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Michael Bliss - Justified lives: morality & narrative in the films of Sam Peckinpah

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In the first book to critically examine each of the fourteen feature films Sam Peckinpah directed during his career, Michael Bliss stresses the persistent moral and structural elements that permeate Peckinpahs work.By examining the films in great detail, Bliss makes clear the moral framework of temptation and redemption with which Peckinpah was concerned while revealing the directors attention to narrative. Bliss shows that each of Peckinpahs protagonists is involved with attempting, in the words of Ride the High Countrys Steve Judd, to enter my house justified.The validity of this systematic method is clearly demonstrated in the chapter devoted to The Wild Bunch. By enumerating the doublings and triplings of action and dialogue found in the film, Bliss underscores its symbolic and structural complexity. Beginning the chapters treating Junior Bonner and The Getaway with analyses of their important title sequences, Bliss shows how these frequently disregarded pieces present in miniature the major moral and narrative concerns of the films. In his chapter on The Osterman Weekend, Bliss makes apparent Peckinpahs awareness of and concern with the self-reflexive nature of filmmaking itself.Bliss shows that like John Ford, Peckinpah moved from optimism to pessimism. The films of the directors early period, from The Deadly Companions to Cable Hogue, support the romantic ideals of adventure and camaraderie and affirm a potential for goodness in America. In his second group of films, which begins with Straw Dogs and ends with Bring Me the Head of Alfredo Garcia, both heroes and hope have vanished. It is only in The Osterman Weekend that Peckinpah appears finally to have renewed his capacity for hope, allowing his career to close in a positive way.

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title Justified Lives Morality Narrative in the Films of Sam Peckinpah - photo 1

title:Justified Lives : Morality & Narrative in the Films of Sam Peckinpah
author:Bliss, Michael.
publisher:Southern Illinois University Press
isbn10 | asin:
print isbn13:9780809318230
ebook isbn13:9780585107950
language:English
subjectPeckinpah, Sam,--1925-1984--Criticism and interpretation, Motion pictures--Moral and ethical aspects.
publication date:1993
lcc:PN1998.3.P43B57 1993eb
ddc:791.43/0233/092
subject:Peckinpah, Sam,--1925-1984--Criticism and interpretation, Motion pictures--Moral and ethical aspects.
Page i
Page ii Page iii - photo 2
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Page iii Justified Lives Morality Narrative in the Films of Sam - photo 3
Page iii
Justified Lives
Morality & Narrative in the Films of Sam Peckinpah
Michael Bliss
Southern Illinois University Press Carbondale and Edwardsville
Page iv
Copyright 1993 by the Board of Trustees,
Southern Illinois University
All rights reserved
Printed in the United States of America
Edited by Dan Gunter
Designed by Duane E. Perkins
Production supervised by Natalia Nadraga
97 96 95 94 4 3 2 1
Library of Congress Cataloging-in-Publication Data
Bliss, Michael
Justified lives: morality and narrative in the films of Sam
Peckinpah / Michael Bliss.
p. cm.
Includes bibliographical references and index.
1. Peckinpah, Sam, 19251984.Criticism and interpretation.
2. Motion picturesMoral and ethical aspects. I. Title.
PN1998.3.P43B57 1993
791.43'0233'092dc20Picture 4Picture 5Picture 6Picture 792-37684
ISBN 0-8093-1823-7Picture 8Picture 9Picture 10Picture 11Picture 12CIP
The paper used in this publication meets the minimum requirements of American National Standard for Information SciencesPermanence of Paper for Printed Library Materials, ANSI Z39.48-1984. Picture 13
Page v
For Milton Bliss
Page vii
Contents
Plates
ix
Acknowledgments
xi
Introduction
1
1. Couples
17
2. Riding High on Morality
32
3. Dandy Tyrant
58
4. Like It Used to Be
78
5. This Cactus Eden
127
6. Dogs of War
142
7. Memory and Desire
164
8. Breaking Out for Love
196
9. Star Packer
217
10. Head Games
251
11. Cold Killers
263
12. The Graveyard Where the Iron Crosses Grow
274
13. Dead Truck Stop
288
14. His Last Bow
294
Afterword
305
Notes
311
Filmography
333
Bibliography
347
Index
349

Page ix
Plates
Picture 14
1. Yellowleg, Turkey, and Billy in The Deadly Companions
18
Picture 15
2. An unholy alliance, watched over by Death, in the form of Kit's son
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