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Catherine Perlès - Ornaments and Other Ambiguous Artifacts from Franchthi: Volume 1, The Palaeolithic and the Mesolithic

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Catherine Perlès Ornaments and Other Ambiguous Artifacts from Franchthi: Volume 1, The Palaeolithic and the Mesolithic
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Ornaments and Other Ambiguous Artifacts from Franchthi: Volume 1, The Palaeolithic and the Mesolithic: summary, description and annotation

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The famous Franchthi Cave excavations in Greece brought to light an exceptionally long sequence of ornaments, spanning from the earliest Upper Palaeolithic to the end of the Neolithic. This volume focuses on the Palaeolithic and Mesolithic ornaments and ornamental species, which constitute one of the largest collections in Europe for these periods combined. Franchthi is one of the few identified production centers for ornaments, which are overwhelmingly dominated by marine molluscs. The detailed publication of these collections (Cyclope neritea, Antalis sp. and Columbella rustica) will be useful to all malacologists and specialists in ornaments working around the Mediterranean. These reference collections, coupled with the examination of manufacturing and wear traces on the archaeological specimens, allow a detailed reconstruction of the whole production cycle from procurement to discard. The systematic association of unworked, freshly worked and very worn shells suggests that the ornaments mostly served for the production or rejuvenation of embroidered garments. Despite the richness of the assemblages and varied local resources, the range of ornament types is surprisingly narrow and fundamentally stable through time. The ornaments from Franchthi Cave therefore paint a different portrait of the European Upper Palaeolithic and Mesolithic, one based on regional cultural continuity.

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Ornaments and Other Ambiguous Artifacts from Franchthi Excavations at - photo 1

Ornaments and Other Ambiguous Artifacts from Franchthi

Excavations at Franchthi Cave, Greece

FASCICLE 15

Ornaments and Other Ambiguous Artifacts from Franchthi

VOLUME I

The Palaeolithic and the Mesolithic

CATHERINE PERLS

With an Appendix by Andr C. Colonese

INDIANA UNIVERSITY PRESS

This book is a publication of

Indiana University Press

Office of Scholarly Publishing

Herman B Wells Library 350

1320 East 10th Street

Bloomington, Indiana 47405 USA

iupress.indiana.edu

2018 by Catherine Perls

All rights reserved

No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying and recording, or by any information storage and retrieval system, without permission in writing from the publisher. The paper used in this publication meets the minimum requirements of the American National Standard for Information SciencesPermanence of Paper for Printed Library Materials, ANSI Z39.48-1992.

Manufactured in the United States of America

Cataloging information is available from the Library of Congress.

ISBN 978-0-253-03184-6 (pbk.)

ISBN 978-0-253-03185-3 (web PDF)

ISBN 978-0-253-03488-5 (print PDF)

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CONTENTS

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TABLES

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PROLOGUE

This book is devoted to the study of small artifacts that archaeologists commonly label ornaments. In the case of the Palaeolithic and Mesolithic assemblages from Franchthi, this interpretation is supported by the discovery of similar perforated shells, belonging to the same species, in several Upper Palaeolithic and Mesolithic burials elsewhere in Europe. Perforated shells were strung together as bracelets and necklaces, and adorned various garments such as cloaks, jackets, headdresses and loincloths.

Palaeolithic and Mesolithic human burials do not all yield ornaments, but their presence in burials does not come as a surprise: perforated shells are the earliest ornaments known in Prehistory and were in use long before the Upper Palaeolithic. This last period witnessed an extraordinary increase in the variety, frequency and number of ornaments, testifying to both the taste for personal adornment of Upper Palaeolithic hunter-gatherers and the importance of symbolic systems of communication. In this context, it seems logical that some at least of the deceased would have been buried with their personal ornaments or embroidered garments.

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