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Michael Bliss - Doing It Right: The Best Criticism on Sam Peckinpahs The Wild Bunch

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    Doing It Right: The Best Criticism on Sam Peckinpahs The Wild Bunch
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Doing It Right: The Best Criticism on Sam Peckinpahs The Wild Bunch: summary, description and annotation

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Doing It Right brings together the very finest in reviews and criticism of The Wild Bunch since its release in 1969.Often misinterpreted because of its graphic violence, the film initially generated considerable controversy. Sam Peckinpah, who made the film after a four-year forced hiatus in his career (he had been blacklisted), created it as a depiction of the savage behavior possible in the post World War I era. However, the ensuing controversy was not restricted only to the explicit story and images. Producer Phil Feldmans withdrawal of Peckinpahs cut of the film drew tremendous sympathy for Peckinpah from American and European film critics alike.This casebook should be read as a supplement to a viewing of the film, which is now available in its uncut form in video. Edited and with an introduction by Michael Bliss, the book explores the films production history, giving an overview of its release problems and highlighting its stylistic characteristics, classic structure, use of the widescreen frame, and innovative editing techniques. It also discusses in detail the films underlying moral message and its representation of camaraderie and loyalty. In addition to Bliss, essayists include Robert Culp, Paul Schrader, Stephen Farber, Paul Seydor, Jim Kitses, Cordell Strug, John L. Simons, Aljean Harmetz, and Michael Sragow. The book concludes with an appendix and an extensive bibliography.

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title Doing It Right The Best Criticism On Sam Peckinpahs The Wild - photo 1

title:Doing It Right : The Best Criticism On Sam Peckinpah's The Wild Bunch
author:Bliss, Michael
publisher:Southern Illinois University Press
isbn10 | asin:
print isbn13:9780809318636
ebook isbn13:9780585107967
language:English
subjectWild bunch (Motion picture) , Peckinpah, Sam,--1925-1984--Criticism and interpretation.
publication date:1994
lcc:PN1997.W53D6eb
ddc:791.43/72
subject:Wild bunch (Motion picture) , Peckinpah, Sam,--1925-1984--Criticism and interpretation.
Page iii
Doing It Right
The Best Criticism on Sam Peckinpah's
The Wild Bunch
Edited with an Introduction by
Michael Bliss
Southern Illinois University Press
Carbondale and Edwardsville
Page iv
Copyright 1994 by the Board of Trustees, Southern Illinois University
All rights reserved
Printed in the United States of America
Designed by Duane E. Perkins
Production supervised by Natalia Nadraga
00 99 98 97 5 4 3 2
Library of Congress Cataloging-in-Publication Data
Doing it right: the best criticism on Sam Peckinpah's The Wild Bunch / edited with an introduction by Michael Bliss.
p. cm.
Includes bibliographical references.
1. Wild Bunch, The (Motion picture). 2. Peckinpah, Sam, 19251984 Criticism and interpretation.
I. Bliss, Michael, 1947-.
PN1997.W536133D6 Picture 21994
791.43'72 dc20 Picture 3Picture 4Picture 5Picture 6Picture 7Picture 8Picture 99314502
ISBN 0809318636 Picture 10Picture 11Picture 12Picture 13Picture 14Picture 15CIP
The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences Permanence of Paper for Printed Library Materials, ANSI Z39.481984.Picture 16
Page v
For Paul Seydor
Page vii
What Citizen Kane was to movie lovers in 1941, The Wild Bunch was to cinastes in 1969. Its adrenaline rush of revelations seemed to explode the parameters of the screen. The director and cowriter, Sam Peckinpah, turned the last stand of the Hole-in-the-Wall Gang into a wrenching piece of early-twentieth-century mythology. His filmmaking both evinced and catalyzed complex feelings about the outlaws' freedom, brotherhood, and professionalism, their manliness and childishness, and the way they experienced the closing of the West as Purgatory and used Latin America as an escape hatch. The movie remains the most extraordinary summation of Peckinpah's tender-torturous personality. He rips himself open and, against all odds, puts himself back together frame by bloody frame.
The actors include William Holden as Pike Bishop, the Bunch's leader; Robert Ryan as Deke Thornton, his ex-partner and reluctant nemesis; Ernest Borgnine as Dutch, Pike's right-hand gun; and Ben Johnson, Warren Oates, Edmond O'Brien, Strother Martin, Bo Hopkins, Jaime Sanchez, and Emilio Fernandez. The script, cowritten with Walon Green, puts the cast through tests of individual strength and loyalty that dramatize Peckinpah's preoccupations with the bandits' appetites and anarchy, and with the codes and social pressures that rein them in. These trials release the group energy of the most quirkily expressive ensemble ever assembled for an action movie. Holden's forceful, gnarly performance gains from the recent restoration of flashbacks that were cut from the original American-release prints. These scenes depict Pike as a man who screwed up in the past and is now determined to pull off his last job and "do it right." Peckinpah did it right in The Wild Bunch; he produced an American movie that equals or surpasses the best of Kurosawa. The Wild Bunch is the Gtter-dmmerung of Westerns.
Picture 17
MICHAEL SRAGOW, The New Yorker, 19 August 1991
Page ix
CONTENTS
Illustrations
xi
Acknowledgments
xiii
Introduction
xv
Part 1. Prologue
1. Sam Peckinpah, the Storyteller and The Wild Bunch: An Appreciation
Robert Culp
3
Part 2. Dialogue
2. Sam Peckinpah Going to Mexico
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