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Judy McCoy - Rap music in the 1980s: a reference guide

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Rap music in the 1980s: a reference guide: summary, description and annotation

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In 1980 Rappers Delight made Billboards Hot 100. In 1990 Please Hammer Dont Hurt Em was Number One album of the year. McCoy cites the literature documenting the rise of rap music during that crucial decade. An annotated bibliography lists 1,070 articles, books, and reviews pertaining to rap music, artists, culture, and politics and published from 1980 through 1990. A 76-entry discography discusses rap albums released during those years that contributed to rap musics evolution or popularity, or to the development of popularity of a subgenre. The author includes albums nominated for major music awards, milestone albums, and most albums appearing on Billboards year-end charts. A section of compilation albums includes early rap classic singles and tracks of raps early stars. Date and subject indexes.

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Page i
title Rap Music in the 1980s A Reference Guide author McCoy - photo 1

title:Rap Music in the 1980s : A Reference Guide
author:McCoy, Judy.
publisher:Scarecrow Press
isbn10 | asin:0810826496
print isbn13:9780810826496
ebook isbn13:9780585047133
language:English
subjectRap (Music)--History and criticism--Bibliography, Rap (Music)--Discography.
publication date:1992
lcc:ML128.R28M3 1992eb
ddc:782.42164
subject:Rap (Music)--History and criticism--Bibliography, Rap (Music)--Discography.
Rap Music in the 1980s
a reference guide
Judy McCoy
Picture 2
The Scarecrow Press, Inc.
Metuchen, N.J.,& London
1992
Page ii
British Library Cataloguing-in-Publication data available
Library of Congress Cataloging-in-Publication Data
McCoy, Judy, 1946
Rap music in the 1980s : a reference guide / by Judy McCoy.
p. cm.
Discography: p.
Includes indexes.
ISBN 0-8108-2649-6 (acid-free paper)
1. Rap (Music)--History and criticism--Bibliography. 2. Rap (Music)--Discography. I. Title.
ML128.R28M3Picture 31992
782.42164--dc20Picture 4Picture 5Picture 6Picture 7Picture 892-39684
Copyright 1992 by Judy McCoy
Manufactured in the United States of America
Printed on acid-free paper
Page iii
This book is dedicated to embattled artists everywhere
and
To those who protect and defend the right for all
viewpoints to be expressed, disseminated, and supported.
Page v
Acknowledgments
There were numerous persons who cheered me along this project, and without their support and good wishes, I'm not sure I could have sustained this effort. I wish especially to thank the following individuals, groups and institutions:
My father, Jim McCoy, who virtually funded this project. That he did so in spite of its subject matter attests to his generous spirit; and my mother, Nina McCoy, who was always willing to listen to me talk about it. My husband, Jim Harper, a fine artist who designed the graphics; and our good friends, Bob and Janie Miron, who kept me in office space so this book could actually get written. Pat Henderson, who designed the layout and typeset this manuscript. All of my friends who have been there for me even when I was absent from them. My teachers at the University of North Texas Graduate School of Library and Information Sciences. No student could ask for stronger role models. Fort Worth Public Library's Periodicals and Documents department for the extensive assistance from all of their staff, especially the excellent pages: Daniel Hererra, who knows the status of every pop music magazine subscription in the department; Mary Jane Savage, whose constant interest in this project helped sustain my own; Carah Jones, who was so clever about keeping the reader/printer functioning; Yolanda Reed, who graciously pulled endless issues of magazines and boxes of microfilm for me, and never once failed to smile. The Fort Worth Public Library, the Dallas Public Library and the University of North Texas Music Library. They alone among Texas libraries had the materials necessary to accomplish this research.
Thanks to the music critics who provided so many hours of mind-blowing readingI never even knew it was out there! And to MTVwho dreams up that stuff? Thanks to the rappers for putting their lives and their talents and their stories on the line for us to use, enjoy, love, hate, criticize, praise, and never look back to the awesome power they have to move us, to entertain us, to inspire us, to teach us, to ennoble us with their great gift.
Page vii
Table of Contents
Acknowledgments
v
How to Use This Book
ix
Introduction
xiii
Chapter 1A Guide to the Literature
1
Chapter 2 A Selected Discography
186
Date Index
221
Subject Index
225
Artist and Personality Index
239
Title Index
249
About the Author
261
About the Illustrator
261

Page ix
How to Use This Book
When Sugarhill Records released the 12-inch single, "Rapper's Delight," in 1979, rap artists practiced their craft in the clubs and on the streets of New York. Homemade tapes circulating among teenagers provided the main source for distributing the music to fans. No one except kids seemed to enjoy it, and parents and music critics alike called it a fad and predicted a quick and painless end.
But something happened to rap music on its way to a speedy demise. In November 1979, "Rapper's Delight" reached the Top 5 on
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