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Kate Bornstein - Gender Outlaw: On Men, Women, and the Rest of Us

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    Gender Outlaw: On Men, Women, and the Rest of Us
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Acclaim for KATE BORNSTEINS GENDER OUTLAW While Bornstein covers an - photo 1
Acclaim for KATE BORNSTEINS
GENDER OUTLAW

While Bornstein covers an incredible rangefrom the nuts and bolts of her surgery to more abstract musings on a brave new gender-free worldthe book never stops fascinating. [She offers us] an abundance of questionsthoughtful, disarming, revelatory questions. Gender Outlaw is an invitation to a dialogue, and its a conversation well worth having.

Ms.

Kate Bornstein argues eloquently and passionately for scrapping the categories of women and men. Agree. Disagree. Read it!

Leslie Feinberg, author of Stone Butch Blues

The first book of gender theory written by a transgendered personincludes countless insights, trenchant cultural analysis, and generous wit.[It] will surely become a classic.

Washington Blade

[Bornstein is on the] leading edge of contemporary debate about sexual identity and gender. [She] asks fundamental and challenging questions about what it means to be a man or woman in our society.

San Francisco Chronicle

Gender Outlaw is an eye-opening book, combining the emotional force of a coming-of-age story with a savvy cultural critique.

Out

A radical document.

The Nation

Kate is an orgasm on two legs. Reading this book gives me a heart orgasm, and it could give you one too! Gender Outlaw is a great work of love.

Annie Sprinkle, performance artist

Kate Bornstein is a fierce and funny voice on the front lines of gender and sexual identity. Her wise heart and wild imagination challenge us to really own our bodies, our desires, our dreams.

Tim Miller, performance artist

KATE BORNSTEIN
GENDER OUTLAW

Kate Bornstein divides her time between the San Francisco Bay Area and Seattle. Her stage work includes her solo performance pieces The Opposite Sex Is Neither and Virtually Yours. When not writing or performing, Kate can be found cuddling with Gwydyn, following the adventures of Hothead Paisan, or prowling the Net, playing vampire role-playing games and Star Trek.

FIRST VINTAGE BOOKS EDITION MAY 1995 FIRST VINTAGE EBOOK EDITION MAY 2016 - photo 2
FIRST VINTAGE BOOKS EDITION MAY 1995 FIRST VINTAGE EBOOK EDITION MAY 2016 - photo 3

FIRST VINTAGE BOOKS EDITION, MAY 1995

FIRST VINTAGE EBOOK EDITION, MAY 2016

Afterword to the first Vintage Books edition is copyright 1995 by Kate Bornstein

All rights reserved. Published in the United States by Vintage Books, a division of Penguin Random House LLC, New York, and distributed in Canada by Random House of Canada, a division of Penguin Random House Ltd., Toronto. Originally published in hardcover by Routledge, New York, and in Great Britain by Routledge, London, in 1994.

Vintage and colophon are registered trademarks of Penguin Random House LLC.

The author gratefully acknowledges the permission of Issues Monthly (February 1991) to reprint Nuts and Bolts and the Lesbian Thing in this volume.

Photo credits: pp. ii, 226: Dona Ann McAdams; p. 112: Glenn Tonneson; p. 142: Ingrid White; p. 166: David Harrison; p.224: Janet Van Ham.

Cataloging-in-Publication Data is on file at the Library of Congress.

Vintage Books Trade Paperback ISBN: 9780679757016

eBook ISBN: 9781101974612

www.vintagebooks.com

This book is dedicated to my friend and teacher, John Emigh, who taught me about laughter and acting, who showed me it was OK to break some rules and to follow some others, who responded to my gender change with both respect and a good sense of humor, and who encouraged me to continue working in theater when I was sure Id have to give it up. Bless you and thank you, Johnyouve always asked me challenging questions.

In Loving Memory of:

Doris Fish

Tippi

Lou Sullivan

Tedde Matthews

John Payne

Leland Moss

Ethyl Eichelberger

Charles Ludlam

Kelly

Christine Jorgensen

and

Billy Tipton

come see whats on the inside!
first things first I keep trying to integrate my life I keep trying to make - photo 4
first things first I keep trying to integrate my life I keep trying to make - photo 5
first things first

I keep trying to integrate my life. I keep trying to make all the pieces into one piece. As a result, my identity becomes my body which becomes my fashion which becomes my writing style. Then I perform what Ive written in an effort to integrate my life, and that becomes my identity, after a fashion.

My mother was so proud to have given birth to a son Today our friendship is - photo 6

My mother was so proud to have given birth to a son. Today, our friendship is more than either mother-son or mother-daughter.

1
TRANSGENDER STYLE

Some Fashion Tips

People are starting to ask me about fashion. I love that! Maybe they think the doctor sewed in some fashion sense during my genital conversion surgery.

I see fashion as a proclamation or manifestation of identity, so, as long as identities are important, fashion will continue to be important. The link between fashion and identity begins to get real interesting, however, in the case of people who dont fall clearly into a culturally-recognized identitypeople like me. My identity as a transsexual lesbian whose female lover is becoming a man is manifest in my fashion statement; both my identity and fashion are based on collage. You knowa little bit from here, a little bit from there? Sort of a cut-and-paste thing.

And thats the style of this book. Its a transgendered style, I suppose. I can see it in the work of Susan Stryker, Sandy Stone, David Harrisonthe list goes on and on.

But the need for a recognizable identity, and the need to belong to a group of people with a similar identitythese are driving forces in our culture, and nowhere is this more evident than in the areas of gender and sexuality. Hence the clear division between fashion statements of male and female, between the fashions of queer and straight.

In my case, however, its not so clear. I identify as neither male nor female, and now that my lover is going through his gender change, it turns out Im neither straight nor gay. What Ive found as a result of this borderline life is that the more fluid my identity has become, and the less demanding my own need to belong to the camps of male, female, gay or straight, the more playful and less dictatorial my fashion has becomeas well as my style of self-expression.

Will the identification with a transgendered writing style produce an identification with a transgendered experience?

Anyone who knows fashion will tell you that the operative word is accessorize! Thats how I dress in the morning. Thats how I shift from one phase of my life to the nextfirst I try on the accessories. And thats also part of the style of this book: Ive added some accessories here and there to spice it up a bit.

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