or by any meanselectronic, mechanical, photocopying, recording, or otherwisewithout written permission of the publisher. For information contact Evolver Editions c/o North Atlantic Books.

Published by Evolver Editions,

an imprint of North Atlantic Books

Berkeley, California 94712

Cover art by Beau Deeley

Cover design by Daniel Tesser

Mystery School in Hyperspace: A Cultural History of DMT is sponsored and published by the Society for the Study of Native Arts and Sciences (dba North Atlantic Books), an educational nonprofit based in Berkeley, California, that collaborates with partners to develop cross-cultural perspectives, nurture holistic views of art, science, the humanities, and healing, and seed personal and global transformation by publishing work on the relationship of body, spirit, and nature.

DISCLAIMER: The following information is intended for general information purposes only. The publisher does not advocate illegal activities but does believe in the right of individuals to have free access to information and ideas. Any application of the material set forth in the following pages is at the readers discretion and is his or her sole responsibility.

North Atlantic Books publications are available through most bookstores. For further information, visit our website at www.northatlanticbooks.com or call 800-733-3000.

Library of Congress Cataloging-in-Publication Data

St John, Graham, 1968

Mystery school in hyperspace : a cultural history of DMT / Graham St John.

pages cm

ISBN 978-1-58394-732-6 (paperback) ISBN 978-1-58394-733-3 (e-book)

1. Hallucinogenic drugs. 2. Dimethyltryptamine. 3. Fourth dimension (Parapsychology). 4. Hallucinogenic drugs and religious experience. 5. Shamanism. I. Title.

BF209.H34S72 2015

204.2dc23

2015012875

ACKNOWLEDGMENTS

A provocation of midwives encouraged this book into the world. Daniel Pinchbeck initially forwarded the idea to North Atlantic Books in 2012, where Doug Reil gave it a chance and with unswerving professionalism and a dedication to excellence, Louis Swaim later oversaw the editorial production, Adrienne Armstrong the copyediting, and Candace Hyatt, the index. Dennis McKenna kindly wrote the foreword and provided valuable feedback. Jon Hanna offered a thoroughgoing forensic assessment of Chapter Three along with various other leads and connections. Rick Watson was most accommodating with details and commentary concerning his material used in the book. Many others responded kindly and with many crucial details to my relentless inquiries, helping with the inclusion of original and interview material: Julian Palmer, Rick Strassman, Ralph Metzner, Mitch Schultz, Nen, Carey Thompson, Ray Thorpe, Gwyllm Llwydd, David Luke, Neil Pike, Raja Ram, Nik Sequenci, Youth, Simon Ghahary, Olli and Miki Wisdom, Des Tramacchi, Rak Razam, Ed Sanders, Tim Scully, Keeper Trout, Jonathan Taylor, Orryelle Defenestrate-Bascule, Milosz, Floyd Davis, Dennis Tapper (Hux Flux), Robin Graat, and Peter Hale. Many others remain nameless and blameless.

There are many artists whose marvelous artwork and photographs are reproduced in the book. I wont name them here, as they are in the List of Illustrations. A few artists warrant mention: Beau Deeley, whose Divine Moments of Truth graces the books cover and who contributed another work to the project; Adam Scott Miller, whose piece Condewsinc was used on the first draft cover; and Cyb, whose epic oeuvre could fill a book (and who donated several works to the project).

Research and writing for the book was undertaken over a few years, with many friends contributing in unique ways to the project: nanobrain, Julian, Paris, Jules, Eric, Yoyo, Jay, Sean and Mish, Damo, Pascal and Lydia, Kathleen, Wolfgang, Mattias, Ian, Kurt, Rak, Alex, Chiara, Gen, Gwyllm, Michael, Ted, Geert and Linda, and Csaba.

Most thanks go to the inspirational freakloriate himself, Terence McKenna; and not least of all, the Spice Queen.

I should point out that, while I received assistance from those mentioned above, I assume full responsibility for all content, including any errors, in this book.

CONTENTS

by Dennis J. McKenna

DMT (N,N-dimethyltryptamine) is, structurally, the least complex of the naturally occurring psychedelics, and yet it is the most enigmatic. In biology, it derives from tryptophan, one of the twenty amino acids that are coded by DNA as structural elements of proteins. Tryptophan is found universally in living systems, from the simplest bacteria to the most complex lifeforms. DMT originates from tryptophan via two utterly trivial enzymatic steps, the cleavage of the carboxylic acid group to yield tryptamine, and the addition of two methyl groups to the side-chain nitrogen. The enzymes that catalyze these reactions serve multiple functions in basic cellular metabolism, and thus, like tryptophan itself, are also universal components in living systems. Since tryptophan, the precursor to DMT, is present in every living thing, the implication is that DMT itself very likely occursalbeit usually at vanishingly small levelsin every living organism on the planet. Nature, in other words, is drenched in DMT. Is this simply an accident of biochemistry or is it an indication of something more profound, an inherent intelligence that is built into nature? DMT invites us to look just a little more closely at the most fundamental levels of biological organization to perceive there a mystery, present since the origins of life and yet unsuspected until the vicissitudes of evolution granted a certain group of primates the neural complexity to apprehend its pharmacology, and the tools to isolate it, and the capacity for astonishment at the transcendent vistas it illuminates.

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